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    Eponymous
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  •        
    12 Dec 2011

    Happy Birthday

    Last night, as an end to my 30th birthday weekend, I went to see The Birthday Massacre in Teaneck. The show was at the Mexicali Live which is a rather small, intimate venue with full table service for dining, and a bar with some really good microbrews on tap.

    The first act was A Verbal Equinox. I thought they were pretty good, especially considering they all seemed to be still in high school. Their set was pretty tight, with mostly original songs and a My Chemical Romance cover. Frankly, I think they did the MCR song just as well, if not better, than MCR. They definitely had a good rhythm section.

    The next band, who shall remain nameless, was described by some as "Armenian Industrial." I thought the music was good, but I wished the singer would just shut up. No singing, no talking to the crowd. Just. Shut. Up. Their set would have been awesome as an instrumental.

    During their set they had two "gothy cheerleaders" on stage. It turned out that one of them was my friend's niece. Kinda random.

    After their set, I ran into a couple of the kids from the first band and talked to them a bit. I told them I liked what I heard and they thanked me and gave me a CD-R labeled with sharpie containing their first recorded single. Something about that is just awesome.

    The Birthday Massacre was great. They played a good mix including songs from every album.

    If you care (or even if you don't), their set list follows:
    • Pins and Needles
    • Control
    • Happy Birthday
    • Forever
    • Burn Away
    • Shallow Grave
    • Always
    • Weekend
    • Video kid
    • Blue
    • Looking Glass
    • Lover's End
    • In the Dark
    • Horror Show
    • Red Stars
    • -- Encore --
    • Sleep Walking
    • Midnight


    They didn't play my favorite song, "Broken," but I was not disappointed in the set at all. After they finished, Rainbow was on stage for a bit talking with people from the crowd. I told him it was a great show and asked if they'd be playing "Broken" at tonight's show with Dir En Grey. He said it wouldn't be in the set, but he loves that song and they'd rehearse it for their next tour.



    The Birthday Massacre on stage at Mexicali Live in Teaneck, NJ
    A rather blurry picture of The Birthday Massacre from the show.

    [/musings] [permanent link]

    Happy Birthday

    Last night, as an end to my 30th birthday weekend, I went to see The Birthday Massacre in Teaneck. The show was at the Mexicali Live which is a rather small, intimate venue with full table service for dining, and a bar with some really good microbrews on tap.

    The first act was A Verbal Equinox. I thought they were pretty good, especially considering they all seemed to be still in high school. Their set was pretty tight, with mostly original songs and a My Chemical Romance cover. Frankly, I think they did the MCR song just as well, if not better, than MCR. They definitely had a good rhythm section.

    The next band, who shall remain nameless, was described by some as "Armenian Industrial." I thought the music was good, but I wished the singer would just shut up. No singing, no talking to the crowd. Just. Shut. Up. Their set would have been awesome as an instrumental.

    During their set they had two "gothy cheerleaders" on stage. It turned out that one of them was my friend's niece. Kinda random.

    After their set, I ran into a couple of the kids from the first band and talked to them a bit. I told them I liked what I heard and they thanked me and gave me a CD-R labeled with sharpie containing their first recorded single. Something about that is just awesome.

    The Birthday Massacre was great. They played a good mix including songs from every album.

    If you care (or even if you don't), their set list follows:
    • Pins and Needles
    • Control
    • Happy Birthday
    • Forever
    • Burn Away
    • Shallow Grave
    • Always
    • Weekend
    • Video kid
    • Blue
    • Looking Glass
    • Lover's End
    • In the Dark
    • Horror Show
    • Red Stars
    • -- Encore --
    • Sleep Walking
    • Midnight


    They didn't play my favorite song, "Broken," but I was not disappointed in the set at all. After they finished, Rainbow was on stage for a bit talking with people from the crowd. I told him it was a great show and asked if they'd be playing "Broken" at tonight's show with Dir En Grey. He said it wouldn't be in the set, but he loves that song and they'd rehearse it for their next tour.



    The Birthday Massacre on stage at Mexicali Live in Teaneck, NJ
    A rather blurry picture of The Birthday Massacre from the show.

    [/tbm] [permanent link]


       
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  •        
    14 Mar 2017

    Ninth Runniversary
    Yesterday was my ninth runniversary. Like my first day running, I ran on the treadmill while listening to Broken. Unlike the first time, I only listened to it once, and covered 4.48 miles during the duration of the EP, thanking God every step of the way.

    I'm confident in knowing that the bone in my ankle has healed completely now; however, I'm still rebuilding the muscle in that ankle and the rest of that leg. There was significant atrophy during the early phases of recovery. Slowly as it may be, I am making progress, and I am thankful for that.

    [/running] [permanent link]


       
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  •        
    24 Aug 2016

    An Observation
    There is something satisfying about driving in a DeLorean while listening to The Clash's Live: From Here to Eternity.

    [/dmc] [permanent link]

    13 Aug 2016

    What Year is This?!
    So this was my Saturday night....
    A bottle of Crystal Pepsi with Metallica's Ride the Lightning and
Joy Division's Unknown Pleasures vinyl records sitting on the hood of a
DeLorean Joy Division's Unknown Pleasures on a record player

    [/musings] [permanent link]

    09 Aug 2016

    He's Not Wrong...
    Over at Net Meister there's a nice peice entitled Things They Don't Teach You in School". A lot of what Jan has to say is spot-on observation and good advice.

    It's definitely worth a read.

    [/code] [permanent link]


       
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  •        
    29 Aug 2012

    Migraine
    I hate waking up with migraines.

    [/musings] [permanent link]

    28 Aug 2012

    freebsd-update
    I'm attempting to update my laptop from FreeBSD 9.1-Beta1 to 9.1-RC1. The freebsd-update(8) utilitly was reporting an error finding the public key. A quick search found this thread. As per tangram's suggestion, I used

    env UNAME_r=9.0-RELEASE freebsd-update upgrade -r 9.1-RC1

    and then the update began working.

    [/unix] [permanent link]

    20 Aug 2012

    unHide
    After a friend's computer became infected with some malware that hides files in your home directory and tries to extort money from you in order to "recover" your data, I was inspired to write this little program.

    All it does is search for hidden, non-system files and unhides them. It defaults to the user's home directory (My Documents), but other directories can be chosen.

    If anyone wants to try it out, please do. If you do try it, let me know what parts I can do better. I primarily work on embedded systems and Unix daemons professionally; the user only knows my software exists when it isn't working. As such, I have very little experience with GUIs or human-computer interactions. Any feedback would be much appreciated.

    The Windows executable can be found at: http://www.skinnymf.com/~mforde/unHide/. Source code is available upon request.

    [/code] [permanent link]


       
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  •        
    17 Dec 2009

    MTA
    Why is the MTA's budget each year referred to as a "doomsday" budget? They vote on it every year, and every year it's approved, and every year they get subsidised by the tax payers and toll payers. So why is it a "doomsday" budget? They're not going out of business, although it sure seems their worker's union would like to see that happen given their demands.

    [/politics] [permanent link]

    16 Dec 2009

    Don't they have better things to do?
    It has come to my attention that Congress, in their infinite wisdom, has decided to write legislation against television commercial advertisements having a louder perceived volume than the actual programming.

    While I do sometimes find this annoying, do we really need an act of congress to outlaw this? Shouldn't our representatives be doing something better with their time, like repealing hundreds of laws that hinder the free market economy and trample the Constitutionally guaranteed rights of the citizens?

    Of course not, that would threaten their power.

    [/politics] [permanent link]

    09 Dec 2009

    Who... What are you?
    I was running earlier tonight and around mile 7 I was going up a steep, winding, dark hill. Near the top a couple was walking their dog. They saw the flashing lights on my shoes and wrists and, when I got close to them, the woman said, "We were trying to figure out what you were."

    "I'm a runner."

    [/running] [permanent link]

    05 Dec 2009

    1260056285
    Hibachi in Ballston. People in VA are still afraid of snow.

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    01 Dec 2009

    :)
    It's amazing how a simple email containing only a smiley emoticon can brighten one's day.

    [/musings] [permanent link]


       
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  •        
    16 Dec 2009

    Don't they have better things to do?
    It has come to my attention that Congress, in their infinite wisdom, has decided to write legislation against television commercial advertisements having a louder perceived volume than the actual programming.

    While I do sometimes find this annoying, do we really need an act of congress to outlaw this? Shouldn't our representatives be doing something better with their time, like repealing hundreds of laws that hinder the free market economy and trample the Constitutionally guaranteed rights of the citizens?

    Of course not, that would threaten their power.

    [/politics] [permanent link]


       
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  •        
    21 Jun 2013

    Excluding directories while using pax(1)
    My primary disk is failing. There are large segments that are generating low level IO errors during read or write operations. Most of the files written to the bad area were under /usr/ports/ where the FreeBSD Ports collection is installed. A few files were under the web server's root.

    Figuring I'd take care of things prior to the disk actually failing to the point of it being irrecoverable, I purchased a new disk early. I installed it, partitioned it, and formatted it.

    To copy the data over, ignoring the areas that were causing the IO errors, I used mv to "move" the files from the web root under /usr/ports and used the following command as root:

    pax -rwvpe -s':/usr/ports/.*::gp' -X / /mnt/newdisk/

    The -X prevents pax from traversing into mount points that have a different device ID than the one on which it was started. This prevents an infinitely recursive loop from happening when the new disk's mount point would have been hit. It also prevents data on the non-failing disks from being copied as well.
    the -s option allows for sed search and replace scripts to be run. In this example, the : is used as the delimiter and any path matching /usr/ports/* is replaced by a null string. With this replacement all directories under /usr/ports are excluded from the copy.

    [/unix] [permanent link]


       
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  •        
    05 Nov 2008

    Running...
    On Saturday I ran in the Beavertown 5K Fall Classic. The run took place in near my home, so I ran the two miles to the registration location. About a half hour after I signed in, the 5K started. Once I finished, I ran the I ran the (roughly) two and a half miles back home.

    I did much better than in my previous 5K runs this year. I took almost 12 and half minutes off my time from the Lincoln Tunnel 5K, and over 4 minutes from my previous best.

    I think a lot of the improvement in the shorter distances can be attributed to the fact that I've been training on longer distances lately. In the past two months I've been running about eight to ten miles each day.

    A few weeks ago I ran my first half marathon distance. About 10 days ago I ran 20 miles, and took 15 minutes off my time in the half marathon. I promptly fell apart after that and my pace slowed dramatically.

    Yesterday I attempted another 20 miles and did not fall apart completely after the first 13. I made it to the 15 mile mark before I had any problems. I managed to finish the run and take a half hour off my previous time.

    [/running] [permanent link]


       
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  •        
    26 Sep 2009

    Fifth Avenue Mile
    The results are in. I did the mile in 5:34, three seconds faster than I had ever done in training. One mile down, 18 more to go tomorrow morning.

    [/running] [permanent link]

    25 Sep 2009

    A Weekend at the Races
    Tomorrow is the Fifth Avenue Mile and Sunday is the Marathon Tune-Up. I'm looking forward to both. If all goes well, I should be done with tomorrow's race in under six minutes. Sunday's race I'm aiming for a time between 135 and 140 minutes. We'll see what happens...

    [/running] [permanent link]

    21 Sep 2009

    Hope Chest
    A conversation I had while helping some friends move:

    me: So what do they keep in this hope chest?
    Jaxon: Hope.
    me: So that's why it's so light.

    [/musings] [permanent link]

    18 Sep 2009

    Product Review: ASICS Cumulus-10
    This is the second installment of my running product reviews. Last time I said I'd discuss my "current running shoe" but my training has turned me into a liar. I'm still going to discuss the ASICS Cumulus-10, but it is no longer my current running shoe.

    At this point, the Cumulus-10 can still be found, although supplies are limited. I recently tried to purchase a second pair of these and was unable to find them in my size. I could have had a 9.5 or a 12, but not the 10.5 I needed.

    When the Nike Tailwinds no longer provided adequate cushioning, I had to find a new shoe, one that would work for a lighter runner. After reading reviews online and in magazines, particularly Runner's World, I went over to Fleet Feet in Montclair and talked to the sales staff there.

    After trying on a few pairs, I decided on the Cumulus-10 but wanted to wait until after the Brooklyn Half Marathon, a week away, before breaking in new shoes. This is not what happened. Because of the lack of cushioning in the Tailwinds, I ended up with horrible shin splints during my lunch time run the day before Brooklyn. I called up fleet feet, asked them to hold a pair of the Cumulus-10s for me and I picked them up that evening. I ran in them for the first time the next morning in the Brooklyn Half.

    Those shoes were amazing. They were soft enough to provide the compression needed for good cushioning at my weight. And while they were soft, they weren't mushy either. The ASICS GEL cushioning system is in place in both the heel and the forefoot, providing ample shock absorption for heel strikes and mid- to fore-foot strikes.

    The toe box was slightly narrow, but starting the laces one hole up from the bottom provided enough extra space while keeping my foot firmly in place.

    The sole in the forefoot is wide; wider than the sole in the Tailwinds. This provides support for the foot during the toe-off portion of the stride.

    The Cumulus-10 served me well until I had put just under 600 miles on them. At that point the cushioning was worn down and not as effective as it once was. I retired them about a week after the NYC Half Marathon in August giving me about 12 weeks worth of running. In actuality, I should have retired them after about 10 weeks.

    I recommend the ASICS Cumulus-10 for lighter runners with normal to low arches. Left over stock of the Cumulus-10 can be found at EastBay's website for $69.99 (both men's and women's), although many sizes are unavailable at this time.

    Next time, we'll discuss my current running shoe, the ASICS Cumulus-11. I've been slacking a bit so I only have about 250 miles on this pair so far. Hopefully I'll post the review before I hit 500 miles and retire these.

    [/running/reviews] [permanent link]

    17 Sep 2009

    Can't Argue with That...
    Well, I have to admit it; there's one issue I agree with Obama on: Kayne West is a jackass.

    [/politics] [permanent link]

    16 Sep 2009

    The Biggest Loser
    Last night was supposed to be my night off. My IT-band and my hamstring in my left leg have been tight the last few days so I spent some time stretching, but that was to be the extent of my workout.

    I started watching the season premier of The Biggest Loser. After about a half hour of that, I felt "motivated" and I spent an hour core training. Watching those contestants at such an early stage of the game made me remember what I have accomplished, how hard I worked for it, and that it will be a never ending battle.

    Sure I'm running 50 to 60 miles a week now. Sure I'm spending hours weight lifting and core training every week. I've taken my BMI from 36.5 to 20.0, and now begins the next phase, keeping the weight off. I can't become complacent. If I do, I will have lost.

    [/musings] [permanent link]

    11 Sep 2009

    TBMChicago
    TBMChicago has some live footage of The Birthday Massacre as well as galleries of photographs taken during performances and after shows hanging out with fans.

    I'm a little shocked that it's taken me this long to find this site. But then again, I'm usually out of the loop on things so maybe it shouldn't be too surprising.

    I'm waiting for the DVD release of Show and Tell. I haven't found a release date yet, but I could just be out of the loop yet again.

    [/musings] [permanent link]


       
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  •        
    17 Oct 2013

    ... On man pages, a mini-rant
    I really despise the linux man pages. They're useless at best and wrong at worst.

    From the man page for setsockopt: "The include file <sys/socket.h> contains definitions for socket level options, described below."

    1) The options are not "described below."
    2) No, that file actually doesn't contain those definitions.

    On the other hand... The FreeBSD man page for setsockopt does actually describe the options and under FreeBSD the <sys/socket.h> file does indeed contain the definitions.

    [/unix] [permanent link]

    16 Oct 2013

    [mini-rant]
    I hate bash. I hate it. I hate how it bastardized bourne by adding half-assed implementations of features from ksh and tcsh.

    [/unix] [permanent link]

    12 Oct 2013

    Problems with loader.conf

    First the background. The story of how I got into this mess:



    I'm trying to get ACPI working on my laptop under FreeBSD. Specifically, I'm trying to get Resume to work properly. Suspend works, and resume seems to partially work. The fans spin up, the keyboard's backlight comes back on, but no screen. And without video, it's a little hard to figure out what's going on.

    ACPI works great on my server. It's running the same FreeBSD 9.1 x86-64 build that the laptop is, but the biggest difference is that it's an intel motherboard. The laptop is an Alienware, for our purposes, I might as well just call it a Dell.

    I started comparing the ASL output from both machines and noticed some things. First, the Alienware's ACPI implementation looks for the OS to be various forms of Windows or "Linux." The intel ACPI implementation also looks for these Windows variants and "Linux" but it has an additional OS string. It has an entry for "FreeBSD."

    I figured the easiest next step was to use iasl co compile the intel ASL source and load that DSDT onto the laptop.

    I calculated the odds it would work vs the odds I was doing something incredibly stupid... and I went ahead and did it anyway...

    I compiled the asl and I set /boot/loader.conf to override the DSDT with the intel one I had just compiled and I rebooted. At first everything was good. The machine went down, I got the boot loader, and the FreeBSD kernel started to load. Seconds into the kernel load, it rebooted itself. After the second time, I powered off and tried a cold boot. Same problem just as I had feared.

    Now i was in a situation where I couldn't successfully boot because of an error in loader.conf I needed to find a way to edit it.

    And here's the solution:



    The FreeBSD bootloader, like many others, works in stages. At a certain point, it can be interrupted at which point it provides a set of simple yet powerful commands to control various aspects of the loading process. If you still have that default menu at load, I beleive the option to chose is 6. I disable that menu so during a brief countdown I hit escape before the boot loader turns control over to the kernel.

    Once in the boot loader prompt, I entered the following commands:

    unload
    load kernel
    boot
    


    Pretty simple right? The unload command does what it says, it unloads the kernel and any modules loader.conf had pulled into memory. The load kernel command grabs the kernel and loads it into memory... but only the kernel thus ignoring the broken DSDT in loader.conf. And of course boot tells the boot loader to continue booting the system.

    Once booted, I removed the bad DSDT from loader.conf.

    [/unix] [permanent link]

    10 Oct 2013 05 Oct 2013

    1381017534
    Good night, demonslayers.

    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    1381006292
    --_CEEC49CB-DE1D-4A1E-9DFE-114E3B54D3CB_
    Content-Transfer-Encoding: quoted-printable
    Content-Type: text/plain; charset="Windows-1252"

    Test blog

    Sent from my Windows Phone=

    --_CEEC49CB-DE1D-4A1E-9DFE-114E3B54D3CB_
    Content-Transfer-Encoding: quoted-printable
    Content-Type: text/html; charset="Windows-1252"


    pe>


    Test blog R>
    Sent from my Windows Phone
    =

    --_CEEC49CB-DE1D-4A1E-9DFE-114E3B54D3CB_--

    [/mobile] [permanent link]

    1381005175
    Corning is a quaint little town. Looking forward to exploring.

    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]


       
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  •        
    14 Jun 2009

    The new phone book is here!
    I am now officially 5% rockstar. At least I am according to the New York Times. I am now the proud owner of DeLorean #6291 manufactured in November of 1981.



    closed
doors open
doors

    [/dmc] [permanent link]


       
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  •        
    18 Jul 2008

    Yet Another Charity 5K
    On August 4th I will be participating in Hoboken's 17th Annual 5K Run/Walk Against Crime & Drugs.

    Some police officers told me about the run on Tuesday after I finished the Party With Purpose run. They said the money raised would be donated to various Veterans' organizations.

    This run in August will be the same course as this week's, a map of which can be found here. I enjoyed the course. It was rather flat (especially compared to the Lincoln Tunnel Run) and there was a nice breeze coming off the Hudson.

    I urge any and all of you who will be in the area to participate in the event. More information can be found at Active.com.

    [/musings] [permanent link]


       
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    29 Dec 2021

    Fireside Chat


    Tonight I signed up for the Fireside beta. They asked for all my social media accounts to prove I'm a human. The problem is, I don't have a twitter account, a facebook account, instagram, etc. Years ago I took the advice of numerous psychology studies and my own therapist's advice and got off the social media platforms. It was one of the best things I've ever done for my mental health.

    So hopefully this blog, though infrequently updated (and slightly broken since the last major perl update), will serve as proof to the people at Fireside that I am human and not a bot.

    It was the Astonishing Legends Podcast that led me to Fireside. It would be nice to use it for one of their interactive live chats sometime.

    [/musings] [permanent link]


       
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    07 Oct 2012

    Signs of the Apocalypse
    A friend told me this was from Glee. I found it amusing; thought I'd share.

    It's a fact that the book of Revelations predicted Twitter. It's one of the seven signs of the apocalypse; Along with porn, unexplainable weather anomalies, martian rovers, Barney Frank, the middle east and MSNBC. It's like Kirk Cameron said, "It's never too late, until it's too late."

    [/musings] [permanent link]


       
    Eponymous
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    18 Jun 2013

    Senator Elbert Guillory
    Elbert Guillory, a state senator in Louisiana, has switched his party affiliation from Democrat to Republican. This website has a short commentary on the matter, as well as an embedded video of Senator Guillory explaining his decision.

    [/politics] [permanent link]


       
    Eponymous
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  •        
    13 Mar 2018

    Tenth Runniversary
    Today is my tenth runniversary. It's been a decade since I first stepped on that treadmill. Like my first day running, I ran on the treadmill while listening to br\oken. I've had some set backs in my recovery. Not properly rehabilitating the atrophy in the left leg has caused some problems with the muscles around my hip. Listening to my trainer only made it worse. But now I'm taking care of it properly. Like that first day ten years ago, I have a goal I am working toward. This time it is the Dublin Marathon in October. This will be marathon number 13. I don't expect to PR. I think 10 minute miles are a much more reasonable goal at this point, but frankly I'll be happy just to cross that finish line. It's been a long, hard road out of Hell, but God has been by my side and put some amazing people in my life to help me along the way. I have to thank the Giraffes for today. I have to thank the Giraffes for much of my life this last decade. I was heading for an early grave, and they changed that. Giraffes, I thank you from the bottom of my heart and I look forward to running the LTC and many other races with you in the next decade.

    [/running] [permanent link]

    14 Mar 2017

    Ninth Runniversary
    Yesterday was my ninth runniversary. Like my first day running, I ran on the treadmill while listening to Broken. Unlike the first time, I only listened to it once, and covered 4.48 miles during the duration of the EP, thanking God every step of the way.

    I'm confident in knowing that the bone in my ankle has healed completely now; however, I'm still rebuilding the muscle in that ankle and the rest of that leg. There was significant atrophy during the early phases of recovery. Slowly as it may be, I am making progress, and I am thankful for that.

    [/running] [permanent link]

    26 Sep 2016

    Don't Call it a Comeback
    On June fourth, I was running in the Tourne on a trail I first ran twenty years ago, a trail I've run hundreds if not thousands of times before. On that morning, my foot came down on a wet rock at just the wrong angle, slipped just enough and I rolled my ankle. Not only did I roll the joint, I came down on it with enough force to break it; a fact I would learn when I final saw a doctor about it on June ninth.

    No surgery was required, but I was unable to run for three months. I was finally cleared to run. The plan was to start with short distances, about a quarter mile, on a rubberized track then build up from there, moving on to treadmills and eventually roads and trails. I was instructed to spend six months rebuilding my 60 mile per week base.

    On the morning of September 11 (a day I will never forget and a morning that will always make me feel a bit uneasy), I took to the track for the first time. I started by walking a mile. As I finished the fourth lap, I said a prayer, asking God to give me the run I needed and the wisdom to know when to stop. I queued up my playlist: AC\DC's "Back in Black" and LL Cool J's "Mama Said Knock You Out." I took my first stride.

    I've been progressing well in the last two weeks; pushing it on some days, resting when necessary. Though the short, slow distances have been frustrating, it feel good to be running again. Every stride I take I'm reminded of everything I love about the sport.

    It's good to be back.

    [/running] [permanent link]

    03 Jun 2015

    National Running Day ... part 5
    This evening on my second run, I met up with one of the middle school kids I had coached on the cross country team. He was driving (because he's not in middle school anymore) and stopped at an intersection waiting for me to cross. He called out to me, I stopped, and we chatted briefly.

    Although the conversation was brief, I realized that I had left an impression on him, I had made a difference, however small, in his life. And no matter what else happens, nothing can change that.

    Happy National Running Day!

    [/running] [permanent link]

    09 Aug 2013

    chafing...
    WARNING: possible TMI

    I thought I had healed from the chafing left after Saturday's River to Sea Relay... Until I ran in the rain yesterday. To quote a friend, "It feels like someone took a cheese grater to my crotch."

    [/running] [permanent link]

    22 Jul 2013

    Why do I run?
    So, why do I run? Here's one reason:


    [/running] [permanent link]

    30 Apr 2013

    I LOL'ed

    PATIENT: "The problem is that obesity runs in my family."
    DOCTOR: "No, the problem is that no one runs in your family."

    [/running] [permanent link]

    17 Jan 2012

    Races, Races, Races
    I've been busy the last few weeks or so; I've done a few races.

    • On October 30, I ran the Marine Corps Marathon in Arlington, VA and Washington D.C.
    • On November 5, I ran the Beavertown Fall Classic 5K in my hometown.
    • On November 6, I ran the New York City Marathon for the second time.
    • On November 19, I ran the Knickerbocker 60K Ultramarathon in Central Park.
    • On December 3, I ran NJ Winter Trail Series Race #1 Half Marathon in Wayne.
    • On December 10, I ran the NYRR Jingle Bell Jog in Prospect Park.
    • On January 7, I ran the Walt Disney World Half Marathon, part one of Goofy's Race and a Half Challenge.
    • On January 8, I ran the Walt Disney World Marathon, completing the Goofy Challenge.

    In 10 weeks I ran a 5K, a 6K, two Half Marathons, three Marathons, and an Ultramarathon, plus a few training runs in there...

    And last night Wii Fit called me a couch potato.

    In defense of the game, I hadn't used it in 547 days, and I'm now 11 pounds heavier than when I had last used it. It has no way of knowing that the vast majority of that weight gain was lean mass. It also has no way of taking into account all that I've done outside the game.
    Even with that in mind, it's still a little frustrating to be called a couch potato after running a marathon and a half last weekend.

    Each of these races were pretty special. I ran MCM alongside some fairly awesome people; people who I consider to be among my closest friends. In the Beavertown 5K, I somehow managed to take 12th overall and 5th in my age group without really trying.

    At NYC and then at the Knickerbocker, I ran with the friend who got me started running in the first place. I credit him with saving my life, and it was an honor and a pleasure to run with him.

    The trail half was my first trail race (not counting my time on the high school cross country team) and I ran that with a friend I hadn't seen since our days on the high school track & field team (she was a runner, I was thrower). We have both run full marathons in less time than it took us to complete this half.

    The Jingle Bell Jog was a fun race with bells and hot cocoa, and it was the first time I ran alongside my friend and former physics TA. And lastly, I ran the Goofy Challenge alongside another one of my close friends and training partners.

    These races were a lot of fun. Some of the courses were quite amazing to see, and these races were opportunities to spend time with some pretty awesome people.

    [/running] [permanent link]

    18 Apr 2011

    25th Anniversary Lincoln Tunnel Challenge 5K
    Yesterday the Giraffes ran the Lincoln Tunnel Challenge to benefit Special Olympics New Jersey. It was the events 25th anniversary and the Giraffes' third anniversary.

    The weather was much nicer than the previous two years with far less rain than last year and a much milder temperature than the 90+ degrees of two years ago. In fact, the weather outside was ideal for running. The weather inside the tunnel was a few degrees warmer, but still in that ideal range.

    Before the race, I met up with my friend Bobby. He's an athlete who competes in the Special Olympics. We went to school together and were on the Cross Country and Track & Field teams in high school. Back then, he and I were almost always the last two runners to finish at the Cross Country meets. The difference between us was that I was a quitter and he never gave up.

    That first time I ran this race in 2008, I failed to meet my goal 31:26. When I saw Bobby after that race, it made me think back to Cross Country. His determination to never quit was one of the influences that kept me running after that day.

    Back to this year's race...
    After talking to Bobby, I met some other friends from my town who were running (but decided not to register as Giraffes... grrr...). They, as well as the other Giraffes, were running in the second wave at 8:45. It was getting close to the start of the 8:00AM wave, so I parted ways with them and took my place in the starting area. After the standard pre-race speeches, including the announcement that this year's race raised almost $180,000 for SONJ, the gun went off and the race began.

    After a few seconds in the tunnel, my watch lost satellite reception and continued using the footpod while searching for satellites. Because it went back into the open sky search mode, I couldn't see any sort of timing or pacing information on the display. I was running blind, so to speak. Having set a PR of 19:08 in the 5K last month and a previous best of 20:16 for this course, I was hoping to just break 20 minutes. The Lincoln Tunnel is essentially a "V" shape with the second and fourth quarters of the race being uphill.

    During the second half I caught up to another runner I had seen in Weehawken prior to the start of the race. As I approached, he sped up. I said to him, "You're going to make me work for this, aren't you?"

    He replied, "I don't like people passing me. And I'm trying to catch that guy," gesturing to another runner about 50 feet ahead of us.

    I said, "Okay" and started picking up the pace a bit, overtaking the runner who had been in front of us. And I kept going. I started to feel the lactic acid in my left calf. I decided to ignore it. The feeling subsided. As I neared the end of the tunnel, I could hear the announcer calling out the finishing times. I gave it everything I had left, and cross the finish line.

    I stopped my watch and saw my time at 18:57. I knew then there was the possibility I had broken 19 minutes, but it would be close. I'd have to wait for official results. But I was too excited, I had tell someone, so I text'ed a few friends.

    I reconnected with my friends from town and the other giraffes, and told them all to kick ass and chew bubblegum. I watched as their heat started and they all entered the tunnel. I went and picked up my blanket from the registration table and tried to keep warm while I waited and watched my friends finish. It brought a huge smile to my face to see each of them, and especially Bobby, cross the line.

    The Giraffes celebrated another race and another year with our traditional post-race brunch. And the waiting continued...

    The official results were posted late in the afternoon, while I was helping a friend prepare for the flooding we're experiencing for the second time in two months. A friend text'ed just before 5:00PM with

    18.55
    congrats
    
    It was two seconds faster than I thought. It was 13 seconds faster than my previous PR set only last month. I finally broke 19 minutes, and I did it on the same course on which I ran my first race three years ago. I took 16:56 off my time in those three years. I finished 9th in my age group and 33rd overall, and for the seventh time in nine races this year, I set a new PR.

    Damn, it feels good.

    [/running] [permanent link]

    10 Apr 2011

    Scotland 10K 2011
    This morning I ran the NYRR Scotland 10K for the third year in a row. The first time it was cold and raining, and I had food poisoning from eating at the Macaroni Grill the night before. (The Giraffes had a team dinner the night before and 40% of us got sick.) I ran that race at a slower pace than the 15K race a few weeks prior.

    Last year, the morning of the race was unseasonably hot and I was dealing with an ITBS flare-up. I ran that one almost as slowly as the previous year.

    All of the other 10K's I've run were always sub-par compared to my 5K and 15K times. I had never felt like I had a good 10K race. I always felt like I let myself down; like I should be doing better.

    Until today...

    Today's Scotland 10K was the first time I had a good run at this distance. When I set out this morning, my goal was a 6:56 pace, one second per mile better than my PR. Central Park was a bit chilly at about 52 degrees with an overcast sky.

    My team made our plans for meeting afterward and we took our places in the corrals. The gun went off and I started running. As soon as I crossed the starting line I decided I wanted to see how fast I could do this, how fast I could run a 10K. I wanted to see if I could break 40.

    So I ran fast and hard, watching my pace a little too closely at times. After the first mile I was warm and debating whether or not to take off the arm warmers. I decided to wait until later in the race, as one side of the park is usually warmer than the other. At about 2.5 miles I had a weird cramping feeling in the ball of my right foot, but within a few hundred meters the high kicked in and the pain went away. At the halfway point I knew I'd be close to a 40 minute finish if I kept up the pace.

    I kept up the pace until the last mile, then I sped up. I was close to the goal. I was going to make it or die trying. Well, probably not die. More likely vomit or pull a muscle or re-injure the IT-band. But not one of those problems happened. What did happen was I crossed the finish line less than 40 minutes from the time I crossed the starting line.

    For the first time, I had felt good during and after a 10K. I ran the race I wanted and the race I needed. I accomplished what I set out to do and it felt awesome.

    The official results posted a few hours later put me at 39:46, a 6:24/mile pace. This is a faster pace than my current 5 mile and 4 mile PRs. I ran at a 67.5% AG performance rating and finished 318 of 8491.

    I'm pretty pleased with myself...

    [/running] [permanent link]

    23 Mar 2011

    Lincoln Park Triathlon
    This Summer Lincoln Park will hold its first triathlon. More information can be found at www.lincolnparktriathlon.com.

    If you're not quite interested in racing it, we're looking for volunteers to help out that day.

    [/running] [permanent link]

    22 Mar 2011

    WPLJ's NYC Half Marathon Themed Phone Scam
    Yesterday Scott and Todd aired a phone scam related to the NYC Half Marathon. It's available here for now if you haven't heard it.

    I was a little disappointed in the way the guy from the running store responded. He struck me as the kind of guy that looks down on the back-of-the-pack plodders. They're out there doing their best just like the elites and everyone in between; they deserve respect too.

    Other than that, it was a rather funny phone scam; one of the best I've heard in a while.

    [/running] [permanent link]

    27 Feb 2011

    Why does tomorrow have to be Monday?
    Today I decided to be awesome. My friends decided to be awesome too. It was awesome.

    We packed up and drove down to Westfield and ran the CJRRC Hangover 5K. It was supposed to be held January 1, but was rescheduled multiple times due to the weather.

    I ran a PR today finishing in 19:22. I was 4th in my age group and 15th over all.

    My friends ran the race too, all except one who has a broken toe. Everyone was happy with their time and met their goals for the day, ranging from sub-25 to "eh, taking it easy, seeing how it goes..."

    After the race we went cycling. This was my first bike ride outside. I've been working with an indoor trainer for the last few weeks and this was the first time I had been on a bicycle, outside, actually moving, in about 16 or 17 years. My friends have been cycling longer and more recently than I have, so today's 17 mile ride was rather easy for them.

    I was freaking out quite a bit, but they calmed me down, gave me pointers, and just helped me out in general.

    As we rode, I got more comfortable with the bike and I realized comparing this bicycle to my last bicycle is like comparing my DeLorean to my old Mercury Sable. It takes a while to get used to the differences, but once you do it handles far better and offers more control.

    [/running] [permanent link]

    07 Feb 2011

    Look How Far We've Come
    Just under 3 years ago, I started training. That first 5K took about 53 minutes and change. My first race was the 2008 Lincoln Tunnel Challenge, about 6 weeks after I first stepped on the treadmill. My time in that 5K was 35:51, about 11:32 per mile.

    Yesterday I ran the NYRR Gridiron 4 Mile. I finished in 25:47 (6:26 pace), a full ten minutes faster than that first 3.1 miles.

    Last month, I ran the Fred Lebow Classic 5 Mile race in Central Park. I finished that race in 33:09 (6:37 pace), over two minutes faster than that first 5K race.

    I hope this achievement will serve as a testament to the fact that with determination and hard work, anything is possible.

    [/running] [permanent link]

    14 Nov 2010

    2010 New York City Marathon
    One week ago, I ran the New York City Marathon. As noted many times throughout this blog, this race was something I've been working toward since December of 2008. This event was the culmination of nearly two years of hard work and dedication. And it was worth every single mile I've run over the last two years.

    At 9:40, the cannon was fired and the marathon started. Within minutes, I was crossing the starting line and running over the Verrazano Bridge. Not only was I running in the footsteps of the current world record holder and the first American to win New York in 27 years, I was running in the footsteps of legends.

    About three and half hours later, I entered Central Park for the last few miles of the race. I looked around and had the odd sensation that I was home.

    It's difficult to put into words the feelings of that day. Despite having completed three sanctioned marathons prior to this day, crossing the finish line was something I couldn't believe I was actually doing.

    It was absolutely amazing.

    [/running] [permanent link]

    13 Nov 2010

    Pre-Race Thoughts
    Last Saturday, I sent a letter to the Giraffes mailing list. I've decided to post here.

    In March of 2008, Brian told me I was running a 5K with The Giraffes. He didn't ask and he didn't give me a choice. Two days later I got off the couch, got on the treadmill, and started running. Six weeks later I ran my first race with this team. This team saved my life that day.

    Nine months later and a hundred and one pounds lighter, I got this crazy idea in my head. I decided I was going to run a marathon. I thought, if I'm going to run a marathon, I'm going to run the biggest marathon in the world. I'm going to run the New York City Marathon.

    I did some quick research about how to get in and found the 9+1 qualifying method. A couple of days later, I told Brian I was going to spend 2009 working toward guaranteed entry for the 2010 NYC Marathon. Almost immediately, he sent out an email to The Giraffes saying, "Mike and I are doing this and so are you." I'm paraphrasing, although it was quite close to that.

    So on January 10, 2009, five of us piled into the car and drove to Central Park on a frigid Saturday morning and began our journey with the Fred Lebow Classic.

    We continued to run, and picked up some new members along the way. Some with an impressive history of ultramarathons, and some just starting out.

    Those of us who first set out that day in January reached our goal and qualified for NYC 2010.

    At some point we decided we should run a marathon prior to NY, to get an idea of what we were really getting into. We chose Philadelphia, and for several Giraffes that day, it was our first. It was the day we joined the ranks of the one tenth of one percent of the population who can call themselves marathoners.

    While training for Philly, I fell in with a group of runners from my hometown and began running with them. At first it was short runs during a 5K training program they were running, but soon thereafter, they began including me in their longer training runs on the weekends. They introduced me to a number of other runners. Eventually I convinced (most of) them to sign up for the Giraffes mailing list.

    For the past two years, I've run with these people, the original Giraffes and the runners who have joined us along the way. And through it all, this team is what has kept me going. Through inspiration, through motivation, through friendships, through training runs and races, you've kept me going. You have been my support system.

    And now I sit here on the eve of the New York City Marathon, less than 24 hours from the start of the race, less than 24 hours from realizing our goal we set for ourselves so long ago.

    To all of you who have been with me for this journey in some way, shape or form... To those who got the team started and pulled me in, to those who saved my life... To those who persevered through qualifying races under grueling weather conditions with me... To those who got food poisoning with me from Macaroni Grill the night before the Scotland Run 10K... To those who got me through the last 5K of Philly... To those who made the 22+ mile training runs a little more bearable at the end... To those who have shown their support in any way they could...

    I offer you my eternal gratitude. I would not be where I am today without all of you. I love you all.

    One final note. To those of you joining me in tomorrow's running of the New York City Marathon... Kick ass and chew bubble gum.

    --
    M. Forde
    "Running never takes more than it gives back."

    [/running] [permanent link]

    30 Oct 2010

    It's been a while...
    I haven't updated this blog in quite some time. A lot has happened since the last post.

    First and foremost, I spent about two months volunteering as the Cross Country team's coach for the local Middle School. Due to budget cuts, all athletics programs were cut. The local Police Athletic League stepped up and volunteered to take over the programs. Many of the teachers who have coached in previous years did not want to do so now, so the PAL went looking for volunteers within the community.

    A friend of mine with whom I train put me in contact with the PAL and after an application and vetting process, I became a Rutgers Certified coach and began my duties.

    The team was relatively small, seventeen boys and six girls. Having never really worked with kids before, I was glad that this year's team was half the size of last year's; however I was still apprehensive about working twenty-three middle-schoolers. Thankfully, several parents helped me throughout the season. One in particular was there with me for almost every practice and every meet.

    I tried to emulate the aspects of my middle and high school coaches that I thought worked, and tried different approaches in an attempt to avoid the aspects I had never liked. I wanted to motivate and inspire these kids.

    I told them about my history as a runner: my experience in 8th, 9th, and 10th grade, my first 53-minute 5K on the treadmill in March of 2008, my marathons, my personal records, and my improvements over the last two years. I told them I would never make them do any thing I wouldn't do myself in training. And I ran with them. Whether the day's training was 100 and 200 meter repeats, running the course, "time on feet" running, or fartlek's, I ran along side them.

    During one session I was catching up to the lead group, the fastest of the 7th and 8th graders, and asked, "Are you really going to let an old man with bruised ribs keep up with you?" One of them turned and said, without breaking pace, "You're not that old and you run marathons."

    During the Cross Country season, in the last six weeks or so I've run a few races and set a few PRs. On September 19, I ran the Marathon Tune-Up 18 mile in Central Park. I set a new 18-mile PR at 2:27:34, taking 18:56 off my time from last year. Also of note, I didn't end up in medical being treated for hypothermia this year.

    The following week I ran the 5th Ave Mile. I shaved 9 seconds off from last year's race and 3 seconds off my previous best in training. My new mile PR is 5:25.

    About 2 weeks later I ran the Hartford Marathon. My friend and I got there very late the night before the race. Because we were stuck in traffic for about four and a half hours, my friend missed the on-site registration. He debated what to do while we went to dinner at a local tavern. I promptly felt sick after eating.

    The next morning we got and got ready to run. I still felt sick from the night before and threw up the previous night's meal shortly before we went to the registration packet pickup. I got my bib and timing chip and my friend failed to convince the race officials to let him enter. When he asked, "can I run unsanctioned?" the response of the somewhat sympathetic official was, "I can't tell you that you can." So my friend decided to run unsanctioned. After all, no one said he couldn't.

    We lined up in the corral. Despite the way I felt, I knew I had to go out there and run my best marathon. I had told the Cross Country team what Prefontaine had said, "To give anything less than your best is to sacrifice the gift." I had to go out there and try to PR. But as Yoda said, "Do or do not; there is no try."

    I started the race keeping the 3:45 pace group in my sights. My friend kept along side me for the first three miles then fell back a bit. I had some conversations with two runners in the pace group, Gavasker, the pacer, and Jen, a woman who was looking to BQ. I kept with them the whole way and finished in 3:43:32.

    Unbeknownst to me at the time, my friend dropped out at mile 8 and made his way back to the start/finish area. He was there at the finish line, waiting for me as I crossed the line just ahead of Jen who BQ'd with 2 minutes to spare.

    The next morning I went out with some other friends and ended up running another 24 miles putting me at 50 miles for the weekend. Monday evening I ran in a charity 5K with another friend, and then took a few days off.

    Since then, the Cross Country season has ended. They had their last meet, a few more days of practice, and then this past Wednesday they had team photos followed by an end-of-season pizza party.

    At the party the kids presented me with a plaque to say "thank you." I damn near cried when I unwrapped it and saw the photo taken at one of our practices. But if anyone asks, I'll deny that part.

    Plaque

    The 6th and 7th graders also asked me to come back and coach next year. During and since the season, I've run across some of the kids in town. Every time, they come up to me and say, "Hey coach!" And that means the world to me. It makes me think I've succeeded, that there's a possibility I've inspired them to keep running. Hopefully they'll love running as much as I do, if not more.

    I've encouraged the kids to enter our town's annual 5K next weekend and several of them have signed up. I'm looking forward to running with them again.

    [/running] [permanent link]

    31 Jul 2010

    If my calculations are correct...
    Over the course of the last two years and four months, I've changed considerably both mentally and physically. I lost 108lbs and then put on 6 while marathon training. This 6lbs was purely lean mass (muscle, bone density) and I'm now at about 6% body fat.

    Running is known to increase bone density, and the various forms of exercise I use in my training increased my muscle mass as well throughout this transformation. I've been curious to know just how much fat I lost.

    If my calculations are correct, throughout this process I lost 123.96 pounds of fat and gained 21.96 pounds of bone and muscle resulting in my current net loss of 102lbs.

    Why is this filed under the Running section? Because running was what enabled this transformation to happen.

    [/running] [permanent link]

    26 Jul 2010

    Damn, it feels good to be a gangsta..
    After I finished my run tonight, still in my soaked running gear, I walked directly to local grocery store for chocolate syrup and had the following conversation with the woman at the check out counter.

    her: Over ice cream or chocolate milk.
    me: Chocolate milk.
    her: Nothing hits the spot like a cold glass of chocolate milk.
    me: Especially after a long run.
    her: How far did you run tonight?
    me: Half marathon. My third in three days.
    her: God bless you. God bless you.

    Then, as I walked away she said, "Nice legs."
    "Thanks. I've worked hard for those."

    [/running] [permanent link]

    02 May 2010

    2010 New Jersey Marathon
    I was registered for today's NJ Marathon in Long Branch. I lost a few weeks in training due to some IT-band issues, and earlier this week was stricken with a bout of bronchitis.

    I got down there today, and 30 minutes before the race start I did a quick quarter mile and decided I wasn't over the bronchitis enough to run a marathon today. It was difficult for me to be there as the race started, watching my chance at reaching my goals disappear. As the morning went on and clouds disappeared and the temperature rose, my thoughts changed.

    Not running today was probably the best and hardest decision I've made in a while. Often the right choices in life are not the easiest to choose, no matter the circumstances.

    [/running] [permanent link]

    22 Mar 2010

    2010 NYC Half Marathon
    Yesterday was my best half marathon yet. As I stood in the corral waiting for the race to start, the chill in the air was a welcome change from the heat and humidity of last year's race. The decision to move the race from August to March was a good one. The course is definitely a fun one. It starts with an 8 mile loop around Central Park before exiting onto 7th Avenue. From there, the route goes to 42nd street, through Times Square, and out to the West Side Highway where the course finishes near Battery Park.

    I started out with the goal of beating my time from last year. As long as I did better than 1:51:49, I'd be happy. I was hoping I'd finish within a minute or two of the half marathon PR I set back in January, but I wasn't counting on it.

    As I ran I looked at the split times, and roughly gauged how I was doing, trying to stay on target for something close to 1:37 finish, but primarily making sure I was doing better than last year's 1:51. At mile 8, just before exiting Central Park to head to Times Square, the clock time was about 59 minutes. I realized that the winner of the race was about to finish, if he hadn't already, and I hadn't even made it out of the park.

    This year's splits were much better than last year's.

    split20092010
    5K0:23:420:23:22
    10K0:47:320:46:09
    15K1:14:451:07:59
    20K1:46:091:29:28
    final1:51:491:33:26


    This is the first time I've run negative splits. What really amazes me is that not only was the second half faster, but every 5K split was faster than the previous. There was an excitement exiting the park. There was an amazing rush turning the corner onto 42nd street. The crowds were great, cheering every runner as we passed by.I remember around the mile 11 marker realizing I had a chance to PR, estimating my time at about 1:36, and picking up the pace a bit. I started passing people left and right. One runner saw me and yelled, "Go, man! Go!"

    Out of about 15 to 16 thousand people that signed up, 11,493 finished. I finished in 895th place; far, far, behind the winner who took home $20,000.

    Universal Sports had a live telecast of the event. I set the DVR to record it before I left, but I haven't had a chance to watch it yet. It likely focused primarily on the professionals who ran, including the Marathon world record holder, Haile Gebrselassie.

    This was a great race on a great day.

    [/running] [permanent link]

    12 Mar 2010

    Coogan's 5K - Update
    Officially I ran my best 5K to date. I finished in 19:41 averaging 6:20 per mile.

    It was a rather hilly course, starting at 173rd and running up to the Cloisters. After circling the museum, the same route was taken back to 173rd.

    On Saturday I said I was going to PR. I was told that was a bit a of a lofty goal given how hilly the course was. Sunday morning I woke up with a bit of discomfort after gorging on sushi the night before and thought I might not do well.

    As I stood in the corral, those feelings changed. I knew I was going to PR. And I did.

    [/running] [permanent link]

    07 Mar 2010

    Coogan's 5K
    Unofficially I just PR'd at 19:44.

    [/running] [permanent link]

    21 Feb 2010

    Run for Haiti
    Yesterday I posted on the mobile section that I had finished the race coming in number 256 of 8704. The statistics have been updated and I need to post a correction. I finished number 266 of 9421 at a time of 27:17.

    This was of course about a minute slower than the Grid Iron classic where I PR'd, but I finished in the top 2.8% this time.

    Yesterday's race raised over $400,000 for the relief effort in Haiti, with over 10,000 people registering and making donations.

    Yesterday's race was also the first time I had run in a week. Last Saturday (February 13) I ran 31.73 miles. With the upcoming race schedule and training for the New Jersey and Pocono Marathons in May, I figured it would be best to actually rest.

    It felt good to run again. I missed it.

    [/running] [permanent link]

    02 Feb 2010

    On sunday I ran...
    27.22 miles because I felt like it.

    I woke up Sunday morning, ran some errands, and then met a friend for a run. While I was waiting for him, I ran a one mile warm-up. Then he and I set out and ran a half marathon.

    I felt pretty good afterward, so a little while later I set out to do another 10K. That 10K turned into an 8.4 mile hill work out.

    I realized I was only about four miles shy of a marathon at that point and I still felt really good. After a short break I went out one more time. Four and a half miles later, I was back home and had logged the most miles in a single day that I had ever done, breaking my previous record by a mile.

    It felt absolutely amazing.

    Can every body feel like I do? Can't you can't you trip like I do?

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



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    04 May 2010

    If all goes according to plan...
    This time tomorrow, my car should be on its way to Texas.

    [/dmc] [permanent link]

    02 May 2010

    2010 New Jersey Marathon
    I was registered for today's NJ Marathon in Long Branch. I lost a few weeks in training due to some IT-band issues, and earlier this week was stricken with a bout of bronchitis.

    I got down there today, and 30 minutes before the race start I did a quick quarter mile and decided I wasn't over the bronchitis enough to run a marathon today. It was difficult for me to be there as the race started, watching my chance at reaching my goals disappear. As the morning went on and clouds disappeared and the temperature rose, my thoughts changed.

    Not running today was probably the best and hardest decision I've made in a while. Often the right choices in life are not the easiest to choose, no matter the circumstances.

    [/running] [permanent link]


       
    Eponymous
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    31 Aug 2024

    Blosxom 2.2.0
    Apparently Blosxom development has been picked up again. There was a new release on 2024-02-03. Nice!

    [/unix] [permanent link]


       
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    02 Dec 2015

    1449069975
    https://www.instagram.com/p/-ywsdLrXFZ/

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    [/mobile] [permanent link]


       
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  •        
    02 Dec 2015

    1449069975
    https://www.instagram.com/p/-ywsdLrXFZ/

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    [/mobile] [permanent link]

    24 Sep 2015

    1443142404
    This is only a test. Had this been an actual post, there would be actual content. Or not.

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    [/mobile] [permanent link]

    03 Jun 2015

    National Running Day ... part 5
    This evening on my second run, I met up with one of the middle school kids I had coached on the cross country team. He was driving (because he's not in middle school anymore) and stopped at an intersection waiting for me to cross. He called out to me, I stopped, and we chatted briefly.

    Although the conversation was brief, I realized that I had left an impression on him, I had made a difference, however small, in his life. And no matter what else happens, nothing can change that.

    Happy National Running Day!

    [/running] [permanent link]

    16 May 2015

    It was a good day...
    So today I woke up and watched an episode of Star Trek while I did some weight training and core work. Then I met my friend and her 5-month old baby for breakfast. That baby is so cute, and so happy too.

    After that I met another friend for a run in the Tourne where we met a fox on the Red Trail. When I got home from the run, I turned my lawn into an avant garde art installation and then took a shower.

    I took Ailsing out for a drive and on the way home she rolled over to 15,000 miles. I've had the DeLorean for about five years now, so I'm still averaging 1,000 miles per year. Not bad.

    A large part of a tree fell and missed my house by about 18 inches. So then I went and ran another Six miles during a National Weather Service tornado watch.

    Now I'm finishing up the day with a good movie and a glass of Monk's Blood.

    Today, I didn't even have to use my AK. It was a good day.

    [/musings] [permanent link]

    08 Apr 2015

    Cast Yourself

    "Cast yourself upon Him and be not afraid; He will not draw away and let you fall. Cast yourself without fear, He will receive you and heal you."

    -- Saint Augustine, Confessions: Book 8, Chapter 11

    [/musings] [permanent link]

    10 Mar 2015

    It's not stupid, it's advanced
    I opened the Windows 10 settings app, not to be confused with the control panel, and I selected "Windows Update." Next, I chose the "Advanced Options" and was greeted with this mess. I hope the next build fixes this problem, as well as the myriad of other issues plaguing the current Windows 10 preview release.

    Windows 10 Settings App, Windows Update, Advanced Options,
unusable

    [/musings] [permanent link]

    04 Feb 2015

    1423064732
    http://elitedaily.com/money/entrepreneurship/psychology-behind-messy-rooms-messy-room-may-necessarily-bad-thing/708046/

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    [/mobile] [permanent link]

    06 Jan 2015

    1420590331
    Castle of Dr. Brain : Sierra On-Line, Inc. : Free Streaming : Internet Archive https://archive.org/details/msdos_Castle_of_Dr._Brain_1991

    ==================================================================
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    [/mobile] [permanent link]


       
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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
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    07 Oct 2012

    Signs of the Apocalypse
    A friend told me this was from Glee. I found it amusing; thought I'd share.

    It's a fact that the book of Revelations predicted Twitter. It's one of the seven signs of the apocalypse; Along with porn, unexplainable weather anomalies, martian rovers, Barney Frank, the middle east and MSNBC. It's like Kirk Cameron said, "It's never too late, until it's too late."

    [/musings] [permanent link]


       
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    Blosxom 2.2.0
    1702672835

    Fireside Chat
    Bill Gates is Satan's Minion
    Tenth Runniversary
    Take back your privacy
    St Michael, defend us in battle
    New PGP Key!
    Time Travel?
    How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You Want
    This ends tonight...
    Sometimes...
    Ninth Runniversary
    Merry Christmas
    Aisling at 35
    Happy Birthday Aisling!!!!
    Don't Call it a Comeback
    Fun Conversations
    An Observation
    What Year is This?!
    He's Not Wrong...
    Trouble opening aterm in FreeBSD?
    X11 Mouse Cursor Themes
    FreeBSD Unix on Dell Precision M4800

    Eponymous
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  •        
    18 Jul 2008

    Yet Another Charity 5K
    On August 4th I will be participating in Hoboken's 17th Annual 5K Run/Walk Against Crime & Drugs.

    Some police officers told me about the run on Tuesday after I finished the Party With Purpose run. They said the money raised would be donated to various Veterans' organizations.

    This run in August will be the same course as this week's, a map of which can be found here. I enjoyed the course. It was rather flat (especially compared to the Lincoln Tunnel Run) and there was a nice breeze coming off the Hudson.

    I urge any and all of you who will be in the area to participate in the event. More information can be found at Active.com.

    [/musings] [permanent link]

    15 Jul 2008

    5K Run for Charity
    I have entered a 5K run sponsored by Party With Purpose. The run is tonight in Hoboken and all donations are going to the Hoboken Boys and Girls Club.

    Registration starts at 5:30PM and the run begins at 7:00PM on Pier A.

    For more information, including info about making donations, please visit www.partywithpurpose.org.

    Thank you.

    [/musings] [permanent link]


       
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  •        
    24 Dec 2012

    Christmas Eve
    On Christmas Eve, I headed out around 7:00PM to take a look at the Christmas lights and decorations around town. There was a snow storm predicted for around 9:00PM, so I decided to take the DeLorean out for one last drive before the Wonderful Winter Weather(TM).

    The snow started much earlier than expected. The snow was light and slow, and despite the car not handling well in slick conditions, I kept going for a while.

    As I was driving I had the realization that I was having an experience no one else in the world has ever had. I was driving a DeLorean through my town on Christmas Eve, admiring Christmas lights and listening to Christmas music as snow fell.

    I looked over at the empty passenger seat and wished there had been someone, anyone there to share this with. So for now, until circumstances like this arise again, I will continue to be the only person to have experienced this.

    When I got home, I took this photograph.
    Snow Covered DeLorean

    [/dmc] [permanent link]

    02 Dec 2012

    Happy Birthday

    I'm starting to get used to celebrating my birthday at TBM concerts. This year it was about a week prior to my birthday at a show on December 1 held at New York's Gramercy Theatre.

    Along with the tickets, I had also purchased the "VIP package." This package included an autographed poster signed by all members of the band, a "VIP" laminate on a lanyard, and... the opportunity to meet the band prior to the show!

    You may be thinking, "But they stick around after shows and mingle with their fans anyway," and "You've already met them a few times!" Both are true. And even with this "VIP" package meet-and-greet, they still make time for all their fans after the show. What this provided was a somewhat quieter meeting in a more intimate setting.

    In fact the meeting was in a small lounge beneath the concert hall. Dim mood lighting, mirrors, and couches set the atmosphere. I spoke with Rainbow, Michael, and Nate first. Rainbow informed me his name was Michael also and made a joke about the "power of the three Mikes lighting the room." After a bit, they started moving me to Chibi who was sitting on a couch after injuring her knee during a show two nights prior. She tried to walk to me, but I told her not to. She said, "I'll meet you half way then."

    I gave her a get well card, knowing she had had surgery on her vocal chords about 8 weeks prior and recently injured her knee. Someone decided we needed a photo of that and she gave me the card back so I could give it back to her. I believe it was Owen who said, "Act natural and hold it for 30 seconds!"

    I asked Rainbow about writing "Unfamiliar" because both he and OE were given credit in the liner notes. He said it was mostly OE; OE started it and Rainbow had finished it. I said I wanted to thank them because it was a song that had taken on some greater meaning to me and I relayed a brief version of the story of the moment I recognized that. It turns out "Unfamiliar" is one of Chibi's favorite songs too.

    Every one of the bands that night were amazing. All, remarkably, were performing as duos. Creature Feature was a real fun band to see. Their music is heavily influenced by old horror movies which gives them a dark yet fun sound.

    Aesthetic Perfection put on a good performance. Their drummer is amazing and fun to watch. They heavily synth-based and while there was a dark tone to most of their songs, they still had fun and lightened things up with a Fine Young Cannibals cover.

    William Control was the only other act I had heard before the show (Thanks Last.fm!). He was great live and I'd love to see him again. He reminded me a little of Dommin in that Dean Martin meets Glen Danzig sort of way.

    The Birthday Massacre was great. They played a good mix including songs from every album. For most of the set Chibi was sitting on a speaker placed near center at the front of the stage, wearing a knee brace. She stood up and moved around occasionally, but not much. At one point Rainbow sat down on another speaker and stuck out one leg in a similar fashion to how Chibi was seated and laughed a little. It was easy to tell by their interaction here that Chibi and Rainbow are close.

    If you care (or even if you don't), their set list follows:
    • Night Shift
    • Down
    • Control
    • Always
    • Red Stars
    • Video kid
    • Lover's End
    • Forever
    • Pins and Needles
    • Happy Birthday
    • Alibis
    • Calling
    • In the Dark
    • Sleep Walking
    • Midnight
    • -- Encore --
    • Leaving Tonight
    • The Long Way Home
    • Blue


    The band did not leave the stage prior to the encore as they normally would. Chibi said, "This is the part of the show where we say thank you and leave and you clap and we come back out and play some more. But I'm not going to walk down those stairs anymore than I have to, so do you want to hear three more songs?"

    [/musings] [permanent link]

    Happy Birthday

    I'm starting to get used to celebrating my birthday at TBM concerts. This year it was about a week prior to my birthday at a show on December 1 held at New York's Gramercy Theatre.

    Along with the tickets, I had also purchased the "VIP package." This package included an autographed poster signed by all members of the band, a "VIP" laminate on a lanyard, and... the opportunity to meet the band prior to the show!

    You may be thinking, "But they stick around after shows and mingle with their fans anyway," and "You've already met them a few times!" Both are true. And even with this "VIP" package meet-and-greet, they still make time for all their fans after the show. What this provided was a somewhat quieter meeting in a more intimate setting.

    In fact the meeting was in a small lounge beneath the concert hall. Dim mood lighting, mirrors, and couches set the atmosphere. I spoke with Rainbow, Michael, and Nate first. Rainbow informed me his name was Michael also and made a joke about the "power of the three Mikes lighting the room." After a bit, they started moving me to Chibi who was sitting on a couch after injuring her knee during a show two nights prior. She tried to walk to me, but I told her not to. She said, "I'll meet you half way then."

    I gave her a get well card, knowing she had had surgery on her vocal chords about 8 weeks prior and recently injured her knee. Someone decided we needed a photo of that and she gave me the card back so I could give it back to her. I believe it was Owen who said, "Act natural and hold it for 30 seconds!"

    I asked Rainbow about writing "Unfamiliar" because both he and OE were given credit in the liner notes. He said it was mostly OE; OE started it and Rainbow had finished it. I said I wanted to thank them because it was a song that had taken on some greater meaning to me and I relayed a brief version of the story of the moment I recognized that. It turns out "Unfamiliar" is one of Chibi's favorite songs too.

    Every one of the bands that night were amazing. All, remarkably, were performing as duos. Creature Feature was a real fun band to see. Their music is heavily influenced by old horror movies which gives them a dark yet fun sound.

    Aesthetic Perfection put on a good performance. Their drummer is amazing and fun to watch. They heavily synth-based and while there was a dark tone to most of their songs, they still had fun and lightened things up with a Fine Young Cannibals cover.

    William Control was the only other act I had heard before the show (Thanks Last.fm!). He was great live and I'd love to see him again. He reminded me a little of Dommin in that Dean Martin meets Glen Danzig sort of way.

    The Birthday Massacre was great. They played a good mix including songs from every album. For most of the set Chibi was sitting on a speaker placed near center at the front of the stage, wearing a knee brace. She stood up and moved around occasionally, but not much. At one point Rainbow sat down on another speaker and stuck out one leg in a similar fashion to how Chibi was seated and laughed a little. It was easy to tell by their interaction here that Chibi and Rainbow are close.

    If you care (or even if you don't), their set list follows:
    • Night Shift
    • Down
    • Control
    • Always
    • Red Stars
    • Video kid
    • Lover's End
    • Forever
    • Pins and Needles
    • Happy Birthday
    • Alibis
    • Calling
    • In the Dark
    • Sleep Walking
    • Midnight
    • -- Encore --
    • Leaving Tonight
    • The Long Way Home
    • Blue


    The band did not leave the stage prior to the encore as they normally would. Chibi said, "This is the part of the show where we say thank you and leave and you clap and we come back out and play some more. But I'm not going to walk down those stairs anymore than I have to, so do you want to hear three more songs?"

    [/tbm] [permanent link]


       
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  •        
    01 May 2012

    Volunteers Needed
    The Lincoln Park Triathlon needs volunteers. If you'd like to help out, please visit www.lincolnparktriathlon.com/volunteers for more information.

    This event isn't possible without the help of volunteers. If you or anyone you know would be interested in helping, please contact us.

    [/musings] [permanent link]


       
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  •        
    21 Apr 2016

    Prince
    I'll never forget the day I started liking Prince's music. I was with my friend in his car headed somewhere. We were listening to K-Rock and they had a "listener playlist" where for about an hour, all the music had been selected by a listener and this listener was on the phone, talking with the DJ about his selections and introducing songs.

    The guy announced that the next song was from Prince. The DJ questioned this selection and he said, "No, this dude can shred. Just listen."

    And we laughed.

    And we listened.

    And Prince shredded.

    [/musings] [permanent link]


       
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  •        
    05 Nov 2013

    Normalcy
    I realized that if and when I have children, they will grow up thinking it's normal to have a DeLorean.

    [/dmc] [permanent link]


       
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  •        
    24 Aug 2017

    How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You Want
    Bloomberg has posted an article entitled How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You Want. It's really quite simple, actually. You take your keys, go out the the garage, and you drive the DeLorean any time you want.

    [/dmc] [permanent link]


       
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  •        
    21 Sep 2009

    Hope Chest
    A conversation I had while helping some friends move:

    me: So what do they keep in this hope chest?
    Jaxon: Hope.
    me: So that's why it's so light.

    [/musings] [permanent link]


       
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  •        
    12 Dec 2011

    Happy Birthday

    Last night, as an end to my 30th birthday weekend, I went to see The Birthday Massacre in Teaneck. The show was at the Mexicali Live which is a rather small, intimate venue with full table service for dining, and a bar with some really good microbrews on tap.

    The first act was A Verbal Equinox. I thought they were pretty good, especially considering they all seemed to be still in high school. Their set was pretty tight, with mostly original songs and a My Chemical Romance cover. Frankly, I think they did the MCR song just as well, if not better, than MCR. They definitely had a good rhythm section.

    The next band, who shall remain nameless, was described by some as "Armenian Industrial." I thought the music was good, but I wished the singer would just shut up. No singing, no talking to the crowd. Just. Shut. Up. Their set would have been awesome as an instrumental.

    During their set they had two "gothy cheerleaders" on stage. It turned out that one of them was my friend's niece. Kinda random.

    After their set, I ran into a couple of the kids from the first band and talked to them a bit. I told them I liked what I heard and they thanked me and gave me a CD-R labeled with sharpie containing their first recorded single. Something about that is just awesome.

    The Birthday Massacre was great. They played a good mix including songs from every album.

    If you care (or even if you don't), their set list follows:
    • Pins and Needles
    • Control
    • Happy Birthday
    • Forever
    • Burn Away
    • Shallow Grave
    • Always
    • Weekend
    • Video kid
    • Blue
    • Looking Glass
    • Lover's End
    • In the Dark
    • Horror Show
    • Red Stars
    • -- Encore --
    • Sleep Walking
    • Midnight


    They didn't play my favorite song, "Broken," but I was not disappointed in the set at all. After they finished, Rainbow was on stage for a bit talking with people from the crowd. I told him it was a great show and asked if they'd be playing "Broken" at tonight's show with Dir En Grey. He said it wouldn't be in the set, but he loves that song and they'd rehearse it for their next tour.



    The Birthday Massacre on stage at Mexicali Live in Teaneck, NJ
    A rather blurry picture of The Birthday Massacre from the show.

    [/tbm] [permanent link]

    Happy Birthday

    Last night, as an end to my 30th birthday weekend, I went to see The Birthday Massacre in Teaneck. The show was at the Mexicali Live which is a rather small, intimate venue with full table service for dining, and a bar with some really good microbrews on tap.

    The first act was A Verbal Equinox. I thought they were pretty good, especially considering they all seemed to be still in high school. Their set was pretty tight, with mostly original songs and a My Chemical Romance cover. Frankly, I think they did the MCR song just as well, if not better, than MCR. They definitely had a good rhythm section.

    The next band, who shall remain nameless, was described by some as "Armenian Industrial." I thought the music was good, but I wished the singer would just shut up. No singing, no talking to the crowd. Just. Shut. Up. Their set would have been awesome as an instrumental.

    During their set they had two "gothy cheerleaders" on stage. It turned out that one of them was my friend's niece. Kinda random.

    After their set, I ran into a couple of the kids from the first band and talked to them a bit. I told them I liked what I heard and they thanked me and gave me a CD-R labeled with sharpie containing their first recorded single. Something about that is just awesome.

    The Birthday Massacre was great. They played a good mix including songs from every album.

    If you care (or even if you don't), their set list follows:
    • Pins and Needles
    • Control
    • Happy Birthday
    • Forever
    • Burn Away
    • Shallow Grave
    • Always
    • Weekend
    • Video kid
    • Blue
    • Looking Glass
    • Lover's End
    • In the Dark
    • Horror Show
    • Red Stars
    • -- Encore --
    • Sleep Walking
    • Midnight


    They didn't play my favorite song, "Broken," but I was not disappointed in the set at all. After they finished, Rainbow was on stage for a bit talking with people from the crowd. I told him it was a great show and asked if they'd be playing "Broken" at tonight's show with Dir En Grey. He said it wouldn't be in the set, but he loves that song and they'd rehearse it for their next tour.



    The Birthday Massacre on stage at Mexicali Live in Teaneck, NJ
    A rather blurry picture of The Birthday Massacre from the show.

    [/musings] [permanent link]


       
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  •        
    24 Jul 2009

    Countdown
    Only 23 days remain until the New York City Half Marathon. Much like every other race, I don't feel prepared for it. But the race I feel the most unprepared for are usualy the ones I get a PR.

    I feel like I should be training harder. I'm averaging between 50 and 60 miles per week and I don't think it's enough. The Philadelphia Marathon is only 120 days away. And as of today I still haven't run anything over 20 miles.

    So the plan for tomorrow morning is to run more than that. I decided months ago that I'd run at least a marathon distance by the end of July. Tomorrow I plan run 27 miles. I have a 2.7 mile loop planned out and I'm going to run it 10 times. I imagine it will quite boring for a while in the middle, but it will certainly be a challenge by the end.

    [/running] [permanent link]

    DMC Houston
    It looks like the DeLorean needs some non-trivial work done on it. The mechanic I had taken it to found an issue he's not equipped to deal with. My first call was to DMC Houston where I talked to Stephen.

    He was friendly and incredibly knowledgeable. He said he'd work with me and Dave at their facility in Chicago to figure out what the extent of the work would be and the best way to approach it. Odds are the car is going to have to be shipped to Chicago for a few weeks.

    [/dmc] [permanent link]


       
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  •        
    01 Dec 2009

    :)
    It's amazing how a simple email containing only a smiley emoticon can brighten one's day.

    [/musings] [permanent link]


       
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  •        
    25 Nov 2010

    Happy Thanksgiving
    I'm thankful for my friends and the support structure they provide.
    I'm thankful for my family. While they're not always supportive* they're always accepting.
    I'm thankful for my freedom, and the men and women protect that freedom.
    I'm thankful for running, and the years it's added to my life.
    Every Thanksgiving old mike would consume 1350 calories worth of Cool Ranch Doritos for breakfast before gorging at the traditional dinner. I'm thankful old mike's dead.


    *Running 50 miles in a weekend is not "running too much."

    I felt the need to document all that I cooked today.

    • regular stuffing
    • stuffing with sausage
    • cornbread stuffing (made from corbread I baked early in the week)
    • carrots with brown sugar, clove, nutmeg, and cinnamon (bake until awesome)
    • steamed broccoli
    • asparagus sauteed with garlic and lemon juice
    • baked sweet potatoes
    • mashed sweet potatoes
    • smashed potatoes
    • zucchini with pancetta, garlic, and onion
    • beer bread (oatmeal stout)
    • stuffed mushrooms
    • baked macaroni and cheese
    • mashed turnips
    • sauteed mushrooms
    • cheese lasagna
    • meat lasagna
    • roasted turkey

    I think that's everything.

    [/musings] [permanent link]

    14 Nov 2010

    2010 New York City Marathon
    One week ago, I ran the New York City Marathon. As noted many times throughout this blog, this race was something I've been working toward since December of 2008. This event was the culmination of nearly two years of hard work and dedication. And it was worth every single mile I've run over the last two years.

    At 9:40, the cannon was fired and the marathon started. Within minutes, I was crossing the starting line and running over the Verrazano Bridge. Not only was I running in the footsteps of the current world record holder and the first American to win New York in 27 years, I was running in the footsteps of legends.

    About three and half hours later, I entered Central Park for the last few miles of the race. I looked around and had the odd sensation that I was home.

    It's difficult to put into words the feelings of that day. Despite having completed three sanctioned marathons prior to this day, crossing the finish line was something I couldn't believe I was actually doing.

    It was absolutely amazing.

    [/running] [permanent link]

    13 Nov 2010

    Pre-Race Thoughts
    Last Saturday, I sent a letter to the Giraffes mailing list. I've decided to post here.

    In March of 2008, Brian told me I was running a 5K with The Giraffes. He didn't ask and he didn't give me a choice. Two days later I got off the couch, got on the treadmill, and started running. Six weeks later I ran my first race with this team. This team saved my life that day.

    Nine months later and a hundred and one pounds lighter, I got this crazy idea in my head. I decided I was going to run a marathon. I thought, if I'm going to run a marathon, I'm going to run the biggest marathon in the world. I'm going to run the New York City Marathon.

    I did some quick research about how to get in and found the 9+1 qualifying method. A couple of days later, I told Brian I was going to spend 2009 working toward guaranteed entry for the 2010 NYC Marathon. Almost immediately, he sent out an email to The Giraffes saying, "Mike and I are doing this and so are you." I'm paraphrasing, although it was quite close to that.

    So on January 10, 2009, five of us piled into the car and drove to Central Park on a frigid Saturday morning and began our journey with the Fred Lebow Classic.

    We continued to run, and picked up some new members along the way. Some with an impressive history of ultramarathons, and some just starting out.

    Those of us who first set out that day in January reached our goal and qualified for NYC 2010.

    At some point we decided we should run a marathon prior to NY, to get an idea of what we were really getting into. We chose Philadelphia, and for several Giraffes that day, it was our first. It was the day we joined the ranks of the one tenth of one percent of the population who can call themselves marathoners.

    While training for Philly, I fell in with a group of runners from my hometown and began running with them. At first it was short runs during a 5K training program they were running, but soon thereafter, they began including me in their longer training runs on the weekends. They introduced me to a number of other runners. Eventually I convinced (most of) them to sign up for the Giraffes mailing list.

    For the past two years, I've run with these people, the original Giraffes and the runners who have joined us along the way. And through it all, this team is what has kept me going. Through inspiration, through motivation, through friendships, through training runs and races, you've kept me going. You have been my support system.

    And now I sit here on the eve of the New York City Marathon, less than 24 hours from the start of the race, less than 24 hours from realizing our goal we set for ourselves so long ago.

    To all of you who have been with me for this journey in some way, shape or form... To those who got the team started and pulled me in, to those who saved my life... To those who persevered through qualifying races under grueling weather conditions with me... To those who got food poisoning with me from Macaroni Grill the night before the Scotland Run 10K... To those who got me through the last 5K of Philly... To those who made the 22+ mile training runs a little more bearable at the end... To those who have shown their support in any way they could...

    I offer you my eternal gratitude. I would not be where I am today without all of you. I love you all.

    One final note. To those of you joining me in tomorrow's running of the New York City Marathon... Kick ass and chew bubble gum.

    --
    M. Forde
    "Running never takes more than it gives back."

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    29 Aug 2012

    Migraine
    I hate waking up with migraines.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
    There's more than one way to view this weblog; try these flavors on for size.

  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    17 Dec 2009

    MTA
    Why is the MTA's budget each year referred to as a "doomsday" budget? They vote on it every year, and every year it's approved, and every year they get subsidised by the tax payers and toll payers. So why is it a "doomsday" budget? They're not going out of business, although it sure seems their worker's union would like to see that happen given their demands.

    [/politics] [permanent link]

    16 Dec 2009

    Don't they have better things to do?
    It has come to my attention that Congress, in their infinite wisdom, has decided to write legislation against television commercial advertisements having a louder perceived volume than the actual programming.

    While I do sometimes find this annoying, do we really need an act of congress to outlaw this? Shouldn't our representatives be doing something better with their time, like repealing hundreds of laws that hinder the free market economy and trample the Constitutionally guaranteed rights of the citizens?

    Of course not, that would threaten their power.

    [/politics] [permanent link]

    09 Dec 2009

    Who... What are you?
    I was running earlier tonight and around mile 7 I was going up a steep, winding, dark hill. Near the top a couple was walking their dog. They saw the flashing lights on my shoes and wrists and, when I got close to them, the woman said, "We were trying to figure out what you were."

    "I'm a runner."

    [/running] [permanent link]

    05 Dec 2009

    1260056285
    Hibachi in Ballston. People in VA are still afraid of snow.

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    01 Dec 2009

    :)
    It's amazing how a simple email containing only a smiley emoticon can brighten one's day.

    [/musings] [permanent link]

    30 Nov 2009

    Product Review: ASICS Cumulus-11
    This is the third installment of my running product reviews. Last time I said I'd discuss my "current running shoe" but my again I'm a liar. I'm still going to discuss the ASICS Cumulus-11, but it is no longer my current running shoe.

    I purchased the Cumulus-11 based on my love of the Cumulus-10, without really trying them. This turned out to be a mistake. The Cumulus-11 is a fine update to the Cumulus-10; however, the changes are better for some runners than others.

    The heel of the Cumulus-11 is noticeably firmer than that of the 10. Because of this change, I no longer get adequate compression and cushioning from these shoes. These shoes are not as firm as the Tailwinds previously reviewed either and are closer to the Cumulus-10 than to the Tailwinds. I never had the feeling of running in clogs with the Cumulus-11, but they were firm enough that old injuries were aggravated.

    The Cumulus-11 is still on store shelves (at least it was at Fleet Feet this past weekend) and should also be available on-line through retailers such as EastBay. I recommend this shoe to a runner who liked the feel of the Cumulus-10 but had issues with it being too soft.

    Next time, we'll discuss my current running shoe, the Nike Vomero+ 4. No really, I have three pairs of these to burn through, I'll be using them for a while.

    [/running/reviews] [permanent link]

    23 Nov 2009

    Philadelphia
    The night before I woke up every hour, looked at the clock, said "I have N hours before I need to get up" and went back to sleep.

    I lost a lot of fluids because I couldn't turn the temperature in the room down and spent the night sweating. When I got up I drank a lot of water and GuBrew, but as it turns out, not enough.

    The weather was good, about 46 at the start. It was sunny, which was quite a problem when I got a migraine at mile 8. It took me about a mile to get my imitrex out of my pocket and actually take it. At the half I was still close to the 3:20 pacer and I considered taking the turn for the finish line, but decided to keep going.

    As the nausea from the migraine subsided, I started getting a stomach cramp. At mile 17 I stopped at medical. After some back and forth the decided the cramp was likely due to dehydration and they made me sit and drink in front of them for 15 to 20 minutes before they cleared me to continue.

    After that I went on my way at a much slower pace. At about mile 24 one of my teammates, Tom, caught up to me (this was his 19th race at marathon or greater distance). He paced me and got me through to the end.

    I ended up finishing at 3:55:46, far off from my goal. But now I know I can finish the distance so it's just a matter of doing it faster. I'd like to get two more in before New York next November.

    Right now, I feel much better than I thought I would. It was weird, when I woke up this morning, I was walking around the hotel room for a half hour feeling just fine. Then I put my shoes on and everything from my feet to my shoulders started hurting. That's more-or-less subsided now, thankfully.

    [/running] [permanent link]

    18 Nov 2009

    SATA Weirdness update
    A BIOS update from Intel corrected this issue.

    [/unix] [permanent link]

    08 Nov 2009

    Beavertown Fall Classic 5K
    Saturday morning was the third(?) annual Beavertown 5K. I had been training with a group of people for the two months leading up to the race. We registered as a team for the event, the Beavertown Runners.

    I set out with the goal of finally breaking 20 minutes. With Philly so close I decided the PR wasn't worth risking an injury and I'd slow down if something felt off.

    I didn't slow down. I finished in 6th place overall with a new PR of 19:51. The team rankings were determined by each team's top 3 finishers and, in our category, the Beavertown Runners took first.

    [/running] [permanent link]

    02 Nov 2009

    19 days 23 hours...
    Just under 20 days remain until the start of the Philadelphia Marathon. Last week I ran 60 miles and felt pretty good; my hamstring and iliotibial band are healing nicely.

    I've gotten some advice from some people who have run Philly before and I'm thankful for that. Among other things, they stressed the importance of tapering. It's going to be difficult to run less when I feel so good.

    [/running] [permanent link]

    31 Oct 2009

    NJ Governor Endorsement
    I officially endorse anyone who is not Jon Corzine.

    [/politics] [permanent link]

    29 Oct 2009

    Last night I ran...
    15 miles because I felt like it, again.

    [/running] [permanent link]

    26 Oct 2009

    I just ran...
    15 miles because I felt like it.

    [/running] [permanent link]

    23 Oct 2009


    Android Lust Resolution
    Excellent music. Go check out Android Lust now.

    [/musings] [permanent link]

    19 Oct 2009

    C#, XNA, and 8 Queens
    I spent some time this weekend learning some C# and getting working a bit with the XNA framework. I implemented a solution for the 8 Queens problem in C++, then ported that class to C#. After getting that working in Windows, I started moving it to the Xbox.

    It works there with little issue, but, as expected, writing to system.console doesn't produce useful output. My next step is to get some sort of graphical representation of the chessboard displayed with the solution set.

    [/code] [permanent link]

    17 Oct 2009

    XNA
    As of this morning, I am now a member of the XNA Creators Club.

    [/code] [permanent link]

    14 Oct 2009

    Staten Island Half Marathon
    Sunday was the Staten Island Half Marathon. I've been dealing with overuse injuries as of late, my IT-band has been acting up and I strained my right hamstring.

    I wasn't sure if I'd be running or not, and the temperature was predicted to be in the low- to mid-50's, so I wore my coldgear; I didn't want to end up with hypothermia again if I was standing around for 2 hours in shorts.

    It turned out that one of my teammates, Liz, wasn't sure if she'd be able to finish. We decided to run together. And we did. We finished with the exact same time of 2:34:00. I kept her from stopping and she kept me from going to fast and re-injuring myself.

    It took me an hour longer to finish the race than it normally would, but I think it went quite well. My hamstring actually felt better after the run. My IT-band was a little sore the next day, but it was better by Tuesday.

    Running at the slower pace, I was able to actually look around and enjoy the scenery. The shores Staten Island were not as bad as I was expecting. Over all, it was a good recovery run. A 13.1 mile recovery run.

    [/running] [permanent link]

    Bing!
    It has come to my attention that searching bing for pictures of closed doors yields pictures of my DeLorean.

    [/dmc] [permanent link]

    Self Documenting Code
    Despite what you think about your code, it is not self documenting. When writing code add comments, describe what a function does, explain why you're using that convoluted pointer arithmetic and bit shifting. I'm sure it makes sense now, but someday you'll have to go back and look at it and figure out what the hell you were doing. Or worse, I'll have to go back and look at it and figure out what the hell you were doing.

    Sometimes it is important to have some sort of separate documentation for the code; maybe some UML or ER diagrams, maybe some English text. Use what ever it takes to explain what you were doing. Do not paste snippets of your code into the text and call it documentation.That is not documentation, that is code.

    [/code] [permanent link]

    11 Oct 2009

    AFI: Starland Ballroom, October 10, 2009
    Show was great last night. Here's the setlist from the show:

    • Torch Song
    • Leaving Song Pt. II
    • Veronica Sawyer Smokes
    • Ever and a Day
    • Kill Caustic (With Lou Koller of Sick of It All)
    • End Transmission
    • Love is a Many Splendored Thing
    • Beautiful Thieves
    • Dancing Through Sunday
    • Leaving Song
    • On the Arrow
    • Death of Seasons
    • Medicate
    • Love Like Winter
    • Just Like Heaven
    • Miss Murder
    • Silver and Cold


    I'll write more later, now it's time to get ready for the Staten Island Half Marathon.

    [/musings] [permanent link]

    04 Oct 2009

    It exists
    As part of the DeLorean's restoration, I've been considering a backlit dash. I had considered sticking with the stock dash with the white light bulb in front of the gauges, but I thought a red backlit display would be better for night vision.

    Then came the issue of whether or not something like that exists. Turns out it does. Speed Hut carries a line of customizable gauges for the DMC-12 as part of the EL-Glo line.

    [/dmc] [permanent link]

    02 Oct 2009

    Gmail and mutt
    I like mutt. Of all the mail clients I've used over the years, it sucks the least. It works well with my mail server.

    Despite having my own domain and mail server, I still use gmail for certain things; things I don't mind being retained for 3 years after I delete them, or more specifically, things I want retained for 3 years after I delete them.

    I don't like the gmail web interface. I find checking my gmail to be annoying because of this. I remembered gmail offering POP and IMAP. I figured I could use that to get my gmail. Shouldn't be too hard right?

    A quick search of Mr. Yahoo and Mr. Google gave me two good starting points: Lifehacker.com and MattCutts.com.

    I read the sites and the getmail man page and figured out what I needed to do. First I enabled IMAP for my gmail account. Next, I created the .getmail directory in my home directory then created a getmailrc file there. I want all gmail mail to be delivered to a specific mbox file without going through my normal mail delivery channels. The contents of the getmailrc file are quite simple:

    [retriever]
    type = SimpleIMAPSSLRetriever
    server = imap.gmail.com
    username = username@gmail.com
    password = usernamespasswordgoeshere
    mailboxes = ("inbox",)
    
    [destination]
    type = Mboxrd
    path = /usr/home/mforde/Mail/GMAIL
    
    The retriever section defines how getmail will retrieve the mail. In this case it uses IMAP over SSL to connect to imap.gmail.com. The mailboxes setting can be used to specify only certain gmail labels to retrieve, but I want anything in the inbox.

    The destination section tells getmail what to do with the mail once it has grabbed it from gmail. This configuration dumps it into an mbox file I've named GMAIL.

    I chose IMAP over POP because of the slightly-less-than-documented "feature" of gmail only allowing 99 messages at a time over POP.

    So to get the initial batch of 7000+ emails, I ran
    > getmail -vvv -l 
    
    to get verbose output and to leave messages on the gmail server. When that was done I pointed mutt at the GMAIL mbox and like magic, there was my gmail, organized nicely in my terminal.

    Now, I want to check to get the latest mail fairly often, and I don't want to download messages already copied over. To accomplish this, I added a crontab to run every 10 minutes and invoke
    getmail -l -n -q
    
    This tells getmail to leave copies on the server, only get new messages it hasn't already retrieved, and be quiet about it.

    This has worked out well for me. If you're interested in setting up something like this, I highly recommend reading the article at matcutts.com. That article also links to several sample getmailrc files.

    [/unix] [permanent link]

    Happy Anniversary
    The Twilight Zone premiered 50 years ago tonight. Slashdot has a bit about it.

    [/musings] [permanent link]

    01 Oct 2009

    Marathon Tune-UP
    This past Sunday was the Marathon Tune-Up, an 18 mile run through Central Park. My goal was to run it maintaining roughly a 7:30/mile pace. I had set a range of 135 to 140 minutes for myself. I would have been satisfied with any finish time in that five minute span.

    At the 10 mile mark, I was averaging 7:27/mile. During that 11th mile, I decided to use a Gu energy gel. I was still feeling pretty good at that pace and I was hoping to time the gel right so as to not "hit the wall" at mile 14 or 15.

    Instead, the gel started giving me stomach cramps. At mile 12 I was still well under an 8 minute pace and at the half-marathon mark, I was a minute off my best official half. I was clearly slowing down as the stomach pain increased.

    I struggled through miles 14 and 15, alternating running and walking every quarter mile. By mile 16, I could not run. The pain was almost unbearable. I ended up walking the last two miles, in the rain, with all my blood concentrated in my core, dealing with the Gu in my stomach. By time I crossed the finish line, I was a half over my 135 minute goal and had almost no feeling in my hands or feet.

    I went to the medical tent and told the volunteer that I had severe stomach cramps and I was so cold that I couldn't feel my hands. He responded, "We don't got no blankets or nuthin' so we can't do nuthin' for ya." So I walked away.

    I went to the tables where volunteers were handing out gatorade and pretzels. I stood there, shaking, until another runner came up to me and asked if I was okay. Before I knew it, another runner was keeping me from falling over while the first runner was coming back with two NYRR volunteers. One of them wrapped me in a plastic bag to keep the rain off while the other went for help. I explained what happened at the medical tent.

    Two more people from medial came back and put me on a gurney and took me back to the tent. I told them what had happened at the tent and explained what I was feeling. At the tent I removed my soaked shirts and was wrapped in a mylar sheet and two blankets. I pointed out the guy who told me they couldn't do anything for me.

    I managed to get in touch with my fellow Giraffe who ran back to our car to get my dry clothes. After about a half hour or so, I was feeling much better and feeling had returned to my extremities. I got in my dry clothes and my teammate and I walked back to the car.

    So taking a Gu ended up with me being treated for hypothermia. I had had mild stomach irritation when using Gu in training, but never this bad. I'm glad I found out now instead of next month in Philadelphia.

    during my 22 mile training run at the Tourne, I used prepared bottles of GuBrew and Gu2O. These liquids never caused the irritation that the gel did, so I should be okay using them during the race.

    I've purchased a bottle that gets strapped to your hand for the purpose of carrying the GuBrew with me. I filled it with water and ran with it on the treadmill last night. It seems a little awkward, but it shouldn't be too bad. I'll use it to carry the GuBrew with me during the Staten Island Half Marathon on the 11th and see how that works out.

    [/running] [permanent link]

    26 Sep 2009

    Fifth Avenue Mile
    The results are in. I did the mile in 5:34, three seconds faster than I had ever done in training. One mile down, 18 more to go tomorrow morning.

    [/running] [permanent link]

    25 Sep 2009

    A Weekend at the Races
    Tomorrow is the Fifth Avenue Mile and Sunday is the Marathon Tune-Up. I'm looking forward to both. If all goes well, I should be done with tomorrow's race in under six minutes. Sunday's race I'm aiming for a time between 135 and 140 minutes. We'll see what happens...

    [/running] [permanent link]

    21 Sep 2009

    Hope Chest
    A conversation I had while helping some friends move:

    me: So what do they keep in this hope chest?
    Jaxon: Hope.
    me: So that's why it's so light.

    [/musings] [permanent link]

    18 Sep 2009

    Product Review: ASICS Cumulus-10
    This is the second installment of my running product reviews. Last time I said I'd discuss my "current running shoe" but my training has turned me into a liar. I'm still going to discuss the ASICS Cumulus-10, but it is no longer my current running shoe.

    At this point, the Cumulus-10 can still be found, although supplies are limited. I recently tried to purchase a second pair of these and was unable to find them in my size. I could have had a 9.5 or a 12, but not the 10.5 I needed.

    When the Nike Tailwinds no longer provided adequate cushioning, I had to find a new shoe, one that would work for a lighter runner. After reading reviews online and in magazines, particularly Runner's World, I went over to Fleet Feet in Montclair and talked to the sales staff there.

    After trying on a few pairs, I decided on the Cumulus-10 but wanted to wait until after the Brooklyn Half Marathon, a week away, before breaking in new shoes. This is not what happened. Because of the lack of cushioning in the Tailwinds, I ended up with horrible shin splints during my lunch time run the day before Brooklyn. I called up fleet feet, asked them to hold a pair of the Cumulus-10s for me and I picked them up that evening. I ran in them for the first time the next morning in the Brooklyn Half.

    Those shoes were amazing. They were soft enough to provide the compression needed for good cushioning at my weight. And while they were soft, they weren't mushy either. The ASICS GEL cushioning system is in place in both the heel and the forefoot, providing ample shock absorption for heel strikes and mid- to fore-foot strikes.

    The toe box was slightly narrow, but starting the laces one hole up from the bottom provided enough extra space while keeping my foot firmly in place.

    The sole in the forefoot is wide; wider than the sole in the Tailwinds. This provides support for the foot during the toe-off portion of the stride.

    The Cumulus-10 served me well until I had put just under 600 miles on them. At that point the cushioning was worn down and not as effective as it once was. I retired them about a week after the NYC Half Marathon in August giving me about 12 weeks worth of running. In actuality, I should have retired them after about 10 weeks.

    I recommend the ASICS Cumulus-10 for lighter runners with normal to low arches. Left over stock of the Cumulus-10 can be found at EastBay's website for $69.99 (both men's and women's), although many sizes are unavailable at this time.

    Next time, we'll discuss my current running shoe, the ASICS Cumulus-11. I've been slacking a bit so I only have about 250 miles on this pair so far. Hopefully I'll post the review before I hit 500 miles and retire these.

    [/running/reviews] [permanent link]

    17 Sep 2009

    Can't Argue with That...
    Well, I have to admit it; there's one issue I agree with Obama on: Kayne West is a jackass.

    [/politics] [permanent link]

    16 Sep 2009

    The Biggest Loser
    Last night was supposed to be my night off. My IT-band and my hamstring in my left leg have been tight the last few days so I spent some time stretching, but that was to be the extent of my workout.

    I started watching the season premier of The Biggest Loser. After about a half hour of that, I felt "motivated" and I spent an hour core training. Watching those contestants at such an early stage of the game made me remember what I have accomplished, how hard I worked for it, and that it will be a never ending battle.

    Sure I'm running 50 to 60 miles a week now. Sure I'm spending hours weight lifting and core training every week. I've taken my BMI from 36.5 to 20.0, and now begins the next phase, keeping the weight off. I can't become complacent. If I do, I will have lost.

    [/musings] [permanent link]

    11 Sep 2009

    TBMChicago
    TBMChicago has some live footage of The Birthday Massacre as well as galleries of photographs taken during performances and after shows hanging out with fans.

    I'm a little shocked that it's taken me this long to find this site. But then again, I'm usually out of the loop on things so maybe it shouldn't be too surprising.

    I'm waiting for the DVD release of Show and Tell. I haven't found a release date yet, but I could just be out of the loop yet again.

    [/musings] [permanent link]

    26 Aug 2009

    Product Review: Nike Tailwind 2008
    Welcome to a new feature on this blog. I'm going spend some time writing what I think of various running related items such as shoes, clothes, and energy gels.

    My first review is the Nike Tailwind 2008 running shoe. At this point, they're a little hard to find as they have been replaced by the Tailwind 2009. From what I've read about the 2009 edition, not much has changed so much of this should still be relevant.

    What first drew me to this running shoe was the Air Max cushioning. Like many Nikes, the heel contained the Air pockets. Unlike many other Nikes, these also had the Air Max cushioning in the forefoot.

    I tried them on and they were snug, but not too tight. Perfect. They were already on sale by time I was buying them. Even better.

    I ran about 400 miles in my first pair in about six months time, and replaced them with another pair which lasted about another four months. During this time the shoes served me well on treadmills as well as road and trail courses.

    These shoes, however, are best for heavier runners. The cushioning is very firm and needs extra weight to compress properly for maximum impact absorption. When I first started wearing the Tailwinds, I was about two months into my training and was about 210lbs. As I ran more, I lost more weight. At 180lbs the shoes were still quite good. At 160lbs they still provided adequate cushioning, although I started to feel my runs more.

    The Tailwinds served me well until I was under 140lbs. Below that and they feel like running in clogs.

    I recommend the Nike Tailwinds for heavier runners with normal to low arches. The men's Tailwind 2009 can be found on the EastBay website for $79.99 (99.99 for women's) as of this writing, making them a relatively affordable running shoe.

    Next time, we'll discuss my current running shoe, the ASICS Cumulus-10.

    [/running/reviews] [permanent link]

    25 Aug 2009

    FreeBSD 8 Beta 3 Available
    FreeBSD 8.0 Beta 3 is now available for download. The final release is expected in about a month.

    [/unix] [permanent link]

    Getting closer...
    Only 89 days remain until the Philadelphia Marathon.

    [/running] [permanent link]

    17 Aug 2009

    NYC Half Marathon
    Yesterday was my worst half marathon yet. While standing in the corral for almost an hour before the race start, I developed a migraine which became progressively worse as the day went on.

    Around 6:30am, I saw some flashing white lights out of the corner of my eye. Figuring it was someone with a camera, I looked over only to see that there was no one with a camera standing there or walking away. Then I realized the flashes were the aura. At that point I knew it would be a bad day.

    My split times illustrate the progression of the migraine including the nausea, blurred vision, and dizziness:

    5K: 0:23:42 (not too bad)
    10K: 0:47:32 (still okay)
    15K: 1:14:45 (feeling nauseated)
    20K: 1:46:09 (trying hard not to vomit in front of officials that will pull me from the race)
    final: 1:51:49 (I'm not dead yet!)

    Out of about 15 to 16 thousand people that signed up, about 10 thousand finished.

    Yesterday was apparently day 1 of a heat wave, and the humidity was quite high. At the start of the race, the air temperature (in Fahrenheit) plus the humidity percentage number was 151. At 152 and higher the risk of heat stroke increases significantly, or so I read in Running Times.

    Only one member of the Giraffes met her goal. We're really proud of her. Not only did she meet her goal, but this was her first half marathon.

    All four members of our team that ran finished, but we all agreed on a new rule: no summer races longer than 10K.

    Despite the horrible weather conditions, and other problems, I'm glad I ran this race. My time was far from my best, but now I can say I ran through Central Park, down 7th Ave to 42nd, through Times Square and out to the West Side Highway and down to Battery Park. Seriously, how cool is that?

    ABC had a special broadcast last night at 11:35PM recapping the race. I recorded it and am looking forward to watching it sometime today.

    [/running] [permanent link]

    13 Aug 2009

    Removing Windows 7 Boot Loader
    Removing the Windows7 boot loader is just like removing the Vista boot loader. The key being running the command

    \boot\bootsect.exe /nt52 ALL /force
    
    from the Win7 install DVD. More info at this site.

    [/musings] [permanent link]

    11 Aug 2009

    I want to believe
    Running never takes more than it gives back.
    Believe in the run.

    [/running] [permanent link]

    08 Aug 2009

    Windows 7
    I installed the Release Candidate (build 7100) of Windows 7 on my workstation today. I'm using it as I write this post. I'm not sure how much longer I'll be using it. I suppose I'll be using it at least until FreeBSD 8.0 is released.

    The Aero interface seems to have been polished a bit since Vista. This is both good and bad. It's good in that I've been able to customize it to be almost as usable as the XP and "classic" UIs. Almost.

    It's bad in that it's too user friendly. It's as though the designers have such a low opinion of the users' intelligence that they went out of their way to hide how the system works. It's like Microsoft wants to be Apple.
    Don't be Apple. You're better than that.

    Parts of the UI seem to get in the way. The window decoration draws much attention away from the actual task at hand. Moving the mouse pointer out of your way can lead to more things in your way. Hovering over the wrong spot leads to pop-up thumbnails of open applications. Or all the windows become transparent hiding you task and showing you the desktop.

    I'll try it out some more, but I'm pretty sure I'll be going back to the "classic" Win95-Win2000 UI. Even in that mode, the explorer shell is just different enough to be annoying.

    [/musings] [permanent link]

    04 Aug 2009

    Race Against Crime and Drugs
    The Hoboken Race Against Crime and Drugs was last night. The Giraffes were split into three three-person teams. Unfortunately, two members were unable to run last night. However, two of the more recent additions to the Giraffes stepped up and joined the race.

    My right calf was still sore at the start of the race, but felt better after about a mile. By that point it was too late and I knew I wouldn't PR, but I did fairly well keeping my time under 21 minutes and finishing number 79 of 609.

    The team consisting of Brian, Liz, and me did fairly well and placed 7th in overall team competitions with a combined time of 1:13:46. Had our second team not been a runner short, they likely would have done well enough for 8th or 9th place.

    [/running] [permanent link]

    03 Aug 2009

    Race Against Crime and Drugs
    The Hoboken Race Against Crime and Drugs is tonight. Online entry is closed but race day registration should be open this evening for anyone who wants to run and hasn't signed up. The race starts at 7PM on Pier A.

    The Giraffes are splitting into three subspecies for tonight's race. We have three three-person teams running with a little friendly competition going on. I hope I don't let my sub-team down tonight.

    I'm not feeling very fast. In fact, my right calf is still sore from the speed work I did at the track yesterday. I ended up doing about seven and a half miles of intervals and sprints over the course of about an hour.

    Hopefully it won't be too bad once I get warmed up. The 5K course in Hoboken is fairly fun; flat and alongside the Hudson River for most of the way.

    [/running] [permanent link]

    27 Jul 2009

    Epic Failure
    I started out in the Tourne on Saturday morning and ran the first five loops pretty well. The hilly 13.5 miles went fairly smoothly and I felt like I had a lot left in me.

    Around mile 16, the hills started to take their toll and I noticed I was slowing down. At about mile 18 my calves were on fire and "Killer Hill" reclaimed its title.

    I completed 21.6 miles and had only two loops left to reach the goal; however, a quarter mile down the first hill was more than I could take. At the bottom of the hill, mere feet from the first uphill, I stopped, turned around, and walked back up to my car.

    My right calf was still sore yesterday and is a little tight today.

    With only 117 days until Philadelphia, I'm starting to get nervous.

    [/running] [permanent link]

    24 Jul 2009

    Countdown
    Only 23 days remain until the New York City Half Marathon. Much like every other race, I don't feel prepared for it. But the race I feel the most unprepared for are usualy the ones I get a PR.

    I feel like I should be training harder. I'm averaging between 50 and 60 miles per week and I don't think it's enough. The Philadelphia Marathon is only 120 days away. And as of today I still haven't run anything over 20 miles.

    So the plan for tomorrow morning is to run more than that. I decided months ago that I'd run at least a marathon distance by the end of July. Tomorrow I plan run 27 miles. I have a 2.7 mile loop planned out and I'm going to run it 10 times. I imagine it will quite boring for a while in the middle, but it will certainly be a challenge by the end.

    [/running] [permanent link]

    DMC Houston
    It looks like the DeLorean needs some non-trivial work done on it. The mechanic I had taken it to found an issue he's not equipped to deal with. My first call was to DMC Houston where I talked to Stephen.

    He was friendly and incredibly knowledgeable. He said he'd work with me and Dave at their facility in Chicago to figure out what the extent of the work would be and the best way to approach it. Odds are the car is going to have to be shipped to Chicago for a few weeks.

    [/dmc] [permanent link]

    23 Jul 2009

    Highway driving
    On the way to the mechanic yesterday, I had the DeLorean out on 287 South. Near one of the Boonton exits, a guy in old Stingray pulled up next to me on my right. I looked over, he looked at me, and we gave each other a nod. I sped up a bit to keep with the flow of traffic and he moved as if exiting soon thereafter.

    This was my longest trip with the DeLorean thus far, and also the fastest I've ever driven it. And no, I still haven't gotten it to 88mph.

    [/dmc] [permanent link]

    22 Jul 2009

    Verizon Wireless Classic Update
    All of the results are in and the team rankings have been calculated. We ranked 12th of 144 men's teams putting us in the top 8% for the day. The rankings were determined by the top three runners for each team. I was the second runner from my team that night.

    My disappointing time of 20:48 put me in at number 108 of 3451 which means I finished in the top 3%.

    Maybe it wasn't as disappointing as I initially thought.

    [/running] [permanent link]

    17 Jul 2009

    July Update
    Tuesday night was the Party with Purpose 5K in Hoboken. I did much better than last year, but I'm a little disappointed. They only had it set up to record gun time rather than net time. The actual start line wasn't marked very clearly either. Officially my time was 20:20 but if it took me more than 4 seconds to cross the start line, then I got a PR. But the world will never know.

    Last night was the Verizon Wireless Classic 5K corporate challenge race in Morristown. They calculated net time, but rather than reading the RFID tag as you cross the finish line, there was a guy about 10 to 15 feet past the line waving an RFID reader wand over your tag. So you cross the line... and stop running... and walk a bit... and then your finish time is recorded. Other than that, it was a decent run. I was again disappointed in the results, finishing in 20:48.

    I may try the Teterboro 5K at the airport tomorrow, or I may just do a 20 mile training run. I haven't decided yet.

    [/running] [permanent link]

    It's like I'm 16 again
    You'd think I would have learned to drive by now. I've had the DeLorean for a month now and I'm still a little shaky coming off stop lights and signs but over all I'm better. I've only driven it a handful of times and I should really be driving it more often if I want to get better.

    I'm thinking of adding a separate section to the site dedicated to the DeLorean and every step in the process of acquiring it. I found a lot of useful information on the websites of other owners that helped a lot.

    [/dmc] [permanent link]

    I think I'll take the DeLorean today...
    After taking the Pontiac to inspection this morning, I got the urge to drive the DeLorean. I need to drive it more anyway so I think it may be joining me on some errands this morning.

    [/dmc] [permanent link]

    11 Jul 2009

    I Survived Julyapalooza!
    My friend had his annual Julyapalooza Barbecue in Brick today. This time I made it through the day without any near-death experiences!

    [/musings] [permanent link]

    09 Jul 2009

    "Why the hell don't the plugins have proper documentation"
    I had to pick up something in Fair Lawn for a friend this evening. It was later in the evening, well after rush hour but there was still a good amount of time before the sun went down so I decided to take the DeLorean out.

    I got her out on Rt 80 and she handled beautifully. The turns on the entrance and exit ramps felt better than in my Pontiac. I was a little nervous about over-steering because of the rear mounted engine, but it wasn't an issue.

    When I arrived at my destination, I got some looks from a woman walking her dog and some guys across the street working on something in their garage/driveway. I had a bit of an issue getting back on to 80 due to a construction vehicle and an a-hole in a BMW, but everything else was fine. I'm getting much better at driving it.

    On the way home at the 80/23/46 interchange a minivan pulled up beside me and beeped their horn. I looked over and they gave me a thumbs up.

    It was most triumphant.

    [/dmc] [permanent link]

    07 Jul 2009

    Dommin
    Dommin's new EP is out now. You can find it at your nearest Hot Topic. It's 4 songs and only $1.99. They have a full length album due out in a couple of months. In the meantime you can support them by buying EP and seeing them on tour.

    I was fortunate enough to see them back in April with The Birthday Massacre, and talk with some members of the band after their set. Not only are they a great band, but they're actually pretty cool people too.

    And while you're at Hot Topic purchasing the EP make a donation to the hot topic foundation. The proceeds go to fund music and art programs in schools. If you ask me, and by reading this blog you have implicitly asked me, it's a worthy cause.

    [/musings] [permanent link]

    01 Jul 2009

    Countdown to Philly
    Only 144 days remain before the Philadelphia Marathon. There's still plenty of time to sign up though.

    [/running] [permanent link]

    27 Jun 2009

    "Because you will be approached by people with questions and stupid jokes."
    I took the DeLorean when I went to the bank this morning. I pulled into the parking lot and found a space. As I got out of the car a guy around my age came running over before I could shut the door.

    He said, "I can't believe it, this amazing. I've always wanted to see one of these. Man, I was just watching the movie last night. Can I take a picture?"

    I said, "sure" and let him know that it still needed some work so it doesn't look as good as it could. He said, "It doesn't matter; it's a DeLorean."

    Later in the afternoon I went to get some more gas. I pulled into the station, shut off the car, got out and opened the hood to get to the gas cap. Neither of the attendants on duty had seen one before and both came over to see the car. They had some questions about the body construction and the engine.

    [/dmc] [permanent link]

    26 Jun 2009

    Sunset Classic 5M
    I got to meet Bill Rodgers tonight after the Sunset Classic 5M in Bloomfield. He was signing autographs after the race and actually spedning time talking to people. He spent a good 5 to 10 minutes with everyone, answering questions, giving advice, and just talking about running in general. He signed my race bib and we talked about the course and his diet. He really did put mayo on pizza. Hellman's. Had to be Hellman's. As he put it, "When you're burning 5000 calories a day, you're hungry." It was a pretty good race, I kept pace with the second place female finisher for almost the whole race, with number 3 not far behind. In the last 200 meters or so they both took off and I finshed a few seconds behind them. After the race I thanked the girl I had been running with for making me push myself a little harder than I planned, and congratulated her on her placing. I also made some new friends from work. I met most of the company's running team after the race and we talked about running and stuff. Most of them are in other divisions of the company so I had never seen them before tonight.

    [/running] [permanent link]

    24 Jun 2009

    QOTD:
    "I figured I'm getting too old to run, I might as well get married."

    --
    Acquaintance on missing a race to meet with caterers for his upcoming wedding.

    [/running] [permanent link]

    14 Jun 2009

    The new phone book is here!
    I am now officially 5% rockstar. At least I am according to the New York Times. I am now the proud owner of DeLorean #6291 manufactured in November of 1981.



    closed
doors open
doors

    [/dmc] [permanent link]

    09 Jun 2009

    NIN|JA
    On June 6th, I attended the Nine Inch Nails/Jane's Addiction concert in Holmdel, NJ held at the Arts Center. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. I managed to get through shortly after they went on sale and ended up with two tickets for Section 104, Row S. This time I went with my friend from college who now lives in Virginia. He drove up for the day and had to head back down to VA the next morning.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue, just as we did for the show at the Meadowlands last Summer. We arrived shortly before the gates opened, but were allowed in immediately after picking up the tickets.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. This time I was smarter and got a small. It fits much better than the XL I picked up in August.

    At 7:30 the opening act, Street Sweeper Social Club, took the stage. They were pretty good. Let me clarify that. The guys with instruments were good. Tom Morello was close to awesome and the other musicians were good. I wished the vocalist would have just shut up.

    At 8:15 Nine Inch Nails took the stage as Pinion played. As soon as it ended, they immediately went into Wish, quickly followed by Last. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The 19 song set, was about an hour and a half. It was an amazing show. The stage show was incredibly stripped down compared to the previous show, utilizing only lights and fog machines. It was also far more aggressive.

    At 10:00 Jane's Addiction took the stage. Unfortunately, because my friend had to leave for VA the next morning we only stayed for the first half of their hour long set. Dave Navarro was rather amazing. Eric Avery was great. Stephen Perkins was really good. Perry Farrel was certainly a good showman, but I found his voice a bit grating at times. If I have the chance, I would like to see them again.

    NIN Setlist:

    • Pinion
    • Wish
    • Last
    • Discipline
    • March Of The Pigs
    • Reptile
    • Meet Your Master
    • Gave Up
    • La Mer
    • Non-Entity
    • The Way Out Is Through
    • Mr. Self Destruct
    • 1,000,000
    • Echoplex
    • Survivalism
    • The Good Soldier
    • The Hand That Feeds
    • Head Like A Hole
    • Hurt


    Jane's Addiction Setlist:
    • Three Days
    • Whores
    • Ain't No Right
    • Pigs In Zen
    • Then She Did...
    • Up The Beach
    • Mountain Song
    • Been Caught Stealing
    • Obvious
    • Ocean Size
    • Ted, Just Admit it...
    • Summertime Rolls
    • Stop!
    • Jane Says

    [/musings] [permanent link]

    03 Jun 2009

    National Running Day part 4
    I did another 10K this evening after work. That brings my National Running Day total to 13.6 miles over 3 runs. I hope everyone was able to run today. You still have some time if you haven't yet. Happy National Running Day!

    [/running] [permanent link]

    National Running Day part 3
    Did a little over 4 miles on my lunch break at a slightly faster pace than the run this morning. Looking forward to this evening.

    [/running] [permanent link]

    National Running Day part 2
    That was fun! I got my first run completed, just over 5K. Now it's time to get ready and get off to work.

    [/running] [permanent link]

    National Running Day part 1
    Here I am ready for my first run of the day and there's a thunderstorm about to roll through. The RADAR shows it moving pretty fast. If it hasn't passed by in the next 15 to 20 minutes, I'm getting on the treadmill.

    [/running] [permanent link]

    01 Jun 2009

    National Running Day
    Wednesday June 3, 2009 is the inaugural National Running Day. I encourage everyone to get out and run. Whether your a seasoned athlete or a couch potato, lace up your sneakers and get out there this Wednesday.

    For the runners out there, make sure you run on Wednesday and try to drag some people along with you. For those of of you who aren't runners, Wednesday is a perfect day to start.

    The National Running Day website has more information about the day, and tips for people who are new to running.

    [/running] [permanent link]

    31 May 2009

    A Day at the Races... In Brooklyn
    Yesterday was the Brooklyn Half Marathon. It started in Prospect Park and made 2 loops around the park before exiting and getting on to Ocean Parkway at the 7 mile. From there it was straight to Coney Island where the race finished on the boardwalk near Keyspan Park. Approximately 12,000 people entered the race, and 9,415 people finished within the three hour time limit.

    I was aiming for a pace between 7:30 and 7:45 per mile and ended up with a 7:33 pace for the day finishing in 1:39:07, ten minutes faster than my time for the Manhattan Half. While not my best pace ever, it is a half marathon PR for me.

    Team Giraffes had a good showing. Four of the seven runners we entered finished in under 2 hours, and all finished in under 2:30. Four members of the team have completed their qualifiers for the 2010 NYC Marathon now, and another is one race away from completion.

    [/running] [permanent link]

    19 May 2009

    Random Running Related Updates
    I ran in another 10K in Central Park this past weekend. I took it a little easy but still managed to take a minute per mile off my time from the Homecoming Scotland 10K last month. It's funny how much better you can perform without food poisoning.

    I have a 3 mile race in the Financial District tonight. It was supposed to be a 5K, but the course was changed due to construction. I'd like to finish in under 20 minutes, but we'll see how it goes. I'm feeling a little sluggish today.

    The Brooklyn Half is coming up on the 30th. It starts in Prospect Park and ends at Coney Island. I'm just shooting for a better time than the Manhattan Half. The weather should be about 50 to 60 degrees warmer for Brooklyn so I shouldn't really have to worry about freezing sweat this time. My pace at shorter distances has improved quite a bit since January so I have that working in my favor as well.

    The running team is expanding. We have a new member for the Giraffes. Hopefully we'll be able to get five men and five women for each NYRR race so we can be ranked in the club standings. I don't expect we'd do very well against teams like NYAC or TRD, they seem to be fairly large teams with a lot of good runners, but it would be nice to see the Giraffes in the rankings.

    Two of The Giraffes (Liz and I) have finished our 9+1 qualification races and are guaranteed entry in the 2010 NYC Marathon. Two more will complete their 9+1 at the Brooklyn Half.

    [/running] [permanent link]

    14 May 2009

    Awesome News
    As of today I am qualified for the 2010 New York City Marathon.

    [/running] [permanent link]

    05 May 2009

    Show and Tell
    The Birthday Massacre's new live album Show and Tell is out today. Go get it! I was lucky enough to pick up a copy at their concert last weekend. It's pretty awesome.

    If you're a fan of TBM it's definitely worth adding to your collection. If you've never heard of them, the best way I've heard their sound described is as "a combination of synth-pop, black metal, and 80's new wave."

    [/musings] [permanent link]

    26 Apr 2009

    Happy Birthday

    Last night I went to see The Birthday Massacre in Hackensack. The show was at the School of Rock which is a rather small, intimate venue.

    The first act was September Mourning. I thought they were pretty good. I got to speak to Emily and Chris from the band later in the evening and they seemed like pretty cool people.

    Dommin was the next band up. The singer's got a pretty good voice and the bassist was really good. They played a cover of Depeche Mode's "People are People" and it was pretty good.

    I was a little less than impressed with I Am Ghost. They weren't bad, but I couldn't get into them.

    Early in the evening, before Dommin's set I went to the merchandise table and picked up two new shirts. Now I have TBM shirts that fit! I also picked up a copy of the new live album Show and Tell. Zimmy couldn't make it this tour, but Michelle, the girl who took his place, was just as awesome as he was.

    The Birthday Massacre was great. They played a good mix from their albums including songs from their three albums and the Looking Glass EP.

    If you care (or even if you don't), their set list follows:
    • Red Stars
    • Goodnight
    • Falling Down
    • Play Dead
    • Weekend
    • Shiver
    • To Die For
    • Lovers End
    • Remember Me
    • Video Kid
    • Violet
    • Looking Glass
    • I Think We're Alone Now
    • Walking With Strangers
    • Blue
    • Happy Birthday
    They didn't play my favorite song, "Broken," but I was not disappointed in the set at all.

    After the show they came out to meet the fans. I was able to get their new live album signed by Falcore, Oen, Rainbow, and Chibi. The latter three also autographed the photos I had taken with them last year and they were pretty nice about it.

    Not that anyone really cares, but these are the photos my friend took. If you view the full version, be warned that I'm in the photos too.

    M. Falcore Chibi

    [/tbm] [permanent link]

    Happy Birthday

    Last night I went to see The Birthday Massacre in Hackensack. The show was at the School of Rock which is a rather small, intimate venue.

    The first act was September Mourning. I thought they were pretty good. I got to speak to Emily and Chris from the band later in the evening and they seemed like pretty cool people.

    Dommin was the next band up. The singer's got a pretty good voice and the bassist was really good. They played a cover of Depeche Mode's "People are People" and it was pretty good.

    I was a little less than impressed with I Am Ghost. They weren't bad, but I couldn't get into them.

    Early in the evening, before Dommin's set I went to the merchandise table and picked up two new shirts. Now I have TBM shirts that fit! I also picked up a copy of the new live album Show and Tell. Zimmy couldn't make it this tour, but Michelle, the girl who took his place, was just as awesome as he was.

    The Birthday Massacre was great. They played a good mix from their albums including songs from their three albums and the Looking Glass EP.

    If you care (or even if you don't), their set list follows:
    • Red Stars
    • Goodnight
    • Falling Down
    • Play Dead
    • Weekend
    • Shiver
    • To Die For
    • Lovers End
    • Remember Me
    • Video Kid
    • Violet
    • Looking Glass
    • I Think We're Alone Now
    • Walking With Strangers
    • Blue
    • Happy Birthday
    They didn't play my favorite song, "Broken," but I was not disappointed in the set at all.

    After the show they came out to meet the fans. I was able to get their new live album signed by Falcore, Oen, Rainbow, and Chibi. The latter three also autographed the photos I had taken with them last year and they were pretty nice about it.

    Not that anyone really cares, but these are the photos my friend took. If you view the full version, be warned that I'm in the photos too.

    M. Falcore Chibi

    [/musings] [permanent link]

    Lincoln Tunnel Challenge
    Today was the 2009 Lincoln Tunnel Challenge 5K run to benefit the Special Olympics. Last year's was my first race. It took me 35:51 to complete it last year ( an 11:32/mile pace). Today I went in with something to prove to myself. I came out of the tunnel with a new PR of 20:16 (6:31 pace).

    [/running] [permanent link]

    19 Apr 2009

    Run as One 4M
    This was an awesome day!

    Last week's Scotland 10K went horribly wrong due to a bit of poisoning at the hands of Macaroni Grill (40% of our team got sick!).

    Today, however, was awesome!

    Today's course was the same as the Run for the Parks which was my personal record... Until today! I finished in 26:55, shaving 26 seconds off my previous best.

    My new best pace is 6:43/mile with an AG performance of 62.6%.

    After the race we ran into Mr. G! We talked to him and he said he'd talk about the race (and mention our team) on the radio tomorrow morning! (How cool is that?!)

    This evening I registered for my volunteer duties with the NYRR, which will complete my qualification for the NYC 2010 marathon. After that I registered for Philadelphia 2009 which will be my first marathon.

    Today was pretty good.

    [/running] [permanent link]

    05 Apr 2009

    Run for the Parks 4M
    This was an awesome day!

    I ran in the New York Run for the Parks 4M this morning in Central Park. My last four mile race was the Grid Iron Classic back in February where I finished with a time of 29:12 and an AG Performance % of 57.7. (I'm at that age where my actual time is the same as my AG time).

    I really wanted to try and beat that but my IT-band had been acting up earlier in the week so I was pretty nervous and sure it wouldn't happen. I woke up this morning and felt pretty good. I did some core training and light weight lifting and then left for the race with my teammates, feeling a little more optimistic.

    I ended up having a really good first mile, running about a 7:09 pace. I picked it up a bit and ended up finishing in 27:21 and achieved an AG performance of 61.6%, beating my last 4M by 1:51.

    My new best pace is 6:50/mile, down from 7:05, and I've reached the "local class" achievement level.

    It feels so good and I have my friends to thank for this. They convinced me to run with them last year and my life has been completely transformed since then. I've thanked them multiple times for what they did, but I don't know if they'll ever know how much it really means to me.

    [/running] [permanent link]

    21 Mar 2009

    It's Saturday Night
    And where is the mikeforde? He's at home! Washing his tights!

    15K in Central Park tomorrow morning; qualifier number 6.

    [/running] [permanent link]

    09 Mar 2009

    Lincoln Tunnel Challenge
    Last year some friends convinced me to run in the Lincoln Tunnel Challenge and it changed my life. It was an amazing day and we exceeded our fund raising goal.

    This year we're doing it again. You can help support the Special Olympics (and team giraffes!) at this site.

    Any contribution is greatly appreciated.

    [/running] [permanent link]

    Yesterday I ran my best mile ever... Until...
    Saturday morning I did a half-marathon-length training run and I didn't do so well. I hit a wall at about the 15K mark and by ten and a half miles, I had some pretty bad cramps.

    Normally, I take a day off after a long run like that, but I needed to do something to feel a little better. Yesterday I set out for a 5 mile run to get ready for the 8K coming up. I thought I'd keep pace with some music and started with NIN's "Burn." My first mile was a 6:11 pace. It was my best mile ever... Until today.

    Tonight I set out for a 5K and in my first mile I broke six, finishing the first mile in 5:57. While the next 2.1 miles weren't quite as good a pace, I did break 20 minutes for the 5K.

    I want you to trip like me I want you to have fun.
    I want you to trip like I do

    [/running] [permanent link]

    01 Mar 2009 24 Feb 2009

    Can't you trip like I do?
    I got home a little early (read: on time) from work today so I was able to start running a little earlier than I have been lately. I just kept running until the runner's high kicked in, then I kept running until it started to wear off, then I ran another two miles back home.

    I ended up doing about twelve miles tonight and it felt so good. I had almost forgotten what that high felt like. Between the weather and work, my runs were averaging 3 to 5 miles and that doesn't do much for me anymore. But tonight I was able to get that feeling again.

    Oh my God, it's the best.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


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  •        
    26 Oct 2009

    I just ran...
    15 miles because I felt like it.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
    There's more than one way to view this weblog; try these flavors on for size.

  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
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  •        
    30 Apr 2013

    I LOL'ed

    PATIENT: "The problem is that obesity runs in my family."
    DOCTOR: "No, the problem is that no one runs in your family."

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



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    Eponymous
       



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  •        
    26 Dec 2008

    An Awesome Christmas Present
    I waited until to today to verify that it wasn't just a random occurrence. I checked again this morning and it was the same as yesterday.

    I gave myself one of the best Christmas presents I've ever received. It took me about nine months to accomplish it, but I gave myself a new body, and more positive perspective on life.

    As of yesterday, I have lost 101 pounds (45.8Kg for those of you who prefer the metric system) and over nine inches (22.86 cm) from my waistline.

    A friend of mine told me tonight that, her doctor had told her recently that people can live much better lives, with fewer ailments, if they just made simple life changes. She said that having watched me over the last year transform my body, my mind, and my life, she found me to be a good model for positive changes people can make in their lives. As much as hitting the century mark meant to me, her words meant even more.

    I've been thinking about this for a while and I think I'm going to become a motivational speaker. I want to help people change their lives for the better.

    [/musings] [permanent link]

    24 Dec 2008

    Season's Greetings
    To my Democrat friends:

    Please accept (with no obligation, implied or implicit) best wishes for an environmentally conscious, socially responsible, low-stress, non-addictive, gender-neutral celebration of the winter solstice holiday,practiced within the most enjoyable traditions of the religious persuasion of your choice, or secular practices of your choice, with respect for the religious/secular persuasion and/or traditions of others, or their choice not to practice religious or secular traditions at all. We also wish you a fiscally successful, personally fulfilling and medically uncomplicated recognition of the onset of the generally accepted calendar year 2009, with due respect for the calendars of choice of other cultures whose contributions to society have helped make America great (This is not to imply that America is necessarily greater than any other country, nor that America is the only country in the Western Hemisphere), and without regard to the race, creed, color, age, physical ability, religious faith or sexual preference of the wishes. By accepting these greetings, you are accepting these terms. This greeting is subject to clarification or withdrawal. It is freely transferable with no alteration to the original greeting. It implies no promise by the wisher to actually implement any of the wishes for himself, herself, or others. This greeting is void where prohibited by law and is revocable at the sole discretion of the wisher. This wish is warranted to perform as expected within the usual application of good tidings for a period of one year or until the issuance of a subsequent holiday greeting, whichever comes first, and warranty is limited to replacement of this wish or issuance of a new wish at the sole discretion of the wisher.


    To my Republican friends:

    Merry Christmas and Happy New Year!

    [/musings] [permanent link]

    19 Dec 2008

    A Strange Encounter
    Yesterday morning at work I was walking back to my cubical from the cafeteria with a bottle of water in my hand and a woman from another department stopped me in the corridor.

    She said (roughly), "I've seen you over the last few months and you've lost a lot of weight and I just wanted to tell you you look great."

    To which I replied (roughly), "Thank you," and I smiled.

    [/musings] [permanent link]

    It's snowing!
    Okay, it's not snowing right now, but it was earlier. I took some vacation time and cut out of work early today. I spent an hour and a half driving 11 miles home. By time I got home the snow was already 3 to 4 inches deep and still coming down.

    So what did I do? I put on my normal cold weather running gear, put on sweat pants and a sweat shirt over that, and took off running.

    After the first mile, I was a lot warmer than I thought I'd be. There was a big difference between running today at 28F and running last week at 20F. I took off the sweat shirt and continued running. Along the way I got a lot of strange looks from people shoveling their driveways, but I suppose that is to be expected.

    I ran about 6K and while it wasn't my best run, it was good fun.

    [/running] [permanent link]

    06 Dec 2008

    Coding Soundtrack
    Two albums that are great for background music while coding:

    • The Matrix Soundtrack
    • Spawn: The Album


    The industrial/metal/techno mix on these two just fades into the background. The music is repetitive enough to not require direct attention, but not so repetitive that it draws attention to itself.

    If anyone has any other good suggestions for background music while coding, I'd love to hear them.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    16 Aug 2017

    Sometimes...
    Sometimes it's dificult to find a reason to continue.

    [/musings/self] [permanent link]

    04 Jan 2012

    Disgusted
    With the Goofy Challenge just 3 days away, I should be carb-loading. And I am. And with each bite of my lunch I hate myself more. Every time I eat, I feel fat. And every time I ingest anything that isn't ultra-lean protein or high-fiber, I disgust myself. But I sit here, shoving food down my gullet.

    [/musings/self] [permanent link]

    22 Sep 2011

    When will I realize...
    I've been running for 3 years 6 months and 9 days. I've been 100 pounds lighter* for 2 years 9 months and 3 days. And I still don't feel like this is my body.

    [/musings/self] [permanent link]

    22 Apr 2011

    This makes me sick...
    This is why I was fat. I can't believe I used to eat this way... Although the Guinness Chocolate Pudding does sound good.

    [/musings/self] [permanent link]

    10 Apr 2011

    Acceptance, or lack thereof...
    A few days ago I picked up some dumbbells that had been left out, they were 40lbs each and I lifted them with one hand each. Three years ago the most I could lift, with both arms combined and "lifting with the legs," was 43lbs (the weight of my computer).

    Last month, I ran a 5K in 19:08. Yesterday during a speed workout I ran my two fastest 100m ever, 17.9 seconds and 17.87 seconds. Today I ran a 10K at a 6:24 pace, finishing in under 40 minutes. I've set a new PR in every distance I've raced this year except the half marathon, and that race I set a new record for myself on that particular course.

    I've put lost 126 pounds of fat and gained 36 pounds of bone and muscle. My body keeps getting stronger and faster.

    And I still can't accept my body for what it is....

    [/musings/self] [permanent link]

    17 Mar 2011

    I wasn't born this way; I made myself.
    I heard that Lady Gaga song on the radio the other day, you know the one that sounds like the Madonna song, and it got me thinking. On the surface it seems to contain a very positive message about accepting yourself because you were "Born This Way." You were born like this, you were made this way, there's nothing you can do about it so be happy with it.

    I disagree. Sure, when we're born we're stuck with the genetic material passed on to us by our lineage. But we're more than that, what we are, what we become, is so much more than how we were born. And this made me think about the Incubus song, "Make Yourself." I find the message of that song to be much more positive. While the song has an overt "them vs. you" context, the general theme is one of taking responsibility for yourself and what you become.

    Was I born the way I am today? Judging from the direction my life took in the first twenty-six years, and comparing it to the last three years, the answer is no. I was born heavy, weighing in over nine pounds. I grew into a heavy kid. I was always sad and lonely as a kid. I had few friends. I rarely went outside. I never played sports. I watched a lot of TV. I ate a lot. I got heavier. I got sadder. I got lonelier. But I was born this way, right? I should have just accepted it, right?

    While I was born heavy, I didn't have to stay that way. It was my own choices that made me into the depressed, obese misanthrope I was. Despite my claims that I was born that way, genetically predisposed to those conditions, I really made myself that way.

    And then I decided to change that. I took responsibility for my life. I started exercising. I ran. I ate healthier. I lost weight. I had better relationships with my friends. I started making new friends. I became happier.

    Just as I had made myself into what I was, I made myself into what I am today. The key to this change was taking personal responsibility for myself. No longer did I use the excuse of being born that way. I knew I was like that because of my decisions and my actions. I knew through my decisions and my actions I could change. And I did. I made myself.

    "If you really want to live, why not try and make yourself?"

    [/musings/self] [permanent link]

    13 Jan 2011

    Duality
    Given the infinitesimally small reader base of this weblog, and the fact that most, if not all, of those readers know me personally, there's a good chance that you know I've fairly recently gotten a pair of tattoos.

    The first tattoo, on my right arm, is a "26.2" in a giraffe print. That number, of course, is the distance of a Marathon in miles. Approximately one tenth of one percent of the population has ever completed a Marathon. I am one of those individuals and it is because of the Giraffes, the running team my friends started and pulled me into, that I was able to accomplish this feat.

    The second tattoo, on my left arm, is a 6x8 grid of binary digits which spell out my first initial and last name in ASCII. Beneath the binary grid is a "v3.1" in a more stylized font. I was named after my father who had been named after his father, making me the third, version 3.0 if you will. In the last few years I've "upgraded." I'm smaller, faster, stronger, kinder, more extroverted and more optimistic than I was, but I am not an entirely new person. Hence v3.1.

    There's more to the meaning of these tattoos than the explanations above. They represent the duality of myself. One represents the decidedly geeky nature that has been a part of me for almost my entire life. The other represents a newer aspect of myself, the endurance athlete.

    It has been difficult for me to resolve these aspects. You were a nerd or a jock. There was a perceived inherent conflict between the two. You could be one or the other, not both. I was a nerd. I was never a jock. Now I'm both.

    And I can be both. There is no reason can't, because this is what I've become; this is what I am.

    [/musings/self] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    24 Dec 2012

    Christmas Eve
    On Christmas Eve, I headed out around 7:00PM to take a look at the Christmas lights and decorations around town. There was a snow storm predicted for around 9:00PM, so I decided to take the DeLorean out for one last drive before the Wonderful Winter Weather(TM).

    The snow started much earlier than expected. The snow was light and slow, and despite the car not handling well in slick conditions, I kept going for a while.

    As I was driving I had the realization that I was having an experience no one else in the world has ever had. I was driving a DeLorean through my town on Christmas Eve, admiring Christmas lights and listening to Christmas music as snow fell.

    I looked over at the empty passenger seat and wished there had been someone, anyone there to share this with. So for now, until circumstances like this arise again, I will continue to be the only person to have experienced this.

    When I got home, I took this photograph.
    Snow Covered DeLorean

    [/dmc] [permanent link]

    02 Dec 2012

    Happy Birthday

    I'm starting to get used to celebrating my birthday at TBM concerts. This year it was about a week prior to my birthday at a show on December 1 held at New York's Gramercy Theatre.

    Along with the tickets, I had also purchased the "VIP package." This package included an autographed poster signed by all members of the band, a "VIP" laminate on a lanyard, and... the opportunity to meet the band prior to the show!

    You may be thinking, "But they stick around after shows and mingle with their fans anyway," and "You've already met them a few times!" Both are true. And even with this "VIP" package meet-and-greet, they still make time for all their fans after the show. What this provided was a somewhat quieter meeting in a more intimate setting.

    In fact the meeting was in a small lounge beneath the concert hall. Dim mood lighting, mirrors, and couches set the atmosphere. I spoke with Rainbow, Michael, and Nate first. Rainbow informed me his name was Michael also and made a joke about the "power of the three Mikes lighting the room." After a bit, they started moving me to Chibi who was sitting on a couch after injuring her knee during a show two nights prior. She tried to walk to me, but I told her not to. She said, "I'll meet you half way then."

    I gave her a get well card, knowing she had had surgery on her vocal chords about 8 weeks prior and recently injured her knee. Someone decided we needed a photo of that and she gave me the card back so I could give it back to her. I believe it was Owen who said, "Act natural and hold it for 30 seconds!"

    I asked Rainbow about writing "Unfamiliar" because both he and OE were given credit in the liner notes. He said it was mostly OE; OE started it and Rainbow had finished it. I said I wanted to thank them because it was a song that had taken on some greater meaning to me and I relayed a brief version of the story of the moment I recognized that. It turns out "Unfamiliar" is one of Chibi's favorite songs too.

    Every one of the bands that night were amazing. All, remarkably, were performing as duos. Creature Feature was a real fun band to see. Their music is heavily influenced by old horror movies which gives them a dark yet fun sound.

    Aesthetic Perfection put on a good performance. Their drummer is amazing and fun to watch. They heavily synth-based and while there was a dark tone to most of their songs, they still had fun and lightened things up with a Fine Young Cannibals cover.

    William Control was the only other act I had heard before the show (Thanks Last.fm!). He was great live and I'd love to see him again. He reminded me a little of Dommin in that Dean Martin meets Glen Danzig sort of way.

    The Birthday Massacre was great. They played a good mix including songs from every album. For most of the set Chibi was sitting on a speaker placed near center at the front of the stage, wearing a knee brace. She stood up and moved around occasionally, but not much. At one point Rainbow sat down on another speaker and stuck out one leg in a similar fashion to how Chibi was seated and laughed a little. It was easy to tell by their interaction here that Chibi and Rainbow are close.

    If you care (or even if you don't), their set list follows:
    • Night Shift
    • Down
    • Control
    • Always
    • Red Stars
    • Video kid
    • Lover's End
    • Forever
    • Pins and Needles
    • Happy Birthday
    • Alibis
    • Calling
    • In the Dark
    • Sleep Walking
    • Midnight
    • -- Encore --
    • Leaving Tonight
    • The Long Way Home
    • Blue


    The band did not leave the stage prior to the encore as they normally would. Chibi said, "This is the part of the show where we say thank you and leave and you clap and we come back out and play some more. But I'm not going to walk down those stairs anymore than I have to, so do you want to hear three more songs?"

    [/musings] [permanent link]

    Happy Birthday

    I'm starting to get used to celebrating my birthday at TBM concerts. This year it was about a week prior to my birthday at a show on December 1 held at New York's Gramercy Theatre.

    Along with the tickets, I had also purchased the "VIP package." This package included an autographed poster signed by all members of the band, a "VIP" laminate on a lanyard, and... the opportunity to meet the band prior to the show!

    You may be thinking, "But they stick around after shows and mingle with their fans anyway," and "You've already met them a few times!" Both are true. And even with this "VIP" package meet-and-greet, they still make time for all their fans after the show. What this provided was a somewhat quieter meeting in a more intimate setting.

    In fact the meeting was in a small lounge beneath the concert hall. Dim mood lighting, mirrors, and couches set the atmosphere. I spoke with Rainbow, Michael, and Nate first. Rainbow informed me his name was Michael also and made a joke about the "power of the three Mikes lighting the room." After a bit, they started moving me to Chibi who was sitting on a couch after injuring her knee during a show two nights prior. She tried to walk to me, but I told her not to. She said, "I'll meet you half way then."

    I gave her a get well card, knowing she had had surgery on her vocal chords about 8 weeks prior and recently injured her knee. Someone decided we needed a photo of that and she gave me the card back so I could give it back to her. I believe it was Owen who said, "Act natural and hold it for 30 seconds!"

    I asked Rainbow about writing "Unfamiliar" because both he and OE were given credit in the liner notes. He said it was mostly OE; OE started it and Rainbow had finished it. I said I wanted to thank them because it was a song that had taken on some greater meaning to me and I relayed a brief version of the story of the moment I recognized that. It turns out "Unfamiliar" is one of Chibi's favorite songs too.

    Every one of the bands that night were amazing. All, remarkably, were performing as duos. Creature Feature was a real fun band to see. Their music is heavily influenced by old horror movies which gives them a dark yet fun sound.

    Aesthetic Perfection put on a good performance. Their drummer is amazing and fun to watch. They heavily synth-based and while there was a dark tone to most of their songs, they still had fun and lightened things up with a Fine Young Cannibals cover.

    William Control was the only other act I had heard before the show (Thanks Last.fm!). He was great live and I'd love to see him again. He reminded me a little of Dommin in that Dean Martin meets Glen Danzig sort of way.

    The Birthday Massacre was great. They played a good mix including songs from every album. For most of the set Chibi was sitting on a speaker placed near center at the front of the stage, wearing a knee brace. She stood up and moved around occasionally, but not much. At one point Rainbow sat down on another speaker and stuck out one leg in a similar fashion to how Chibi was seated and laughed a little. It was easy to tell by their interaction here that Chibi and Rainbow are close.

    If you care (or even if you don't), their set list follows:
    • Night Shift
    • Down
    • Control
    • Always
    • Red Stars
    • Video kid
    • Lover's End
    • Forever
    • Pins and Needles
    • Happy Birthday
    • Alibis
    • Calling
    • In the Dark
    • Sleep Walking
    • Midnight
    • -- Encore --
    • Leaving Tonight
    • The Long Way Home
    • Blue


    The band did not leave the stage prior to the encore as they normally would. Chibi said, "This is the part of the show where we say thank you and leave and you clap and we come back out and play some more. But I'm not going to walk down those stairs anymore than I have to, so do you want to hear three more songs?"

    [/tbm] [permanent link]

    07 Oct 2012

    Signs of the Apocalypse
    A friend told me this was from Glee. I found it amusing; thought I'd share.

    It's a fact that the book of Revelations predicted Twitter. It's one of the seven signs of the apocalypse; Along with porn, unexplainable weather anomalies, martian rovers, Barney Frank, the middle east and MSNBC. It's like Kirk Cameron said, "It's never too late, until it's too late."

    [/musings] [permanent link]

    29 Aug 2012

    Migraine
    I hate waking up with migraines.

    [/musings] [permanent link]

    28 Aug 2012

    freebsd-update
    I'm attempting to update my laptop from FreeBSD 9.1-Beta1 to 9.1-RC1. The freebsd-update(8) utilitly was reporting an error finding the public key. A quick search found this thread. As per tangram's suggestion, I used

    env UNAME_r=9.0-RELEASE freebsd-update upgrade -r 9.1-RC1

    and then the update began working.

    [/unix] [permanent link]

    20 Aug 2012

    unHide
    After a friend's computer became infected with some malware that hides files in your home directory and tries to extort money from you in order to "recover" your data, I was inspired to write this little program.

    All it does is search for hidden, non-system files and unhides them. It defaults to the user's home directory (My Documents), but other directories can be chosen.

    If anyone wants to try it out, please do. If you do try it, let me know what parts I can do better. I primarily work on embedded systems and Unix daemons professionally; the user only knows my software exists when it isn't working. As such, I have very little experience with GUIs or human-computer interactions. Any feedback would be much appreciated.

    The Windows executable can be found at: http://www.skinnymf.com/~mforde/unHide/. Source code is available upon request.

    [/code] [permanent link]

    01 Jun 2012

    Fun little alias
    I use a console based RSS reader written in Ruby. It crashes often and will delete my list of feeds in the process. It also has a tendency to not fully exit, leaving a ruby process sitting in the background soaking up close to 100% CPU time. For such occasions, I've added the following alias to my .cshrc file.

    alias killraggle kill -9 '`ps ax|grep raggle|grep -v grep|awk '\''{print $1;}'\''`'

    [/unix] [permanent link]

    01 May 2012

    Volunteers Needed
    The Lincoln Park Triathlon needs volunteers. If you'd like to help out, please visit www.lincolnparktriathlon.com/volunteers for more information.

    This event isn't possible without the help of volunteers. If you or anyone you know would be interested in helping, please contact us.

    [/musings] [permanent link]

    29 Mar 2012

    Lincoln Park Triathlon


    Registration for the 2012 Lincoln Park Triathlon is now open. If anyone is interested in volunteering, please email volunteers@lincolnparktriathlon.com.

    [/musings] [permanent link]

    01 Mar 2012

    Just a Question
    Given the following code fragment, I was asked to implement foo such that the program would output "America." How would you do it?

            int main()
            {
              char *p = "Hello";
    
              foo(         );
              printf("%s",p);
    
              return 0;
            }
    

    My solution involved allocating new memory from the heap to store the new string, and changing p to point to that buffer. They didn't like that answer. They preferred the method of putting the new string in the data segment as well.

    I personally would always avoid that, whenever possible. "Hello" is stored in a read-only area of memory as is "America" in their preferred solution. Any attempt to alter those strings will trigger a segfault. This is an accident waiting to happen.

    [/code] [permanent link]

    17 Jan 2012

    Races, Races, Races
    I've been busy the last few weeks or so; I've done a few races.

    • On October 30, I ran the Marine Corps Marathon in Arlington, VA and Washington D.C.
    • On November 5, I ran the Beavertown Fall Classic 5K in my hometown.
    • On November 6, I ran the New York City Marathon for the second time.
    • On November 19, I ran the Knickerbocker 60K Ultramarathon in Central Park.
    • On December 3, I ran NJ Winter Trail Series Race #1 Half Marathon in Wayne.
    • On December 10, I ran the NYRR Jingle Bell Jog in Prospect Park.
    • On January 7, I ran the Walt Disney World Half Marathon, part one of Goofy's Race and a Half Challenge.
    • On January 8, I ran the Walt Disney World Marathon, completing the Goofy Challenge.

    In 10 weeks I ran a 5K, a 6K, two Half Marathons, three Marathons, and an Ultramarathon, plus a few training runs in there...

    And last night Wii Fit called me a couch potato.

    In defense of the game, I hadn't used it in 547 days, and I'm now 11 pounds heavier than when I had last used it. It has no way of knowing that the vast majority of that weight gain was lean mass. It also has no way of taking into account all that I've done outside the game.
    Even with that in mind, it's still a little frustrating to be called a couch potato after running a marathon and a half last weekend.

    Each of these races were pretty special. I ran MCM alongside some fairly awesome people; people who I consider to be among my closest friends. In the Beavertown 5K, I somehow managed to take 12th overall and 5th in my age group without really trying.

    At NYC and then at the Knickerbocker, I ran with the friend who got me started running in the first place. I credit him with saving my life, and it was an honor and a pleasure to run with him.

    The trail half was my first trail race (not counting my time on the high school cross country team) and I ran that with a friend I hadn't seen since our days on the high school track & field team (she was a runner, I was thrower). We have both run full marathons in less time than it took us to complete this half.

    The Jingle Bell Jog was a fun race with bells and hot cocoa, and it was the first time I ran alongside my friend and former physics TA. And lastly, I ran the Goofy Challenge alongside another one of my close friends and training partners.

    These races were a lot of fun. Some of the courses were quite amazing to see, and these races were opportunities to spend time with some pretty awesome people.

    [/running] [permanent link]

    04 Jan 2012

    Disgusted
    With the Goofy Challenge just 3 days away, I should be carb-loading. And I am. And with each bite of my lunch I hate myself more. Every time I eat, I feel fat. And every time I ingest anything that isn't ultra-lean protein or high-fiber, I disgust myself. But I sit here, shoving food down my gullet.

    [/musings/self] [permanent link]


       
    Eponymous
    Eponymous
       



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    [/mobile] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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  •        

       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
    There's more than one way to view this weblog; try these flavors on for size.

  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 May 2009

    A Day at the Races... In Brooklyn
    Yesterday was the Brooklyn Half Marathon. It started in Prospect Park and made 2 loops around the park before exiting and getting on to Ocean Parkway at the 7 mile. From there it was straight to Coney Island where the race finished on the boardwalk near Keyspan Park. Approximately 12,000 people entered the race, and 9,415 people finished within the three hour time limit.

    I was aiming for a pace between 7:30 and 7:45 per mile and ended up with a 7:33 pace for the day finishing in 1:39:07, ten minutes faster than my time for the Manhattan Half. While not my best pace ever, it is a half marathon PR for me.

    Team Giraffes had a good showing. Four of the seven runners we entered finished in under 2 hours, and all finished in under 2:30. Four members of the team have completed their qualifiers for the 2010 NYC Marathon now, and another is one race away from completion.

    [/running] [permanent link]


       
    Eponymous
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    08 Apr 2015

    Cast Yourself

    "Cast yourself upon Him and be not afraid; He will not draw away and let you fall. Cast yourself without fear, He will receive you and heal you."

    -- Saint Augustine, Confessions: Book 8, Chapter 11

    [/musings] [permanent link]


       
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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
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    04 Oct 2009

    It exists
    As part of the DeLorean's restoration, I've been considering a backlit dash. I had considered sticking with the stock dash with the white light bulb in front of the gauges, but I thought a red backlit display would be better for night vision.

    Then came the issue of whether or not something like that exists. Turns out it does. Speed Hut carries a line of customizable gauges for the DMC-12 as part of the EL-Glo line.

    [/dmc] [permanent link]


       
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    19 Apr 2009

    Run as One 4M
    This was an awesome day!

    Last week's Scotland 10K went horribly wrong due to a bit of poisoning at the hands of Macaroni Grill (40% of our team got sick!).

    Today, however, was awesome!

    Today's course was the same as the Run for the Parks which was my personal record... Until today! I finished in 26:55, shaving 26 seconds off my previous best.

    My new best pace is 6:43/mile with an AG performance of 62.6%.

    After the race we ran into Mr. G! We talked to him and he said he'd talk about the race (and mention our team) on the radio tomorrow morning! (How cool is that?!)

    This evening I registered for my volunteer duties with the NYRR, which will complete my qualification for the NYC 2010 marathon. After that I registered for Philadelphia 2009 which will be my first marathon.

    Today was pretty good.

    [/running] [permanent link]


       
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    26 Sep 2016

    Don't Call it a Comeback
    On June fourth, I was running in the Tourne on a trail I first ran twenty years ago, a trail I've run hundreds if not thousands of times before. On that morning, my foot came down on a wet rock at just the wrong angle, slipped just enough and I rolled my ankle. Not only did I roll the joint, I came down on it with enough force to break it; a fact I would learn when I final saw a doctor about it on June ninth.

    No surgery was required, but I was unable to run for three months. I was finally cleared to run. The plan was to start with short distances, about a quarter mile, on a rubberized track then build up from there, moving on to treadmills and eventually roads and trails. I was instructed to spend six months rebuilding my 60 mile per week base.

    On the morning of September 11 (a day I will never forget and a morning that will always make me feel a bit uneasy), I took to the track for the first time. I started by walking a mile. As I finished the fourth lap, I said a prayer, asking God to give me the run I needed and the wisdom to know when to stop. I queued up my playlist: AC\DC's "Back in Black" and LL Cool J's "Mama Said Knock You Out." I took my first stride.

    I've been progressing well in the last two weeks; pushing it on some days, resting when necessary. Though the short, slow distances have been frustrating, it feel good to be running again. Every stride I take I'm reminded of everything I love about the sport.

    It's good to be back.

    [/running] [permanent link]


       
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    16 Dec 2009

    Don't they have better things to do?
    It has come to my attention that Congress, in their infinite wisdom, has decided to write legislation against television commercial advertisements having a louder perceived volume than the actual programming.

    While I do sometimes find this annoying, do we really need an act of congress to outlaw this? Shouldn't our representatives be doing something better with their time, like repealing hundreds of laws that hinder the free market economy and trample the Constitutionally guaranteed rights of the citizens?

    Of course not, that would threaten their power.

    [/politics] [permanent link]


       
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  •        

       
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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
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  •        
    08 Jun 2016

    Megapath sucks
    Speakeasy was by far the best ISP I ever dealt with. Freindly, and above all, knowledgeable. Since they have been purchased by Megapath then merged into Global Capacity, their tech support has been, frankly a bunch of idiots. Furthermore, their website routinely has "Service failed" errors that prevent you from logging in, changing passwords, and viewing account information.

    Today, after being unable to log in to the website due to "service failed" the tech support rep on the phoned didn't understand what a subnet mask or gateway address were. Eventually I just got her to read me "all three IP addresses" on the screen in front of her.

    But at this point my only other option is Verizon. So I'm sticking with Megapath.

    [/musings] [permanent link]


       
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    08 Aug 2009

    Windows 7
    I installed the Release Candidate (build 7100) of Windows 7 on my workstation today. I'm using it as I write this post. I'm not sure how much longer I'll be using it. I suppose I'll be using it at least until FreeBSD 8.0 is released.

    The Aero interface seems to have been polished a bit since Vista. This is both good and bad. It's good in that I've been able to customize it to be almost as usable as the XP and "classic" UIs. Almost.

    It's bad in that it's too user friendly. It's as though the designers have such a low opinion of the users' intelligence that they went out of their way to hide how the system works. It's like Microsoft wants to be Apple.
    Don't be Apple. You're better than that.

    Parts of the UI seem to get in the way. The window decoration draws much attention away from the actual task at hand. Moving the mouse pointer out of your way can lead to more things in your way. Hovering over the wrong spot leads to pop-up thumbnails of open applications. Or all the windows become transparent hiding you task and showing you the desktop.

    I'll try it out some more, but I'm pretty sure I'll be going back to the "classic" Win95-Win2000 UI. Even in that mode, the explorer shell is just different enough to be annoying.

    [/musings] [permanent link]


       
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  •        
    26 Mar 2010

    Powergrabs
    Yay Socialism!
    That was sarcasm. Socialism is bad news. It leads to the government controlling every aspect of your lives. Take for example this story or a bit closer to home, this story.

    [/politics] [permanent link]

    22 Mar 2010

    2010 NYC Half Marathon
    Yesterday was my best half marathon yet. As I stood in the corral waiting for the race to start, the chill in the air was a welcome change from the heat and humidity of last year's race. The decision to move the race from August to March was a good one. The course is definitely a fun one. It starts with an 8 mile loop around Central Park before exiting onto 7th Avenue. From there, the route goes to 42nd street, through Times Square, and out to the West Side Highway where the course finishes near Battery Park.

    I started out with the goal of beating my time from last year. As long as I did better than 1:51:49, I'd be happy. I was hoping I'd finish within a minute or two of the half marathon PR I set back in January, but I wasn't counting on it.

    As I ran I looked at the split times, and roughly gauged how I was doing, trying to stay on target for something close to 1:37 finish, but primarily making sure I was doing better than last year's 1:51. At mile 8, just before exiting Central Park to head to Times Square, the clock time was about 59 minutes. I realized that the winner of the race was about to finish, if he hadn't already, and I hadn't even made it out of the park.

    This year's splits were much better than last year's.

    split20092010
    5K0:23:420:23:22
    10K0:47:320:46:09
    15K1:14:451:07:59
    20K1:46:091:29:28
    final1:51:491:33:26


    This is the first time I've run negative splits. What really amazes me is that not only was the second half faster, but every 5K split was faster than the previous. There was an excitement exiting the park. There was an amazing rush turning the corner onto 42nd street. The crowds were great, cheering every runner as we passed by.I remember around the mile 11 marker realizing I had a chance to PR, estimating my time at about 1:36, and picking up the pace a bit. I started passing people left and right. One runner saw me and yelled, "Go, man! Go!"

    Out of about 15 to 16 thousand people that signed up, 11,493 finished. I finished in 895th place; far, far, behind the winner who took home $20,000.

    Universal Sports had a live telecast of the event. I set the DVR to record it before I left, but I haven't had a chance to watch it yet. It likely focused primarily on the professionals who ran, including the Marathon world record holder, Haile Gebrselassie.

    This was a great race on a great day.

    [/running] [permanent link]

    12 Mar 2010

    Not a Paper Cup
    I recently ordered the Not a Paper Cup from ThinkGeek. It looks like a paper coffee cup but is made of ceramic. The lid is silicone instead #6 plastic. It should be awesome. It's not.

    Advertised as 12 ounces, it actually only holds 8 ounces. Right there, it's at most 66% as awesome as it should be. As one friend put it, "That is significantly less awesome."

    Now that I've used it I'll say that it's about 0% awesome and 90% suck with 10% fail.

    The silicone lid tastes, well, like silicone. It adds this horrible flavor to every sip. I like my coffee to have a strong coffee flavor, not a strong coffee plus silicone flavor. Maybe that's just me...

    The double walled construction of the cup, in theory would add an insulating layer to keep the coffee warm longer than a regular paper cup. This was not the case and in a test yesterday, I found that the standard paper cup kept the coffee warm for about an hour and a half longer than the Not a Paper Cup.

    In summary:

    • Holds 8 ounces instead of 12 (as advertised).
    • Silicone lid adds odd and horrible taste to coffee.
    • Doesn't keep the coffee hot as long as regular paper cups.


    • Don't buy one. If some one gifts it to you, well then that person must hate you or not understand coffee.

      [/musings] [permanent link]

    Coogan's 5K - Update
    Officially I ran my best 5K to date. I finished in 19:41 averaging 6:20 per mile.

    It was a rather hilly course, starting at 173rd and running up to the Cloisters. After circling the museum, the same route was taken back to 173rd.

    On Saturday I said I was going to PR. I was told that was a bit a of a lofty goal given how hilly the course was. Sunday morning I woke up with a bit of discomfort after gorging on sushi the night before and thought I might not do well.

    As I stood in the corral, those feelings changed. I knew I was going to PR. And I did.

    [/running] [permanent link]

    07 Mar 2010

    Coogan's 5K
    Unofficially I just PR'd at 19:44.

    [/running] [permanent link]

    02 Mar 2010

    1267567528
    6790 test.

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]


       
    Eponymous
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    Eponymous
       



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    31 Aug 2024

    Blosxom 2.2.0
    Apparently Blosxom development has been picked up again. There was a new release on 2024-02-03. Nice!

    [/unix] [permanent link]

    20 Jul 2016 08 Jul 2016

    X11 Mouse Cursor Themes
    Starting after installimg the binary nvidia drivers on both my laptop (Quadro K1100M) and my workstation (GeForce GT 630) Blackbox was defaulting to a mouse cursor that was suboptimal, a black, notched triangle.

    The settings in the Xresources for the mouse cursor theme are honored by XDM at the graphical log in, but when Blackbox or Fluxbox start, the cursor would change to the black notched triangle. TWM honors the settings in Xresources, but TWM is just a little too minimalist, even for me.

    But there's a simple fix!

    Create a file in your home directory (if it doesn't already exist) .icons/default/index.theme. In this file, add the following lines:

    [Icon Theme]
    Inherits = polarblue
    

    where polarblue is the name of the X11 mouse cursor theme you wish to use. FreeBSD installs many of the X11 cursor sets into /usr/local/lib/X11/icons/, your Unix flavor may be different. In theory, you can also install new themes of your choosing into ~/.icons/ and use those without the need for any elevated privileges.

    Additionally, there's the option of creating a .Xdefaults file in the home directory and adding the line
    Xcursor.theme: polarblue
    

    Again, where polarblue is the name of theme you want to use.

    [/unix] [permanent link]

    18 Jun 2016

    FreeBSD Unix on Dell Precision M4800
    I installed FreeBSD 10.3 on the laptop I recently acquired and almost eveything worked out of the box. The gigabit ethernet and wi-fi coards worked fine and by setting the BIOS to discrete graphics only, the nVidia Quadro was recognized.

    I installed the binary driver from nVidia, because they support FreeBSD because they're awesome like that. The nvidia-xconfig(1) program was useful to streamline the process of getting X.org to use the Quadro.

    There were a few things that did need some tewaking though. First there's the sound card. Because the quadro supports HDMI (in addition to VGA and DisplayPort), it includes an HDA-compliant sound card. This card is recognized before the primary HDA-compliant sound card in the machine, the one that's actually connected to the speakers.

    I did some research and there were some suggestions about using sysctl(8) to control soundcard GPIO pins to connect the nVidia sound device to the speackers but what ultimately worked was using sysctl(8) to change the default primary sound device to the dedicated card. There were a few ways to make this happen but the one I found that actually worked was to place sysctl(8) command lines in /etc/rc.local.

    First I found the device I wanted as the default:

    mforde@gaz:~> cat /dev/sndstat 
    Installed devices:
    pcm0:  (play) default
    pcm1:  (play)
    pcm2:  (play) 
    pcm3:  (play)
    


    Device pcm2 was the one I wanted so I added the following lines to /etc/rc.local
    sysctl hw.snd.default_unit=2
    sysctl hw.snd.default_auto=2
    


    Now when boot completes pcm2 is set to my default and sound "just works" and sndstat shows pcm2 as the default.

    I found ACPI support has some weirdness as ACPI support often does. What I found was that Suspend works from console, but resume doesn't... HOWEVER After I start X ACPI suspend and resume work just fine. Normally I prefer to boot into a console and only start X if I really need it, but because I want suspend and resume to work "by default" I've enabled X to start at boot by allowing the xdm console in /etc/ttys.

    But this had one last issue. See, when manually starting X, I added the -dpi 143 option to get graphics and text to be appropriately sized for my screen. XDM needed to know about this.

    This probably wasn't the best place to do it, but I edited /usr/local/lib/X11/xdm/XServers and modified the call to X(7) to add the -dpi 143 option. Now when Xdm loads at start up, the DPI is set correctly.

    The function keys for adjusting the screen brightness don't work; however, xbacklight(1) works just fine. Similarly the volume keys don't work but I can adjust the volume quite easily with aumix(1).

    I've submitted my dmesg output to NYCBUG's dmesgd repository.

    I suppose I've posted this for two reasons. The first is so I have a record of how I eventually got these little things working in case I have to do it again. The second is in case anyone has similar issues with their hardware; if they happen to stumble upon this, it might give them some hints.

    [/unix] [permanent link]

    25 May 2016

    Remapping Keys in Vim
    While I love the keyboard on my relatively new Dell M4800, I'm not particularly fond of the placement of the Page Up and Page Down keys to the left and right of the Up arrow, and above the Left and Right arrow keys. I find myself accidently hitting those keys too frequently while editing code and jumping all over the file.

    So I remapped them. It was quite simple, because Vim is awesome. I added the following lines to my .vimrc file:

    map <PageUp> <Up>
    map <PageDown> <Down>


    This turns Page Up into a second Up arrow, and Page Down into a second Down arrow. For now, I'll leave it like that. I may remap them to the Left and Right arrows in the future. Or not.

    [/unix] [permanent link]

    19 May 2016

    How to Make VMWare suck less Tip #273
    Find the .vmx file for your VM and add a line

    bios.bootDelay = "15000"


    That gives you 15 seconds before the virtual machine launches the boot loader, giving you plenty of time to do things like change the boot order so you start from a recovery CD.

    [/unix] [permanent link]

    03 Nov 2014

    Things I love about vim

    • Tabbed interface in the 7.x line
    • Macro recording
    • Built-in sed
    • :make
    • Not needing to remember a thousand key combinations that require seventeen fingers to properly execute

    [/unix] [permanent link]

    14 Aug 2014

    Resetting Vim
    On occasion while I'm coding, I'll mistype something and vim's code autoindenting will stop honoring my settings. Likely, I've done something stupid that has disabled or modifying the settings from the defaults I set in my .vimrc file.

    If (when) this happens, Vim can be reset without exiting the procces by going into command mode and typing

    :source $MYVIMRC
    

    This reloads the settings of the .vimrc file without forcing you to restart the process, thus losing your place in your code.

    [/unix] [permanent link]

    17 Oct 2013

    ... On man pages, a mini-rant
    I really despise the linux man pages. They're useless at best and wrong at worst.

    From the man page for setsockopt: "The include file <sys/socket.h> contains definitions for socket level options, described below."

    1) The options are not "described below."
    2) No, that file actually doesn't contain those definitions.

    On the other hand... The FreeBSD man page for setsockopt does actually describe the options and under FreeBSD the <sys/socket.h> file does indeed contain the definitions.

    [/unix] [permanent link]

    16 Oct 2013

    [mini-rant]
    I hate bash. I hate it. I hate how it bastardized bourne by adding half-assed implementations of features from ksh and tcsh.

    [/unix] [permanent link]

    12 Oct 2013

    Problems with loader.conf

    First the background. The story of how I got into this mess:



    I'm trying to get ACPI working on my laptop under FreeBSD. Specifically, I'm trying to get Resume to work properly. Suspend works, and resume seems to partially work. The fans spin up, the keyboard's backlight comes back on, but no screen. And without video, it's a little hard to figure out what's going on.

    ACPI works great on my server. It's running the same FreeBSD 9.1 x86-64 build that the laptop is, but the biggest difference is that it's an intel motherboard. The laptop is an Alienware, for our purposes, I might as well just call it a Dell.

    I started comparing the ASL output from both machines and noticed some things. First, the Alienware's ACPI implementation looks for the OS to be various forms of Windows or "Linux." The intel ACPI implementation also looks for these Windows variants and "Linux" but it has an additional OS string. It has an entry for "FreeBSD."

    I figured the easiest next step was to use iasl co compile the intel ASL source and load that DSDT onto the laptop.

    I calculated the odds it would work vs the odds I was doing something incredibly stupid... and I went ahead and did it anyway...

    I compiled the asl and I set /boot/loader.conf to override the DSDT with the intel one I had just compiled and I rebooted. At first everything was good. The machine went down, I got the boot loader, and the FreeBSD kernel started to load. Seconds into the kernel load, it rebooted itself. After the second time, I powered off and tried a cold boot. Same problem just as I had feared.

    Now i was in a situation where I couldn't successfully boot because of an error in loader.conf I needed to find a way to edit it.

    And here's the solution:



    The FreeBSD bootloader, like many others, works in stages. At a certain point, it can be interrupted at which point it provides a set of simple yet powerful commands to control various aspects of the loading process. If you still have that default menu at load, I beleive the option to chose is 6. I disable that menu so during a brief countdown I hit escape before the boot loader turns control over to the kernel.

    Once in the boot loader prompt, I entered the following commands:

    unload
    load kernel
    boot
    


    Pretty simple right? The unload command does what it says, it unloads the kernel and any modules loader.conf had pulled into memory. The load kernel command grabs the kernel and loads it into memory... but only the kernel thus ignoring the broken DSDT in loader.conf. And of course boot tells the boot loader to continue booting the system.

    Once booted, I removed the bad DSDT from loader.conf.

    [/unix] [permanent link]

    21 Jun 2013

    Excluding directories while using pax(1)
    My primary disk is failing. There are large segments that are generating low level IO errors during read or write operations. Most of the files written to the bad area were under /usr/ports/ where the FreeBSD Ports collection is installed. A few files were under the web server's root.

    Figuring I'd take care of things prior to the disk actually failing to the point of it being irrecoverable, I purchased a new disk early. I installed it, partitioned it, and formatted it.

    To copy the data over, ignoring the areas that were causing the IO errors, I used mv to "move" the files from the web root under /usr/ports and used the following command as root:

    pax -rwvpe -s':/usr/ports/.*::gp' -X / /mnt/newdisk/

    The -X prevents pax from traversing into mount points that have a different device ID than the one on which it was started. This prevents an infinitely recursive loop from happening when the new disk's mount point would have been hit. It also prevents data on the non-failing disks from being copied as well.
    the -s option allows for sed search and replace scripts to be run. In this example, the : is used as the delimiter and any path matching /usr/ports/* is replaced by a null string. With this replacement all directories under /usr/ports are excluded from the copy.

    [/unix] [permanent link]

    28 Aug 2012

    freebsd-update
    I'm attempting to update my laptop from FreeBSD 9.1-Beta1 to 9.1-RC1. The freebsd-update(8) utilitly was reporting an error finding the public key. A quick search found this thread. As per tangram's suggestion, I used

    env UNAME_r=9.0-RELEASE freebsd-update upgrade -r 9.1-RC1

    and then the update began working.

    [/unix] [permanent link]

    01 Jun 2012

    Fun little alias
    I use a console based RSS reader written in Ruby. It crashes often and will delete my list of feeds in the process. It also has a tendency to not fully exit, leaving a ruby process sitting in the background soaking up close to 100% CPU time. For such occasions, I've added the following alias to my .cshrc file.

    alias killraggle kill -9 '`ps ax|grep raggle|grep -v grep|awk '\''{print $1;}'\''`'

    [/unix] [permanent link]

    01 Dec 2010

    FreeBSD 6.4 EoL
    As of yesterday, FreeBSD 6.4, and with it the entire 6.x branch, has reached its End-of-Life. It's time to upgrade (or maybe upgrayedd, for a double dose of something-or-other).

    So herein lies the problems. Months (years?) ago, I attempted to upgrade tak to FreeBSD 7.2. I plugged in a SATA disk into my workstation, installed the OS, reconfigured all the daemons, services, and functionalities tak has running, copied over a snapshot of all the data, and then edited the fstab to match the device names as they'd exist on tak.

    I removed the IDE root disk and installed the new SATA disk and tak and watched the kernel fail to find the root disk. Or the other SATA disk in tak.

    Based on the bug reports in the FreeBSD Gnats system, and various conversations in the mailing list, it seems Asus, who made the motherboard in tak, used a slightly non-standard SATA implementation on this particular board. Between the 6.x and 7.x line, some work had been done on the SATA drivers in FreeBSD and mad them more standards-compliant (a good thing). This, however, broke SATA on this Asus board.

    Tak is about 6 years old now, and other than some over heating issues, serves its purpose well. So do upgrade to FreeBSD 8.x on an IDE disk and replace the other SATA disk with another ATA disk, or do I build a new, lower-power, higher-performance system?

    If anyone actually reads this, feel free to use the new comments feature to give me feedback. I think it's working.

    [/unix] [permanent link]

    18 Nov 2009

    SATA Weirdness update
    A BIOS update from Intel corrected this issue.

    [/unix] [permanent link]

    02 Oct 2009

    Gmail and mutt
    I like mutt. Of all the mail clients I've used over the years, it sucks the least. It works well with my mail server.

    Despite having my own domain and mail server, I still use gmail for certain things; things I don't mind being retained for 3 years after I delete them, or more specifically, things I want retained for 3 years after I delete them.

    I don't like the gmail web interface. I find checking my gmail to be annoying because of this. I remembered gmail offering POP and IMAP. I figured I could use that to get my gmail. Shouldn't be too hard right?

    A quick search of Mr. Yahoo and Mr. Google gave me two good starting points: Lifehacker.com and MattCutts.com.

    I read the sites and the getmail man page and figured out what I needed to do. First I enabled IMAP for my gmail account. Next, I created the .getmail directory in my home directory then created a getmailrc file there. I want all gmail mail to be delivered to a specific mbox file without going through my normal mail delivery channels. The contents of the getmailrc file are quite simple:

    [retriever]
    type = SimpleIMAPSSLRetriever
    server = imap.gmail.com
    username = username@gmail.com
    password = usernamespasswordgoeshere
    mailboxes = ("inbox",)
    
    [destination]
    type = Mboxrd
    path = /usr/home/mforde/Mail/GMAIL
    
    The retriever section defines how getmail will retrieve the mail. In this case it uses IMAP over SSL to connect to imap.gmail.com. The mailboxes setting can be used to specify only certain gmail labels to retrieve, but I want anything in the inbox.

    The destination section tells getmail what to do with the mail once it has grabbed it from gmail. This configuration dumps it into an mbox file I've named GMAIL.

    I chose IMAP over POP because of the slightly-less-than-documented "feature" of gmail only allowing 99 messages at a time over POP.

    So to get the initial batch of 7000+ emails, I ran
    > getmail -vvv -l 
    
    to get verbose output and to leave messages on the gmail server. When that was done I pointed mutt at the GMAIL mbox and like magic, there was my gmail, organized nicely in my terminal.

    Now, I want to check to get the latest mail fairly often, and I don't want to download messages already copied over. To accomplish this, I added a crontab to run every 10 minutes and invoke
    getmail -l -n -q
    
    This tells getmail to leave copies on the server, only get new messages it hasn't already retrieved, and be quiet about it.

    This has worked out well for me. If you're interested in setting up something like this, I highly recommend reading the article at matcutts.com. That article also links to several sample getmailrc files.

    [/unix] [permanent link]

    25 Aug 2009

    FreeBSD 8 Beta 3 Available
    FreeBSD 8.0 Beta 3 is now available for download. The final release is expected in about a month.

    [/unix] [permanent link]

    27 Oct 2008

    BSD v. GPL
    Jason Dixon gave a talk at this year's NYCBSDCon entitled "BSD v. GPL (a.k.a. not the sequel to "BSD is Dying")." It's a humorous look at the differences between the licenses and their supporters. Despite the humor, he made some good points.

    You can find a copy of the presentation at The Dixon Group website.

    [/unix] [permanent link]

    17 Sep 2008

    Mailman
    The other night I installed mailman on my server. I integrated it into the apache configuration and restarted that. The mailman web interface became available as expected.

    I used the web interface to subscribe to the one list I had set up and I received an email asking me to confirm my subscription. I went to the included link, and all seemed to be good.

    Another person joined the list successfully, then sent an email to the list. This email never arrived in her inbox. She told me about it, and I checked only to find I did not have a copy either. I sent a mail to the list and promptly received a message saying that [listname] was not a valid recipient at the domain.

    That's when I realized I had forgotten to tell the mail server (postfix) about mailman. I had told apache about mailman, and mailman about postfix, but not postfix about mailman.

    I used mailman to create an alias database for its single list, then updated postfix's configuration to use that as one of its alias maps. All seems to be working now.

    In conclusion, I learned two things. One is always test your configuration before telling people it's ready. The other is, "I'm an idiot."

    [/unix] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    13 Dec 2007

    chdir(2)
    So today at work another developer many years my senior, with many more years experience than I, came to me with a Unixy problem.
    "When I have a program, how can I have it so the current working directory for all processes it starts isn't the one that it started in?"
    "chdir."
    "No, I want so that if this process starts something like ls, when ls stats 'dot' I want 'dot' to be the directory that process wants it to be, not the directory that process was started from."
    After about 15 minutes of me suggesting chdir while he said that's not what he wanted but then describing chdir, I finally wrote something along the lines of the following

    #include <stdio.h>
    #include <stdlib.h>
    #include <unistd.h>
    
    int
    main (int argc, char *argv[])
    {
      system("/bin/pwd");
      system("/bin/ls");
      chdir("/tmp");
      system("/bin/pwd");
      system("/bin/ls");
      chdir("/etc");
      system("/bin/pwd");
      system("/bin/ls");
      chdir("/");
      system("/bin/pwd");
      system("/bin/ls");
      return 0;
    }
    

    I compiled that, ran it, showed him the output. He said, "Yeah, that's what I want to do."
    I showed him the code.
    "chdir does that?"

    [/unix] [permanent link]

    08 Dec 2007

    Alpha
    Due to the power failure, there was the loss of several hours of work. Last night I installed FreeBSD 6.2-RELEASE on an old DEC AlphaStation 200 I have. I had started building a new, smaller kernel for it around 23:30 last night. It had not completed by the time of the power outage. I have restarted that build.
    Any one reading this would reasonably ask, "Why are you not as confused/angry/annoyed with a compile that was not finished in 7 hours as you were about one that took 3 hours?"
    The answer is simple. This AlphaStation is powered by a 100MHz DEC Alpha EV4 CPU and has 64MB of RAM. To the best of my knowledge, DEC made this machine around 1994 or 1995. I expected the build to take a long time; the machine is around a dozen years old.

    [/unix] [permanent link]

    06 Dec 2007

    How long does it take to build a linux kernel?
    It has been a number of years since I built a linux kernel. Slackware 9.1 was the last GNU/Linux distro I used before switching back to BSD. Tonight I put together a machine from some old parts (1.2GHz celeron with 256KB cache, 256MB RAM, 20GB hard drive) and installed Slackware 12. I customized a kernel configuration and attempted to build it. I don't remember the 2.4 kernel taking as long to build as this 2.6 kernel. It took nearly two hours. Granted, this machine is fairly old, but 2 hours? After I complete the tasks for which I needed this setup, I'm going to install an older Slackware with the 2.4 kernel and build that. I may also install FreeBSD and NetBSD and build their kernels. I'd like to get an idea how long it takes to compile other kernels on this rig.

    [/unix] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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  • Giraffes
  • Eat. Run. Sleep.

  •        

       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
    There's more than one way to view this weblog; try these flavors on for size.

  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
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  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    17 Dec 2009

    MTA
    Why is the MTA's budget each year referred to as a "doomsday" budget? They vote on it every year, and every year it's approved, and every year they get subsidised by the tax payers and toll payers. So why is it a "doomsday" budget? They're not going out of business, although it sure seems their worker's union would like to see that happen given their demands.

    [/politics] [permanent link]

    16 Dec 2009

    Don't they have better things to do?
    It has come to my attention that Congress, in their infinite wisdom, has decided to write legislation against television commercial advertisements having a louder perceived volume than the actual programming.

    While I do sometimes find this annoying, do we really need an act of congress to outlaw this? Shouldn't our representatives be doing something better with their time, like repealing hundreds of laws that hinder the free market economy and trample the Constitutionally guaranteed rights of the citizens?

    Of course not, that would threaten their power.

    [/politics] [permanent link]

    09 Dec 2009

    Who... What are you?
    I was running earlier tonight and around mile 7 I was going up a steep, winding, dark hill. Near the top a couple was walking their dog. They saw the flashing lights on my shoes and wrists and, when I got close to them, the woman said, "We were trying to figure out what you were."

    "I'm a runner."

    [/running] [permanent link]

    05 Dec 2009

    1260056285
    Hibachi in Ballston. People in VA are still afraid of snow.

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    01 Dec 2009

    :)
    It's amazing how a simple email containing only a smiley emoticon can brighten one's day.

    [/musings] [permanent link]

    30 Nov 2009

    Product Review: ASICS Cumulus-11
    This is the third installment of my running product reviews. Last time I said I'd discuss my "current running shoe" but my again I'm a liar. I'm still going to discuss the ASICS Cumulus-11, but it is no longer my current running shoe.

    I purchased the Cumulus-11 based on my love of the Cumulus-10, without really trying them. This turned out to be a mistake. The Cumulus-11 is a fine update to the Cumulus-10; however, the changes are better for some runners than others.

    The heel of the Cumulus-11 is noticeably firmer than that of the 10. Because of this change, I no longer get adequate compression and cushioning from these shoes. These shoes are not as firm as the Tailwinds previously reviewed either and are closer to the Cumulus-10 than to the Tailwinds. I never had the feeling of running in clogs with the Cumulus-11, but they were firm enough that old injuries were aggravated.

    The Cumulus-11 is still on store shelves (at least it was at Fleet Feet this past weekend) and should also be available on-line through retailers such as EastBay. I recommend this shoe to a runner who liked the feel of the Cumulus-10 but had issues with it being too soft.

    Next time, we'll discuss my current running shoe, the Nike Vomero+ 4. No really, I have three pairs of these to burn through, I'll be using them for a while.

    [/running/reviews] [permanent link]

    23 Nov 2009

    Philadelphia
    The night before I woke up every hour, looked at the clock, said "I have N hours before I need to get up" and went back to sleep.

    I lost a lot of fluids because I couldn't turn the temperature in the room down and spent the night sweating. When I got up I drank a lot of water and GuBrew, but as it turns out, not enough.

    The weather was good, about 46 at the start. It was sunny, which was quite a problem when I got a migraine at mile 8. It took me about a mile to get my imitrex out of my pocket and actually take it. At the half I was still close to the 3:20 pacer and I considered taking the turn for the finish line, but decided to keep going.

    As the nausea from the migraine subsided, I started getting a stomach cramp. At mile 17 I stopped at medical. After some back and forth the decided the cramp was likely due to dehydration and they made me sit and drink in front of them for 15 to 20 minutes before they cleared me to continue.

    After that I went on my way at a much slower pace. At about mile 24 one of my teammates, Tom, caught up to me (this was his 19th race at marathon or greater distance). He paced me and got me through to the end.

    I ended up finishing at 3:55:46, far off from my goal. But now I know I can finish the distance so it's just a matter of doing it faster. I'd like to get two more in before New York next November.

    Right now, I feel much better than I thought I would. It was weird, when I woke up this morning, I was walking around the hotel room for a half hour feeling just fine. Then I put my shoes on and everything from my feet to my shoulders started hurting. That's more-or-less subsided now, thankfully.

    [/running] [permanent link]

    18 Nov 2009

    SATA Weirdness update
    A BIOS update from Intel corrected this issue.

    [/unix] [permanent link]

    08 Nov 2009

    Beavertown Fall Classic 5K
    Saturday morning was the third(?) annual Beavertown 5K. I had been training with a group of people for the two months leading up to the race. We registered as a team for the event, the Beavertown Runners.

    I set out with the goal of finally breaking 20 minutes. With Philly so close I decided the PR wasn't worth risking an injury and I'd slow down if something felt off.

    I didn't slow down. I finished in 6th place overall with a new PR of 19:51. The team rankings were determined by each team's top 3 finishers and, in our category, the Beavertown Runners took first.

    [/running] [permanent link]

    02 Nov 2009

    19 days 23 hours...
    Just under 20 days remain until the start of the Philadelphia Marathon. Last week I ran 60 miles and felt pretty good; my hamstring and iliotibial band are healing nicely.

    I've gotten some advice from some people who have run Philly before and I'm thankful for that. Among other things, they stressed the importance of tapering. It's going to be difficult to run less when I feel so good.

    [/running] [permanent link]

    31 Oct 2009

    NJ Governor Endorsement
    I officially endorse anyone who is not Jon Corzine.

    [/politics] [permanent link]

    29 Oct 2009

    Last night I ran...
    15 miles because I felt like it, again.

    [/running] [permanent link]

    26 Oct 2009

    I just ran...
    15 miles because I felt like it.

    [/running] [permanent link]

    23 Oct 2009


    Android Lust Resolution
    Excellent music. Go check out Android Lust now.

    [/musings] [permanent link]

    19 Oct 2009

    C#, XNA, and 8 Queens
    I spent some time this weekend learning some C# and getting working a bit with the XNA framework. I implemented a solution for the 8 Queens problem in C++, then ported that class to C#. After getting that working in Windows, I started moving it to the Xbox.

    It works there with little issue, but, as expected, writing to system.console doesn't produce useful output. My next step is to get some sort of graphical representation of the chessboard displayed with the solution set.

    [/code] [permanent link]

    17 Oct 2009

    XNA
    As of this morning, I am now a member of the XNA Creators Club.

    [/code] [permanent link]

    14 Oct 2009

    Staten Island Half Marathon
    Sunday was the Staten Island Half Marathon. I've been dealing with overuse injuries as of late, my IT-band has been acting up and I strained my right hamstring.

    I wasn't sure if I'd be running or not, and the temperature was predicted to be in the low- to mid-50's, so I wore my coldgear; I didn't want to end up with hypothermia again if I was standing around for 2 hours in shorts.

    It turned out that one of my teammates, Liz, wasn't sure if she'd be able to finish. We decided to run together. And we did. We finished with the exact same time of 2:34:00. I kept her from stopping and she kept me from going to fast and re-injuring myself.

    It took me an hour longer to finish the race than it normally would, but I think it went quite well. My hamstring actually felt better after the run. My IT-band was a little sore the next day, but it was better by Tuesday.

    Running at the slower pace, I was able to actually look around and enjoy the scenery. The shores Staten Island were not as bad as I was expecting. Over all, it was a good recovery run. A 13.1 mile recovery run.

    [/running] [permanent link]

    Bing!
    It has come to my attention that searching bing for pictures of closed doors yields pictures of my DeLorean.

    [/dmc] [permanent link]

    Self Documenting Code
    Despite what you think about your code, it is not self documenting. When writing code add comments, describe what a function does, explain why you're using that convoluted pointer arithmetic and bit shifting. I'm sure it makes sense now, but someday you'll have to go back and look at it and figure out what the hell you were doing. Or worse, I'll have to go back and look at it and figure out what the hell you were doing.

    Sometimes it is important to have some sort of separate documentation for the code; maybe some UML or ER diagrams, maybe some English text. Use what ever it takes to explain what you were doing. Do not paste snippets of your code into the text and call it documentation.That is not documentation, that is code.

    [/code] [permanent link]

    11 Oct 2009

    AFI: Starland Ballroom, October 10, 2009
    Show was great last night. Here's the setlist from the show:

    • Torch Song
    • Leaving Song Pt. II
    • Veronica Sawyer Smokes
    • Ever and a Day
    • Kill Caustic (With Lou Koller of Sick of It All)
    • End Transmission
    • Love is a Many Splendored Thing
    • Beautiful Thieves
    • Dancing Through Sunday
    • Leaving Song
    • On the Arrow
    • Death of Seasons
    • Medicate
    • Love Like Winter
    • Just Like Heaven
    • Miss Murder
    • Silver and Cold


    I'll write more later, now it's time to get ready for the Staten Island Half Marathon.

    [/musings] [permanent link]

    04 Oct 2009

    It exists
    As part of the DeLorean's restoration, I've been considering a backlit dash. I had considered sticking with the stock dash with the white light bulb in front of the gauges, but I thought a red backlit display would be better for night vision.

    Then came the issue of whether or not something like that exists. Turns out it does. Speed Hut carries a line of customizable gauges for the DMC-12 as part of the EL-Glo line.

    [/dmc] [permanent link]

    02 Oct 2009

    Gmail and mutt
    I like mutt. Of all the mail clients I've used over the years, it sucks the least. It works well with my mail server.

    Despite having my own domain and mail server, I still use gmail for certain things; things I don't mind being retained for 3 years after I delete them, or more specifically, things I want retained for 3 years after I delete them.

    I don't like the gmail web interface. I find checking my gmail to be annoying because of this. I remembered gmail offering POP and IMAP. I figured I could use that to get my gmail. Shouldn't be too hard right?

    A quick search of Mr. Yahoo and Mr. Google gave me two good starting points: Lifehacker.com and MattCutts.com.

    I read the sites and the getmail man page and figured out what I needed to do. First I enabled IMAP for my gmail account. Next, I created the .getmail directory in my home directory then created a getmailrc file there. I want all gmail mail to be delivered to a specific mbox file without going through my normal mail delivery channels. The contents of the getmailrc file are quite simple:

    [retriever]
    type = SimpleIMAPSSLRetriever
    server = imap.gmail.com
    username = username@gmail.com
    password = usernamespasswordgoeshere
    mailboxes = ("inbox",)
    
    [destination]
    type = Mboxrd
    path = /usr/home/mforde/Mail/GMAIL
    
    The retriever section defines how getmail will retrieve the mail. In this case it uses IMAP over SSL to connect to imap.gmail.com. The mailboxes setting can be used to specify only certain gmail labels to retrieve, but I want anything in the inbox.

    The destination section tells getmail what to do with the mail once it has grabbed it from gmail. This configuration dumps it into an mbox file I've named GMAIL.

    I chose IMAP over POP because of the slightly-less-than-documented "feature" of gmail only allowing 99 messages at a time over POP.

    So to get the initial batch of 7000+ emails, I ran
    > getmail -vvv -l 
    
    to get verbose output and to leave messages on the gmail server. When that was done I pointed mutt at the GMAIL mbox and like magic, there was my gmail, organized nicely in my terminal.

    Now, I want to check to get the latest mail fairly often, and I don't want to download messages already copied over. To accomplish this, I added a crontab to run every 10 minutes and invoke
    getmail -l -n -q
    
    This tells getmail to leave copies on the server, only get new messages it hasn't already retrieved, and be quiet about it.

    This has worked out well for me. If you're interested in setting up something like this, I highly recommend reading the article at matcutts.com. That article also links to several sample getmailrc files.

    [/unix] [permanent link]

    Happy Anniversary
    The Twilight Zone premiered 50 years ago tonight. Slashdot has a bit about it.

    [/musings] [permanent link]

    01 Oct 2009

    Marathon Tune-UP
    This past Sunday was the Marathon Tune-Up, an 18 mile run through Central Park. My goal was to run it maintaining roughly a 7:30/mile pace. I had set a range of 135 to 140 minutes for myself. I would have been satisfied with any finish time in that five minute span.

    At the 10 mile mark, I was averaging 7:27/mile. During that 11th mile, I decided to use a Gu energy gel. I was still feeling pretty good at that pace and I was hoping to time the gel right so as to not "hit the wall" at mile 14 or 15.

    Instead, the gel started giving me stomach cramps. At mile 12 I was still well under an 8 minute pace and at the half-marathon mark, I was a minute off my best official half. I was clearly slowing down as the stomach pain increased.

    I struggled through miles 14 and 15, alternating running and walking every quarter mile. By mile 16, I could not run. The pain was almost unbearable. I ended up walking the last two miles, in the rain, with all my blood concentrated in my core, dealing with the Gu in my stomach. By time I crossed the finish line, I was a half over my 135 minute goal and had almost no feeling in my hands or feet.

    I went to the medical tent and told the volunteer that I had severe stomach cramps and I was so cold that I couldn't feel my hands. He responded, "We don't got no blankets or nuthin' so we can't do nuthin' for ya." So I walked away.

    I went to the tables where volunteers were handing out gatorade and pretzels. I stood there, shaking, until another runner came up to me and asked if I was okay. Before I knew it, another runner was keeping me from falling over while the first runner was coming back with two NYRR volunteers. One of them wrapped me in a plastic bag to keep the rain off while the other went for help. I explained what happened at the medical tent.

    Two more people from medial came back and put me on a gurney and took me back to the tent. I told them what had happened at the tent and explained what I was feeling. At the tent I removed my soaked shirts and was wrapped in a mylar sheet and two blankets. I pointed out the guy who told me they couldn't do anything for me.

    I managed to get in touch with my fellow Giraffe who ran back to our car to get my dry clothes. After about a half hour or so, I was feeling much better and feeling had returned to my extremities. I got in my dry clothes and my teammate and I walked back to the car.

    So taking a Gu ended up with me being treated for hypothermia. I had had mild stomach irritation when using Gu in training, but never this bad. I'm glad I found out now instead of next month in Philadelphia.

    during my 22 mile training run at the Tourne, I used prepared bottles of GuBrew and Gu2O. These liquids never caused the irritation that the gel did, so I should be okay using them during the race.

    I've purchased a bottle that gets strapped to your hand for the purpose of carrying the GuBrew with me. I filled it with water and ran with it on the treadmill last night. It seems a little awkward, but it shouldn't be too bad. I'll use it to carry the GuBrew with me during the Staten Island Half Marathon on the 11th and see how that works out.

    [/running] [permanent link]

    26 Sep 2009

    Fifth Avenue Mile
    The results are in. I did the mile in 5:34, three seconds faster than I had ever done in training. One mile down, 18 more to go tomorrow morning.

    [/running] [permanent link]

    25 Sep 2009

    A Weekend at the Races
    Tomorrow is the Fifth Avenue Mile and Sunday is the Marathon Tune-Up. I'm looking forward to both. If all goes well, I should be done with tomorrow's race in under six minutes. Sunday's race I'm aiming for a time between 135 and 140 minutes. We'll see what happens...

    [/running] [permanent link]

    21 Sep 2009

    Hope Chest
    A conversation I had while helping some friends move:

    me: So what do they keep in this hope chest?
    Jaxon: Hope.
    me: So that's why it's so light.

    [/musings] [permanent link]

    18 Sep 2009

    Product Review: ASICS Cumulus-10
    This is the second installment of my running product reviews. Last time I said I'd discuss my "current running shoe" but my training has turned me into a liar. I'm still going to discuss the ASICS Cumulus-10, but it is no longer my current running shoe.

    At this point, the Cumulus-10 can still be found, although supplies are limited. I recently tried to purchase a second pair of these and was unable to find them in my size. I could have had a 9.5 or a 12, but not the 10.5 I needed.

    When the Nike Tailwinds no longer provided adequate cushioning, I had to find a new shoe, one that would work for a lighter runner. After reading reviews online and in magazines, particularly Runner's World, I went over to Fleet Feet in Montclair and talked to the sales staff there.

    After trying on a few pairs, I decided on the Cumulus-10 but wanted to wait until after the Brooklyn Half Marathon, a week away, before breaking in new shoes. This is not what happened. Because of the lack of cushioning in the Tailwinds, I ended up with horrible shin splints during my lunch time run the day before Brooklyn. I called up fleet feet, asked them to hold a pair of the Cumulus-10s for me and I picked them up that evening. I ran in them for the first time the next morning in the Brooklyn Half.

    Those shoes were amazing. They were soft enough to provide the compression needed for good cushioning at my weight. And while they were soft, they weren't mushy either. The ASICS GEL cushioning system is in place in both the heel and the forefoot, providing ample shock absorption for heel strikes and mid- to fore-foot strikes.

    The toe box was slightly narrow, but starting the laces one hole up from the bottom provided enough extra space while keeping my foot firmly in place.

    The sole in the forefoot is wide; wider than the sole in the Tailwinds. This provides support for the foot during the toe-off portion of the stride.

    The Cumulus-10 served me well until I had put just under 600 miles on them. At that point the cushioning was worn down and not as effective as it once was. I retired them about a week after the NYC Half Marathon in August giving me about 12 weeks worth of running. In actuality, I should have retired them after about 10 weeks.

    I recommend the ASICS Cumulus-10 for lighter runners with normal to low arches. Left over stock of the Cumulus-10 can be found at EastBay's website for $69.99 (both men's and women's), although many sizes are unavailable at this time.

    Next time, we'll discuss my current running shoe, the ASICS Cumulus-11. I've been slacking a bit so I only have about 250 miles on this pair so far. Hopefully I'll post the review before I hit 500 miles and retire these.

    [/running/reviews] [permanent link]

    17 Sep 2009

    Can't Argue with That...
    Well, I have to admit it; there's one issue I agree with Obama on: Kayne West is a jackass.

    [/politics] [permanent link]

    16 Sep 2009

    The Biggest Loser
    Last night was supposed to be my night off. My IT-band and my hamstring in my left leg have been tight the last few days so I spent some time stretching, but that was to be the extent of my workout.

    I started watching the season premier of The Biggest Loser. After about a half hour of that, I felt "motivated" and I spent an hour core training. Watching those contestants at such an early stage of the game made me remember what I have accomplished, how hard I worked for it, and that it will be a never ending battle.

    Sure I'm running 50 to 60 miles a week now. Sure I'm spending hours weight lifting and core training every week. I've taken my BMI from 36.5 to 20.0, and now begins the next phase, keeping the weight off. I can't become complacent. If I do, I will have lost.

    [/musings] [permanent link]

    11 Sep 2009

    TBMChicago
    TBMChicago has some live footage of The Birthday Massacre as well as galleries of photographs taken during performances and after shows hanging out with fans.

    I'm a little shocked that it's taken me this long to find this site. But then again, I'm usually out of the loop on things so maybe it shouldn't be too surprising.

    I'm waiting for the DVD release of Show and Tell. I haven't found a release date yet, but I could just be out of the loop yet again.

    [/musings] [permanent link]

    26 Aug 2009

    Product Review: Nike Tailwind 2008
    Welcome to a new feature on this blog. I'm going spend some time writing what I think of various running related items such as shoes, clothes, and energy gels.

    My first review is the Nike Tailwind 2008 running shoe. At this point, they're a little hard to find as they have been replaced by the Tailwind 2009. From what I've read about the 2009 edition, not much has changed so much of this should still be relevant.

    What first drew me to this running shoe was the Air Max cushioning. Like many Nikes, the heel contained the Air pockets. Unlike many other Nikes, these also had the Air Max cushioning in the forefoot.

    I tried them on and they were snug, but not too tight. Perfect. They were already on sale by time I was buying them. Even better.

    I ran about 400 miles in my first pair in about six months time, and replaced them with another pair which lasted about another four months. During this time the shoes served me well on treadmills as well as road and trail courses.

    These shoes, however, are best for heavier runners. The cushioning is very firm and needs extra weight to compress properly for maximum impact absorption. When I first started wearing the Tailwinds, I was about two months into my training and was about 210lbs. As I ran more, I lost more weight. At 180lbs the shoes were still quite good. At 160lbs they still provided adequate cushioning, although I started to feel my runs more.

    The Tailwinds served me well until I was under 140lbs. Below that and they feel like running in clogs.

    I recommend the Nike Tailwinds for heavier runners with normal to low arches. The men's Tailwind 2009 can be found on the EastBay website for $79.99 (99.99 for women's) as of this writing, making them a relatively affordable running shoe.

    Next time, we'll discuss my current running shoe, the ASICS Cumulus-10.

    [/running/reviews] [permanent link]

    25 Aug 2009

    FreeBSD 8 Beta 3 Available
    FreeBSD 8.0 Beta 3 is now available for download. The final release is expected in about a month.

    [/unix] [permanent link]

    Getting closer...
    Only 89 days remain until the Philadelphia Marathon.

    [/running] [permanent link]

    17 Aug 2009

    NYC Half Marathon
    Yesterday was my worst half marathon yet. While standing in the corral for almost an hour before the race start, I developed a migraine which became progressively worse as the day went on.

    Around 6:30am, I saw some flashing white lights out of the corner of my eye. Figuring it was someone with a camera, I looked over only to see that there was no one with a camera standing there or walking away. Then I realized the flashes were the aura. At that point I knew it would be a bad day.

    My split times illustrate the progression of the migraine including the nausea, blurred vision, and dizziness:

    5K: 0:23:42 (not too bad)
    10K: 0:47:32 (still okay)
    15K: 1:14:45 (feeling nauseated)
    20K: 1:46:09 (trying hard not to vomit in front of officials that will pull me from the race)
    final: 1:51:49 (I'm not dead yet!)

    Out of about 15 to 16 thousand people that signed up, about 10 thousand finished.

    Yesterday was apparently day 1 of a heat wave, and the humidity was quite high. At the start of the race, the air temperature (in Fahrenheit) plus the humidity percentage number was 151. At 152 and higher the risk of heat stroke increases significantly, or so I read in Running Times.

    Only one member of the Giraffes met her goal. We're really proud of her. Not only did she meet her goal, but this was her first half marathon.

    All four members of our team that ran finished, but we all agreed on a new rule: no summer races longer than 10K.

    Despite the horrible weather conditions, and other problems, I'm glad I ran this race. My time was far from my best, but now I can say I ran through Central Park, down 7th Ave to 42nd, through Times Square and out to the West Side Highway and down to Battery Park. Seriously, how cool is that?

    ABC had a special broadcast last night at 11:35PM recapping the race. I recorded it and am looking forward to watching it sometime today.

    [/running] [permanent link]

    13 Aug 2009

    Removing Windows 7 Boot Loader
    Removing the Windows7 boot loader is just like removing the Vista boot loader. The key being running the command

    \boot\bootsect.exe /nt52 ALL /force
    
    from the Win7 install DVD. More info at this site.

    [/musings] [permanent link]

    11 Aug 2009

    I want to believe
    Running never takes more than it gives back.
    Believe in the run.

    [/running] [permanent link]

    08 Aug 2009

    Windows 7
    I installed the Release Candidate (build 7100) of Windows 7 on my workstation today. I'm using it as I write this post. I'm not sure how much longer I'll be using it. I suppose I'll be using it at least until FreeBSD 8.0 is released.

    The Aero interface seems to have been polished a bit since Vista. This is both good and bad. It's good in that I've been able to customize it to be almost as usable as the XP and "classic" UIs. Almost.

    It's bad in that it's too user friendly. It's as though the designers have such a low opinion of the users' intelligence that they went out of their way to hide how the system works. It's like Microsoft wants to be Apple.
    Don't be Apple. You're better than that.

    Parts of the UI seem to get in the way. The window decoration draws much attention away from the actual task at hand. Moving the mouse pointer out of your way can lead to more things in your way. Hovering over the wrong spot leads to pop-up thumbnails of open applications. Or all the windows become transparent hiding you task and showing you the desktop.

    I'll try it out some more, but I'm pretty sure I'll be going back to the "classic" Win95-Win2000 UI. Even in that mode, the explorer shell is just different enough to be annoying.

    [/musings] [permanent link]

    04 Aug 2009

    Race Against Crime and Drugs
    The Hoboken Race Against Crime and Drugs was last night. The Giraffes were split into three three-person teams. Unfortunately, two members were unable to run last night. However, two of the more recent additions to the Giraffes stepped up and joined the race.

    My right calf was still sore at the start of the race, but felt better after about a mile. By that point it was too late and I knew I wouldn't PR, but I did fairly well keeping my time under 21 minutes and finishing number 79 of 609.

    The team consisting of Brian, Liz, and me did fairly well and placed 7th in overall team competitions with a combined time of 1:13:46. Had our second team not been a runner short, they likely would have done well enough for 8th or 9th place.

    [/running] [permanent link]

    03 Aug 2009

    Race Against Crime and Drugs
    The Hoboken Race Against Crime and Drugs is tonight. Online entry is closed but race day registration should be open this evening for anyone who wants to run and hasn't signed up. The race starts at 7PM on Pier A.

    The Giraffes are splitting into three subspecies for tonight's race. We have three three-person teams running with a little friendly competition going on. I hope I don't let my sub-team down tonight.

    I'm not feeling very fast. In fact, my right calf is still sore from the speed work I did at the track yesterday. I ended up doing about seven and a half miles of intervals and sprints over the course of about an hour.

    Hopefully it won't be too bad once I get warmed up. The 5K course in Hoboken is fairly fun; flat and alongside the Hudson River for most of the way.

    [/running] [permanent link]

    27 Jul 2009

    Epic Failure
    I started out in the Tourne on Saturday morning and ran the first five loops pretty well. The hilly 13.5 miles went fairly smoothly and I felt like I had a lot left in me.

    Around mile 16, the hills started to take their toll and I noticed I was slowing down. At about mile 18 my calves were on fire and "Killer Hill" reclaimed its title.

    I completed 21.6 miles and had only two loops left to reach the goal; however, a quarter mile down the first hill was more than I could take. At the bottom of the hill, mere feet from the first uphill, I stopped, turned around, and walked back up to my car.

    My right calf was still sore yesterday and is a little tight today.

    With only 117 days until Philadelphia, I'm starting to get nervous.

    [/running] [permanent link]

    24 Jul 2009

    Countdown
    Only 23 days remain until the New York City Half Marathon. Much like every other race, I don't feel prepared for it. But the race I feel the most unprepared for are usualy the ones I get a PR.

    I feel like I should be training harder. I'm averaging between 50 and 60 miles per week and I don't think it's enough. The Philadelphia Marathon is only 120 days away. And as of today I still haven't run anything over 20 miles.

    So the plan for tomorrow morning is to run more than that. I decided months ago that I'd run at least a marathon distance by the end of July. Tomorrow I plan run 27 miles. I have a 2.7 mile loop planned out and I'm going to run it 10 times. I imagine it will quite boring for a while in the middle, but it will certainly be a challenge by the end.

    [/running] [permanent link]

    DMC Houston
    It looks like the DeLorean needs some non-trivial work done on it. The mechanic I had taken it to found an issue he's not equipped to deal with. My first call was to DMC Houston where I talked to Stephen.

    He was friendly and incredibly knowledgeable. He said he'd work with me and Dave at their facility in Chicago to figure out what the extent of the work would be and the best way to approach it. Odds are the car is going to have to be shipped to Chicago for a few weeks.

    [/dmc] [permanent link]

    23 Jul 2009

    Highway driving
    On the way to the mechanic yesterday, I had the DeLorean out on 287 South. Near one of the Boonton exits, a guy in old Stingray pulled up next to me on my right. I looked over, he looked at me, and we gave each other a nod. I sped up a bit to keep with the flow of traffic and he moved as if exiting soon thereafter.

    This was my longest trip with the DeLorean thus far, and also the fastest I've ever driven it. And no, I still haven't gotten it to 88mph.

    [/dmc] [permanent link]

    22 Jul 2009

    Verizon Wireless Classic Update
    All of the results are in and the team rankings have been calculated. We ranked 12th of 144 men's teams putting us in the top 8% for the day. The rankings were determined by the top three runners for each team. I was the second runner from my team that night.

    My disappointing time of 20:48 put me in at number 108 of 3451 which means I finished in the top 3%.

    Maybe it wasn't as disappointing as I initially thought.

    [/running] [permanent link]

    17 Jul 2009

    July Update
    Tuesday night was the Party with Purpose 5K in Hoboken. I did much better than last year, but I'm a little disappointed. They only had it set up to record gun time rather than net time. The actual start line wasn't marked very clearly either. Officially my time was 20:20 but if it took me more than 4 seconds to cross the start line, then I got a PR. But the world will never know.

    Last night was the Verizon Wireless Classic 5K corporate challenge race in Morristown. They calculated net time, but rather than reading the RFID tag as you cross the finish line, there was a guy about 10 to 15 feet past the line waving an RFID reader wand over your tag. So you cross the line... and stop running... and walk a bit... and then your finish time is recorded. Other than that, it was a decent run. I was again disappointed in the results, finishing in 20:48.

    I may try the Teterboro 5K at the airport tomorrow, or I may just do a 20 mile training run. I haven't decided yet.

    [/running] [permanent link]

    It's like I'm 16 again
    You'd think I would have learned to drive by now. I've had the DeLorean for a month now and I'm still a little shaky coming off stop lights and signs but over all I'm better. I've only driven it a handful of times and I should really be driving it more often if I want to get better.

    I'm thinking of adding a separate section to the site dedicated to the DeLorean and every step in the process of acquiring it. I found a lot of useful information on the websites of other owners that helped a lot.

    [/dmc] [permanent link]

    I think I'll take the DeLorean today...
    After taking the Pontiac to inspection this morning, I got the urge to drive the DeLorean. I need to drive it more anyway so I think it may be joining me on some errands this morning.

    [/dmc] [permanent link]

    11 Jul 2009

    I Survived Julyapalooza!
    My friend had his annual Julyapalooza Barbecue in Brick today. This time I made it through the day without any near-death experiences!

    [/musings] [permanent link]

    09 Jul 2009

    "Why the hell don't the plugins have proper documentation"
    I had to pick up something in Fair Lawn for a friend this evening. It was later in the evening, well after rush hour but there was still a good amount of time before the sun went down so I decided to take the DeLorean out.

    I got her out on Rt 80 and she handled beautifully. The turns on the entrance and exit ramps felt better than in my Pontiac. I was a little nervous about over-steering because of the rear mounted engine, but it wasn't an issue.

    When I arrived at my destination, I got some looks from a woman walking her dog and some guys across the street working on something in their garage/driveway. I had a bit of an issue getting back on to 80 due to a construction vehicle and an a-hole in a BMW, but everything else was fine. I'm getting much better at driving it.

    On the way home at the 80/23/46 interchange a minivan pulled up beside me and beeped their horn. I looked over and they gave me a thumbs up.

    It was most triumphant.

    [/dmc] [permanent link]

    07 Jul 2009

    Dommin
    Dommin's new EP is out now. You can find it at your nearest Hot Topic. It's 4 songs and only $1.99. They have a full length album due out in a couple of months. In the meantime you can support them by buying EP and seeing them on tour.

    I was fortunate enough to see them back in April with The Birthday Massacre, and talk with some members of the band after their set. Not only are they a great band, but they're actually pretty cool people too.

    And while you're at Hot Topic purchasing the EP make a donation to the hot topic foundation. The proceeds go to fund music and art programs in schools. If you ask me, and by reading this blog you have implicitly asked me, it's a worthy cause.

    [/musings] [permanent link]

    01 Jul 2009

    Countdown to Philly
    Only 144 days remain before the Philadelphia Marathon. There's still plenty of time to sign up though.

    [/running] [permanent link]

    27 Jun 2009

    "Because you will be approached by people with questions and stupid jokes."
    I took the DeLorean when I went to the bank this morning. I pulled into the parking lot and found a space. As I got out of the car a guy around my age came running over before I could shut the door.

    He said, "I can't believe it, this amazing. I've always wanted to see one of these. Man, I was just watching the movie last night. Can I take a picture?"

    I said, "sure" and let him know that it still needed some work so it doesn't look as good as it could. He said, "It doesn't matter; it's a DeLorean."

    Later in the afternoon I went to get some more gas. I pulled into the station, shut off the car, got out and opened the hood to get to the gas cap. Neither of the attendants on duty had seen one before and both came over to see the car. They had some questions about the body construction and the engine.

    [/dmc] [permanent link]

    26 Jun 2009

    Sunset Classic 5M
    I got to meet Bill Rodgers tonight after the Sunset Classic 5M in Bloomfield. He was signing autographs after the race and actually spedning time talking to people. He spent a good 5 to 10 minutes with everyone, answering questions, giving advice, and just talking about running in general. He signed my race bib and we talked about the course and his diet. He really did put mayo on pizza. Hellman's. Had to be Hellman's. As he put it, "When you're burning 5000 calories a day, you're hungry." It was a pretty good race, I kept pace with the second place female finisher for almost the whole race, with number 3 not far behind. In the last 200 meters or so they both took off and I finshed a few seconds behind them. After the race I thanked the girl I had been running with for making me push myself a little harder than I planned, and congratulated her on her placing. I also made some new friends from work. I met most of the company's running team after the race and we talked about running and stuff. Most of them are in other divisions of the company so I had never seen them before tonight.

    [/running] [permanent link]

    24 Jun 2009

    QOTD:
    "I figured I'm getting too old to run, I might as well get married."

    --
    Acquaintance on missing a race to meet with caterers for his upcoming wedding.

    [/running] [permanent link]

    14 Jun 2009

    The new phone book is here!
    I am now officially 5% rockstar. At least I am according to the New York Times. I am now the proud owner of DeLorean #6291 manufactured in November of 1981.



    closed
doors open
doors

    [/dmc] [permanent link]

    09 Jun 2009

    NIN|JA
    On June 6th, I attended the Nine Inch Nails/Jane's Addiction concert in Holmdel, NJ held at the Arts Center. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. I managed to get through shortly after they went on sale and ended up with two tickets for Section 104, Row S. This time I went with my friend from college who now lives in Virginia. He drove up for the day and had to head back down to VA the next morning.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue, just as we did for the show at the Meadowlands last Summer. We arrived shortly before the gates opened, but were allowed in immediately after picking up the tickets.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. This time I was smarter and got a small. It fits much better than the XL I picked up in August.

    At 7:30 the opening act, Street Sweeper Social Club, took the stage. They were pretty good. Let me clarify that. The guys with instruments were good. Tom Morello was close to awesome and the other musicians were good. I wished the vocalist would have just shut up.

    At 8:15 Nine Inch Nails took the stage as Pinion played. As soon as it ended, they immediately went into Wish, quickly followed by Last. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The 19 song set, was about an hour and a half. It was an amazing show. The stage show was incredibly stripped down compared to the previous show, utilizing only lights and fog machines. It was also far more aggressive.

    At 10:00 Jane's Addiction took the stage. Unfortunately, because my friend had to leave for VA the next morning we only stayed for the first half of their hour long set. Dave Navarro was rather amazing. Eric Avery was great. Stephen Perkins was really good. Perry Farrel was certainly a good showman, but I found his voice a bit grating at times. If I have the chance, I would like to see them again.

    NIN Setlist:

    • Pinion
    • Wish
    • Last
    • Discipline
    • March Of The Pigs
    • Reptile
    • Meet Your Master
    • Gave Up
    • La Mer
    • Non-Entity
    • The Way Out Is Through
    • Mr. Self Destruct
    • 1,000,000
    • Echoplex
    • Survivalism
    • The Good Soldier
    • The Hand That Feeds
    • Head Like A Hole
    • Hurt


    Jane's Addiction Setlist:
    • Three Days
    • Whores
    • Ain't No Right
    • Pigs In Zen
    • Then She Did...
    • Up The Beach
    • Mountain Song
    • Been Caught Stealing
    • Obvious
    • Ocean Size
    • Ted, Just Admit it...
    • Summertime Rolls
    • Stop!
    • Jane Says

    [/musings] [permanent link]

    03 Jun 2009

    National Running Day part 4
    I did another 10K this evening after work. That brings my National Running Day total to 13.6 miles over 3 runs. I hope everyone was able to run today. You still have some time if you haven't yet. Happy National Running Day!

    [/running] [permanent link]

    National Running Day part 3
    Did a little over 4 miles on my lunch break at a slightly faster pace than the run this morning. Looking forward to this evening.

    [/running] [permanent link]

    National Running Day part 2
    That was fun! I got my first run completed, just over 5K. Now it's time to get ready and get off to work.

    [/running] [permanent link]

    National Running Day part 1
    Here I am ready for my first run of the day and there's a thunderstorm about to roll through. The RADAR shows it moving pretty fast. If it hasn't passed by in the next 15 to 20 minutes, I'm getting on the treadmill.

    [/running] [permanent link]

    01 Jun 2009

    National Running Day
    Wednesday June 3, 2009 is the inaugural National Running Day. I encourage everyone to get out and run. Whether your a seasoned athlete or a couch potato, lace up your sneakers and get out there this Wednesday.

    For the runners out there, make sure you run on Wednesday and try to drag some people along with you. For those of of you who aren't runners, Wednesday is a perfect day to start.

    The National Running Day website has more information about the day, and tips for people who are new to running.

    [/running] [permanent link]

    31 May 2009

    A Day at the Races... In Brooklyn
    Yesterday was the Brooklyn Half Marathon. It started in Prospect Park and made 2 loops around the park before exiting and getting on to Ocean Parkway at the 7 mile. From there it was straight to Coney Island where the race finished on the boardwalk near Keyspan Park. Approximately 12,000 people entered the race, and 9,415 people finished within the three hour time limit.

    I was aiming for a pace between 7:30 and 7:45 per mile and ended up with a 7:33 pace for the day finishing in 1:39:07, ten minutes faster than my time for the Manhattan Half. While not my best pace ever, it is a half marathon PR for me.

    Team Giraffes had a good showing. Four of the seven runners we entered finished in under 2 hours, and all finished in under 2:30. Four members of the team have completed their qualifiers for the 2010 NYC Marathon now, and another is one race away from completion.

    [/running] [permanent link]

    19 May 2009

    Random Running Related Updates
    I ran in another 10K in Central Park this past weekend. I took it a little easy but still managed to take a minute per mile off my time from the Homecoming Scotland 10K last month. It's funny how much better you can perform without food poisoning.

    I have a 3 mile race in the Financial District tonight. It was supposed to be a 5K, but the course was changed due to construction. I'd like to finish in under 20 minutes, but we'll see how it goes. I'm feeling a little sluggish today.

    The Brooklyn Half is coming up on the 30th. It starts in Prospect Park and ends at Coney Island. I'm just shooting for a better time than the Manhattan Half. The weather should be about 50 to 60 degrees warmer for Brooklyn so I shouldn't really have to worry about freezing sweat this time. My pace at shorter distances has improved quite a bit since January so I have that working in my favor as well.

    The running team is expanding. We have a new member for the Giraffes. Hopefully we'll be able to get five men and five women for each NYRR race so we can be ranked in the club standings. I don't expect we'd do very well against teams like NYAC or TRD, they seem to be fairly large teams with a lot of good runners, but it would be nice to see the Giraffes in the rankings.

    Two of The Giraffes (Liz and I) have finished our 9+1 qualification races and are guaranteed entry in the 2010 NYC Marathon. Two more will complete their 9+1 at the Brooklyn Half.

    [/running] [permanent link]

    14 May 2009

    Awesome News
    As of today I am qualified for the 2010 New York City Marathon.

    [/running] [permanent link]

    05 May 2009

    Show and Tell
    The Birthday Massacre's new live album Show and Tell is out today. Go get it! I was lucky enough to pick up a copy at their concert last weekend. It's pretty awesome.

    If you're a fan of TBM it's definitely worth adding to your collection. If you've never heard of them, the best way I've heard their sound described is as "a combination of synth-pop, black metal, and 80's new wave."

    [/musings] [permanent link]

    26 Apr 2009

    Happy Birthday

    Last night I went to see The Birthday Massacre in Hackensack. The show was at the School of Rock which is a rather small, intimate venue.

    The first act was September Mourning. I thought they were pretty good. I got to speak to Emily and Chris from the band later in the evening and they seemed like pretty cool people.

    Dommin was the next band up. The singer's got a pretty good voice and the bassist was really good. They played a cover of Depeche Mode's "People are People" and it was pretty good.

    I was a little less than impressed with I Am Ghost. They weren't bad, but I couldn't get into them.

    Early in the evening, before Dommin's set I went to the merchandise table and picked up two new shirts. Now I have TBM shirts that fit! I also picked up a copy of the new live album Show and Tell. Zimmy couldn't make it this tour, but Michelle, the girl who took his place, was just as awesome as he was.

    The Birthday Massacre was great. They played a good mix from their albums including songs from their three albums and the Looking Glass EP.

    If you care (or even if you don't), their set list follows:
    • Red Stars
    • Goodnight
    • Falling Down
    • Play Dead
    • Weekend
    • Shiver
    • To Die For
    • Lovers End
    • Remember Me
    • Video Kid
    • Violet
    • Looking Glass
    • I Think We're Alone Now
    • Walking With Strangers
    • Blue
    • Happy Birthday
    They didn't play my favorite song, "Broken," but I was not disappointed in the set at all.

    After the show they came out to meet the fans. I was able to get their new live album signed by Falcore, Oen, Rainbow, and Chibi. The latter three also autographed the photos I had taken with them last year and they were pretty nice about it.

    Not that anyone really cares, but these are the photos my friend took. If you view the full version, be warned that I'm in the photos too.

    M. Falcore Chibi

    [/tbm] [permanent link]

    Happy Birthday

    Last night I went to see The Birthday Massacre in Hackensack. The show was at the School of Rock which is a rather small, intimate venue.

    The first act was September Mourning. I thought they were pretty good. I got to speak to Emily and Chris from the band later in the evening and they seemed like pretty cool people.

    Dommin was the next band up. The singer's got a pretty good voice and the bassist was really good. They played a cover of Depeche Mode's "People are People" and it was pretty good.

    I was a little less than impressed with I Am Ghost. They weren't bad, but I couldn't get into them.

    Early in the evening, before Dommin's set I went to the merchandise table and picked up two new shirts. Now I have TBM shirts that fit! I also picked up a copy of the new live album Show and Tell. Zimmy couldn't make it this tour, but Michelle, the girl who took his place, was just as awesome as he was.

    The Birthday Massacre was great. They played a good mix from their albums including songs from their three albums and the Looking Glass EP.

    If you care (or even if you don't), their set list follows:
    • Red Stars
    • Goodnight
    • Falling Down
    • Play Dead
    • Weekend
    • Shiver
    • To Die For
    • Lovers End
    • Remember Me
    • Video Kid
    • Violet
    • Looking Glass
    • I Think We're Alone Now
    • Walking With Strangers
    • Blue
    • Happy Birthday
    They didn't play my favorite song, "Broken," but I was not disappointed in the set at all.

    After the show they came out to meet the fans. I was able to get their new live album signed by Falcore, Oen, Rainbow, and Chibi. The latter three also autographed the photos I had taken with them last year and they were pretty nice about it.

    Not that anyone really cares, but these are the photos my friend took. If you view the full version, be warned that I'm in the photos too.

    M. Falcore Chibi

    [/musings] [permanent link]

    Lincoln Tunnel Challenge
    Today was the 2009 Lincoln Tunnel Challenge 5K run to benefit the Special Olympics. Last year's was my first race. It took me 35:51 to complete it last year ( an 11:32/mile pace). Today I went in with something to prove to myself. I came out of the tunnel with a new PR of 20:16 (6:31 pace).

    [/running] [permanent link]

    19 Apr 2009

    Run as One 4M
    This was an awesome day!

    Last week's Scotland 10K went horribly wrong due to a bit of poisoning at the hands of Macaroni Grill (40% of our team got sick!).

    Today, however, was awesome!

    Today's course was the same as the Run for the Parks which was my personal record... Until today! I finished in 26:55, shaving 26 seconds off my previous best.

    My new best pace is 6:43/mile with an AG performance of 62.6%.

    After the race we ran into Mr. G! We talked to him and he said he'd talk about the race (and mention our team) on the radio tomorrow morning! (How cool is that?!)

    This evening I registered for my volunteer duties with the NYRR, which will complete my qualification for the NYC 2010 marathon. After that I registered for Philadelphia 2009 which will be my first marathon.

    Today was pretty good.

    [/running] [permanent link]

    05 Apr 2009

    Run for the Parks 4M
    This was an awesome day!

    I ran in the New York Run for the Parks 4M this morning in Central Park. My last four mile race was the Grid Iron Classic back in February where I finished with a time of 29:12 and an AG Performance % of 57.7. (I'm at that age where my actual time is the same as my AG time).

    I really wanted to try and beat that but my IT-band had been acting up earlier in the week so I was pretty nervous and sure it wouldn't happen. I woke up this morning and felt pretty good. I did some core training and light weight lifting and then left for the race with my teammates, feeling a little more optimistic.

    I ended up having a really good first mile, running about a 7:09 pace. I picked it up a bit and ended up finishing in 27:21 and achieved an AG performance of 61.6%, beating my last 4M by 1:51.

    My new best pace is 6:50/mile, down from 7:05, and I've reached the "local class" achievement level.

    It feels so good and I have my friends to thank for this. They convinced me to run with them last year and my life has been completely transformed since then. I've thanked them multiple times for what they did, but I don't know if they'll ever know how much it really means to me.

    [/running] [permanent link]

    21 Mar 2009

    It's Saturday Night
    And where is the mikeforde? He's at home! Washing his tights!

    15K in Central Park tomorrow morning; qualifier number 6.

    [/running] [permanent link]

    09 Mar 2009

    Lincoln Tunnel Challenge
    Last year some friends convinced me to run in the Lincoln Tunnel Challenge and it changed my life. It was an amazing day and we exceeded our fund raising goal.

    This year we're doing it again. You can help support the Special Olympics (and team giraffes!) at this site.

    Any contribution is greatly appreciated.

    [/running] [permanent link]

    Yesterday I ran my best mile ever... Until...
    Saturday morning I did a half-marathon-length training run and I didn't do so well. I hit a wall at about the 15K mark and by ten and a half miles, I had some pretty bad cramps.

    Normally, I take a day off after a long run like that, but I needed to do something to feel a little better. Yesterday I set out for a 5 mile run to get ready for the 8K coming up. I thought I'd keep pace with some music and started with NIN's "Burn." My first mile was a 6:11 pace. It was my best mile ever... Until today.

    Tonight I set out for a 5K and in my first mile I broke six, finishing the first mile in 5:57. While the next 2.1 miles weren't quite as good a pace, I did break 20 minutes for the 5K.

    I want you to trip like me I want you to have fun.
    I want you to trip like I do

    [/running] [permanent link]

    01 Mar 2009 24 Feb 2009

    Can't you trip like I do?
    I got home a little early (read: on time) from work today so I was able to start running a little earlier than I have been lately. I just kept running until the runner's high kicked in, then I kept running until it started to wear off, then I ran another two miles back home.

    I ended up doing about twelve miles tonight and it felt so good. I had almost forgotten what that high felt like. Between the weather and work, my runs were averaging 3 to 5 miles and that doesn't do much for me anymore. But tonight I was able to get that feeling again.

    Oh my God, it's the best.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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  •        
    17 Oct 2017

    St Michael, defend us in battle
    Crisis Magazine has a great piece about St Michael and the ongoing spiritual warfare in the world.

    [/musings] [permanent link]

    12 Oct 2017

    New PGP Key!
    So apparently Evil32 happened. Approximately 24,000 PGP keys were generated that had collisions with the 32-bit short IDs of existing keys. Then someone decided to use those conflicting keys to generate revocation certificates and upload them to the keyservers. Joy.

    Though my old keys still work, they were affected by this mass revocation of collsions. I have created a new key which can be found at http://skinnymf.com/~mforde/mforde.asc.

    On a related note, if anyone is interested in Key Signing Party, shoot me an email. I haven't been to one of those since college.

    [/musings] [permanent link]

    30 Sep 2017

    Time Travel?
    A few months ago I happened to snap a photo of the DeLorean on Main Street in Boonton near the Darress Theatre. It's probably one of my favorite photographs of the car and certainly one of the best I've ever taken.
    The theatre was built in 1919 and has remained largely unchanged since then. A lot of Boonton still has a very old "look and feel" to it, and this section of Main Street served as a perfect backdrop for the DeLorean.

    DeLorean DMC-12 Darress
Theatre Boonton

    [/dmc] [permanent link]

    24 Aug 2017

    How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You Want
    Bloomberg has posted an article entitled How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You Want. It's really quite simple, actually. You take your keys, go out the the garage, and you drive the DeLorean any time you want.

    [/dmc] [permanent link]

    16 Aug 2017

    Sometimes...
    Sometimes it's dificult to find a reason to continue.

    [/musings/self] [permanent link]

    14 Mar 2017

    Ninth Runniversary
    Yesterday was my ninth runniversary. Like my first day running, I ran on the treadmill while listening to Broken. Unlike the first time, I only listened to it once, and covered 4.48 miles during the duration of the EP, thanking God every step of the way.

    I'm confident in knowing that the bone in my ankle has healed completely now; however, I'm still rebuilding the muscle in that ankle and the rest of that leg. There was significant atrophy during the early phases of recovery. Slowly as it may be, I am making progress, and I am thankful for that.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

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  • DeLorean
  • code
  • unix
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  • Archives

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  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
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  • 2010
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  • 2008
  • 2007
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  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    02 Dec 2012

    Happy Birthday

    I'm starting to get used to celebrating my birthday at TBM concerts. This year it was about a week prior to my birthday at a show on December 1 held at New York's Gramercy Theatre.

    Along with the tickets, I had also purchased the "VIP package." This package included an autographed poster signed by all members of the band, a "VIP" laminate on a lanyard, and... the opportunity to meet the band prior to the show!

    You may be thinking, "But they stick around after shows and mingle with their fans anyway," and "You've already met them a few times!" Both are true. And even with this "VIP" package meet-and-greet, they still make time for all their fans after the show. What this provided was a somewhat quieter meeting in a more intimate setting.

    In fact the meeting was in a small lounge beneath the concert hall. Dim mood lighting, mirrors, and couches set the atmosphere. I spoke with Rainbow, Michael, and Nate first. Rainbow informed me his name was Michael also and made a joke about the "power of the three Mikes lighting the room." After a bit, they started moving me to Chibi who was sitting on a couch after injuring her knee during a show two nights prior. She tried to walk to me, but I told her not to. She said, "I'll meet you half way then."

    I gave her a get well card, knowing she had had surgery on her vocal chords about 8 weeks prior and recently injured her knee. Someone decided we needed a photo of that and she gave me the card back so I could give it back to her. I believe it was Owen who said, "Act natural and hold it for 30 seconds!"

    I asked Rainbow about writing "Unfamiliar" because both he and OE were given credit in the liner notes. He said it was mostly OE; OE started it and Rainbow had finished it. I said I wanted to thank them because it was a song that had taken on some greater meaning to me and I relayed a brief version of the story of the moment I recognized that. It turns out "Unfamiliar" is one of Chibi's favorite songs too.

    Every one of the bands that night were amazing. All, remarkably, were performing as duos. Creature Feature was a real fun band to see. Their music is heavily influenced by old horror movies which gives them a dark yet fun sound.

    Aesthetic Perfection put on a good performance. Their drummer is amazing and fun to watch. They heavily synth-based and while there was a dark tone to most of their songs, they still had fun and lightened things up with a Fine Young Cannibals cover.

    William Control was the only other act I had heard before the show (Thanks Last.fm!). He was great live and I'd love to see him again. He reminded me a little of Dommin in that Dean Martin meets Glen Danzig sort of way.

    The Birthday Massacre was great. They played a good mix including songs from every album. For most of the set Chibi was sitting on a speaker placed near center at the front of the stage, wearing a knee brace. She stood up and moved around occasionally, but not much. At one point Rainbow sat down on another speaker and stuck out one leg in a similar fashion to how Chibi was seated and laughed a little. It was easy to tell by their interaction here that Chibi and Rainbow are close.

    If you care (or even if you don't), their set list follows:
    • Night Shift
    • Down
    • Control
    • Always
    • Red Stars
    • Video kid
    • Lover's End
    • Forever
    • Pins and Needles
    • Happy Birthday
    • Alibis
    • Calling
    • In the Dark
    • Sleep Walking
    • Midnight
    • -- Encore --
    • Leaving Tonight
    • The Long Way Home
    • Blue


    The band did not leave the stage prior to the encore as they normally would. Chibi said, "This is the part of the show where we say thank you and leave and you clap and we come back out and play some more. But I'm not going to walk down those stairs anymore than I have to, so do you want to hear three more songs?"

    [/tbm] [permanent link]

    12 Dec 2011

    Happy Birthday

    Last night, as an end to my 30th birthday weekend, I went to see The Birthday Massacre in Teaneck. The show was at the Mexicali Live which is a rather small, intimate venue with full table service for dining, and a bar with some really good microbrews on tap.

    The first act was A Verbal Equinox. I thought they were pretty good, especially considering they all seemed to be still in high school. Their set was pretty tight, with mostly original songs and a My Chemical Romance cover. Frankly, I think they did the MCR song just as well, if not better, than MCR. They definitely had a good rhythm section.

    The next band, who shall remain nameless, was described by some as "Armenian Industrial." I thought the music was good, but I wished the singer would just shut up. No singing, no talking to the crowd. Just. Shut. Up. Their set would have been awesome as an instrumental.

    During their set they had two "gothy cheerleaders" on stage. It turned out that one of them was my friend's niece. Kinda random.

    After their set, I ran into a couple of the kids from the first band and talked to them a bit. I told them I liked what I heard and they thanked me and gave me a CD-R labeled with sharpie containing their first recorded single. Something about that is just awesome.

    The Birthday Massacre was great. They played a good mix including songs from every album.

    If you care (or even if you don't), their set list follows:
    • Pins and Needles
    • Control
    • Happy Birthday
    • Forever
    • Burn Away
    • Shallow Grave
    • Always
    • Weekend
    • Video kid
    • Blue
    • Looking Glass
    • Lover's End
    • In the Dark
    • Horror Show
    • Red Stars
    • -- Encore --
    • Sleep Walking
    • Midnight


    They didn't play my favorite song, "Broken," but I was not disappointed in the set at all. After they finished, Rainbow was on stage for a bit talking with people from the crowd. I told him it was a great show and asked if they'd be playing "Broken" at tonight's show with Dir En Grey. He said it wouldn't be in the set, but he loves that song and they'd rehearse it for their next tour.



    The Birthday Massacre on stage at Mexicali Live in Teaneck, NJ
    A rather blurry picture of The Birthday Massacre from the show.

    [/tbm] [permanent link]

    26 Apr 2009

    Happy Birthday

    Last night I went to see The Birthday Massacre in Hackensack. The show was at the School of Rock which is a rather small, intimate venue.

    The first act was September Mourning. I thought they were pretty good. I got to speak to Emily and Chris from the band later in the evening and they seemed like pretty cool people.

    Dommin was the next band up. The singer's got a pretty good voice and the bassist was really good. They played a cover of Depeche Mode's "People are People" and it was pretty good.

    I was a little less than impressed with I Am Ghost. They weren't bad, but I couldn't get into them.

    Early in the evening, before Dommin's set I went to the merchandise table and picked up two new shirts. Now I have TBM shirts that fit! I also picked up a copy of the new live album Show and Tell. Zimmy couldn't make it this tour, but Michelle, the girl who took his place, was just as awesome as he was.

    The Birthday Massacre was great. They played a good mix from their albums including songs from their three albums and the Looking Glass EP.

    If you care (or even if you don't), their set list follows:
    • Red Stars
    • Goodnight
    • Falling Down
    • Play Dead
    • Weekend
    • Shiver
    • To Die For
    • Lovers End
    • Remember Me
    • Video Kid
    • Violet
    • Looking Glass
    • I Think We're Alone Now
    • Walking With Strangers
    • Blue
    • Happy Birthday
    They didn't play my favorite song, "Broken," but I was not disappointed in the set at all.

    After the show they came out to meet the fans. I was able to get their new live album signed by Falcore, Oen, Rainbow, and Chibi. The latter three also autographed the photos I had taken with them last year and they were pretty nice about it.

    Not that anyone really cares, but these are the photos my friend took. If you view the full version, be warned that I'm in the photos too.

    M. Falcore Chibi

    [/tbm] [permanent link]

    29 Jun 2008

    Happy Birthday

    Friday night was the Birthday Massacre/Mindless Self Indulgence show. Due to various circumstances and events, my friends and I made it to the venue just in time to see the last 3 minutes of TBM's set.

    I made an attempt to see The Birthday Massacre last August in new York but that attempt failed due to prior commitments. So for two years in a row I tried to see them, and for two years in a row I failed. Sorta.

    After seeing the last 3 minutes of the set and being very disappointed, I went over to the merchandise booth to buy a souvenir T-shirt. My friend James joined me and we, mostly James because of his gregarious nature, started a conversation with the guy at the counter, whose name was Zimmy. We told him what had happened and asked if there was any chance of catching the band as their equipment was being packed up.

    He told us their gear had already be packed, but if we hung out after the show they'd be coming out to meet the fans. So we hung out after the show.

    After the crowd dissipated, we went back into the venue's main room. Sure enough, several members of The Birthday Massacre were standing around, signing autographs, and talking to the fans. James and I went up to O-En first. He was very friendly and talked with us for ten or fifteen minutes. I told him about missing the show two years running and he gave me his sympathies and thanked me for trying to get to the shows. I asked him if he had any idea when they'd be in the area again and he gave me a general idea of when to expect them to be back. He was nice enough to sign my copy of Violet and let us take a photograph.

    Next we went over and talked with Chibi. She was also very friendly although we didn't speak to her for quite as long as we did O-En. She signed Violet and took a photo with me and thanked us for coming to see them, even though we missed the set.

    The last member of the band I got to see was Rainbow. Like O-En and Chibi, he too was very friendly. We talked to him for several minutes and I collected another autograph and photo.

    All three of them were very friendly with every one and they all seemed to genuinely care about their fans. I had heard from some one who had met them before that they were some of the nicest people you could ever meet. O-En, Chibi, and Rainbow confirmed that on Friday night. Now that I've met them, I can't wait for the next opportunity to finally catch their set.

    Not that anyone really cares, but these are the photos James took. If you view the full version, be warned that I'm in the photos too.

    O-En Chibi Rainbow

    [/tbm] [permanent link]


       
    Eponymous
    Eponymous
       



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    ---boundaryRMS123--

    [/mobile] [permanent link]

    19 Apr 2016

    1461117251
    "Each of us is willed. Each of us is loved. Each of us is necessary." - Pope Benedict XVI

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    06 Feb 2016

    1454815466
    Beautiful https://www.instagram.com/p/BBeDsOSrXEk/

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    28 Jan 2016

    1453995544
    https://m.youtube.com/watch?v=P3hY1eagq88

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    02 Dec 2015

    1449069975
    https://www.instagram.com/p/-ywsdLrXFZ/

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    24 Sep 2015

    1443142404
    This is only a test. Had this been an actual post, there would be actual content. Or not.

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    04 Feb 2015

    1423064732
    http://elitedaily.com/money/entrepreneurship/psychology-behind-messy-rooms-messy-room-may-necessarily-bad-thing/708046/

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    06 Jan 2015

    1420590331
    Castle of Dr. Brain : Sierra On-Line, Inc. : Free Streaming : Internet Archive https://archive.org/details/msdos_Castle_of_Dr._Brain_1991

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    31 May 2014

    1401554904
    http://en.m.wikipedia.org/wiki/Amargasaurus

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    07 Apr 2014

    1396881317
    Gear Tip: Dry Out Soggy Sneakers | Runner's World http://www.runnersworld.com/running-shoes/gear-tip-dry-out-soggy-sneakers?cm_mmc=F

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    05 Oct 2013

    1381017534
    Good night, demonslayers.

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    1381006292
    --_CEEC49CB-DE1D-4A1E-9DFE-114E3B54D3CB_
    Content-Transfer-Encoding: quoted-printable
    Content-Type: text/plain; charset="Windows-1252"

    Test blog

    Sent from my Windows Phone=

    --_CEEC49CB-DE1D-4A1E-9DFE-114E3B54D3CB_
    Content-Transfer-Encoding: quoted-printable
    Content-Type: text/html; charset="Windows-1252"


    pe>


    Test blog R>
    Sent from my Windows Phone
    =

    --_CEEC49CB-DE1D-4A1E-9DFE-114E3B54D3CB_--

    [/mobile] [permanent link]

    1381005175
    Corning is a quaint little town. Looking forward to exploring.

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    08 Apr 2011

    1302293987
    Why do I run?

    --
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    02 Mar 2010

    1267567528
    6790 test.

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    20 Feb 2010

    1266681322
    256/8704. Not a PR time, but not a bad showing.

    --
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    07 Feb 2010

    1265591788
    Game's over! The Who just won!

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    24 Jan 2010

    1264352606
    1:37:50. New half marathon PR.

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    09 Jan 2010

    1263048598
    Qualifier #1 done.

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    05 Dec 2009

    1260056285
    Hibachi in Ballston. People in VA are still afraid of snow.

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    Eponymous
    Eponymous
       



    About
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    13 Mar 2018

    Tenth Runniversary
    Today is my tenth runniversary. It's been a decade since I first stepped on that treadmill. Like my first day running, I ran on the treadmill while listening to br\oken. I've had some set backs in my recovery. Not properly rehabilitating the atrophy in the left leg has caused some problems with the muscles around my hip. Listening to my trainer only made it worse. But now I'm taking care of it properly. Like that first day ten years ago, I have a goal I am working toward. This time it is the Dublin Marathon in October. This will be marathon number 13. I don't expect to PR. I think 10 minute miles are a much more reasonable goal at this point, but frankly I'll be happy just to cross that finish line. It's been a long, hard road out of Hell, but God has been by my side and put some amazing people in my life to help me along the way. I have to thank the Giraffes for today. I have to thank the Giraffes for much of my life this last decade. I was heading for an early grave, and they changed that. Giraffes, I thank you from the bottom of my heart and I look forward to running the LTC and many other races with you in the next decade.

    [/running] [permanent link]

    14 Mar 2017

    Ninth Runniversary
    Yesterday was my ninth runniversary. Like my first day running, I ran on the treadmill while listening to Broken. Unlike the first time, I only listened to it once, and covered 4.48 miles during the duration of the EP, thanking God every step of the way.

    I'm confident in knowing that the bone in my ankle has healed completely now; however, I'm still rebuilding the muscle in that ankle and the rest of that leg. There was significant atrophy during the early phases of recovery. Slowly as it may be, I am making progress, and I am thankful for that.

    [/running] [permanent link]

    26 Sep 2016

    Don't Call it a Comeback
    On June fourth, I was running in the Tourne on a trail I first ran twenty years ago, a trail I've run hundreds if not thousands of times before. On that morning, my foot came down on a wet rock at just the wrong angle, slipped just enough and I rolled my ankle. Not only did I roll the joint, I came down on it with enough force to break it; a fact I would learn when I final saw a doctor about it on June ninth.

    No surgery was required, but I was unable to run for three months. I was finally cleared to run. The plan was to start with short distances, about a quarter mile, on a rubberized track then build up from there, moving on to treadmills and eventually roads and trails. I was instructed to spend six months rebuilding my 60 mile per week base.

    On the morning of September 11 (a day I will never forget and a morning that will always make me feel a bit uneasy), I took to the track for the first time. I started by walking a mile. As I finished the fourth lap, I said a prayer, asking God to give me the run I needed and the wisdom to know when to stop. I queued up my playlist: AC\DC's "Back in Black" and LL Cool J's "Mama Said Knock You Out." I took my first stride.

    I've been progressing well in the last two weeks; pushing it on some days, resting when necessary. Though the short, slow distances have been frustrating, it feel good to be running again. Every stride I take I'm reminded of everything I love about the sport.

    It's good to be back.

    [/running] [permanent link]

    03 Jun 2015

    National Running Day ... part 5
    This evening on my second run, I met up with one of the middle school kids I had coached on the cross country team. He was driving (because he's not in middle school anymore) and stopped at an intersection waiting for me to cross. He called out to me, I stopped, and we chatted briefly.

    Although the conversation was brief, I realized that I had left an impression on him, I had made a difference, however small, in his life. And no matter what else happens, nothing can change that.

    Happy National Running Day!

    [/running] [permanent link]

    09 Aug 2013

    chafing...
    WARNING: possible TMI

    I thought I had healed from the chafing left after Saturday's River to Sea Relay... Until I ran in the rain yesterday. To quote a friend, "It feels like someone took a cheese grater to my crotch."

    [/running] [permanent link]

    22 Jul 2013

    Why do I run?
    So, why do I run? Here's one reason:


    [/running] [permanent link]

    30 Apr 2013

    I LOL'ed

    PATIENT: "The problem is that obesity runs in my family."
    DOCTOR: "No, the problem is that no one runs in your family."

    [/running] [permanent link]

    17 Jan 2012

    Races, Races, Races
    I've been busy the last few weeks or so; I've done a few races.

    • On October 30, I ran the Marine Corps Marathon in Arlington, VA and Washington D.C.
    • On November 5, I ran the Beavertown Fall Classic 5K in my hometown.
    • On November 6, I ran the New York City Marathon for the second time.
    • On November 19, I ran the Knickerbocker 60K Ultramarathon in Central Park.
    • On December 3, I ran NJ Winter Trail Series Race #1 Half Marathon in Wayne.
    • On December 10, I ran the NYRR Jingle Bell Jog in Prospect Park.
    • On January 7, I ran the Walt Disney World Half Marathon, part one of Goofy's Race and a Half Challenge.
    • On January 8, I ran the Walt Disney World Marathon, completing the Goofy Challenge.

    In 10 weeks I ran a 5K, a 6K, two Half Marathons, three Marathons, and an Ultramarathon, plus a few training runs in there...

    And last night Wii Fit called me a couch potato.

    In defense of the game, I hadn't used it in 547 days, and I'm now 11 pounds heavier than when I had last used it. It has no way of knowing that the vast majority of that weight gain was lean mass. It also has no way of taking into account all that I've done outside the game.
    Even with that in mind, it's still a little frustrating to be called a couch potato after running a marathon and a half last weekend.

    Each of these races were pretty special. I ran MCM alongside some fairly awesome people; people who I consider to be among my closest friends. In the Beavertown 5K, I somehow managed to take 12th overall and 5th in my age group without really trying.

    At NYC and then at the Knickerbocker, I ran with the friend who got me started running in the first place. I credit him with saving my life, and it was an honor and a pleasure to run with him.

    The trail half was my first trail race (not counting my time on the high school cross country team) and I ran that with a friend I hadn't seen since our days on the high school track & field team (she was a runner, I was thrower). We have both run full marathons in less time than it took us to complete this half.

    The Jingle Bell Jog was a fun race with bells and hot cocoa, and it was the first time I ran alongside my friend and former physics TA. And lastly, I ran the Goofy Challenge alongside another one of my close friends and training partners.

    These races were a lot of fun. Some of the courses were quite amazing to see, and these races were opportunities to spend time with some pretty awesome people.

    [/running] [permanent link]

    18 Apr 2011

    25th Anniversary Lincoln Tunnel Challenge 5K
    Yesterday the Giraffes ran the Lincoln Tunnel Challenge to benefit Special Olympics New Jersey. It was the events 25th anniversary and the Giraffes' third anniversary.

    The weather was much nicer than the previous two years with far less rain than last year and a much milder temperature than the 90+ degrees of two years ago. In fact, the weather outside was ideal for running. The weather inside the tunnel was a few degrees warmer, but still in that ideal range.

    Before the race, I met up with my friend Bobby. He's an athlete who competes in the Special Olympics. We went to school together and were on the Cross Country and Track & Field teams in high school. Back then, he and I were almost always the last two runners to finish at the Cross Country meets. The difference between us was that I was a quitter and he never gave up.

    That first time I ran this race in 2008, I failed to meet my goal 31:26. When I saw Bobby after that race, it made me think back to Cross Country. His determination to never quit was one of the influences that kept me running after that day.

    Back to this year's race...
    After talking to Bobby, I met some other friends from my town who were running (but decided not to register as Giraffes... grrr...). They, as well as the other Giraffes, were running in the second wave at 8:45. It was getting close to the start of the 8:00AM wave, so I parted ways with them and took my place in the starting area. After the standard pre-race speeches, including the announcement that this year's race raised almost $180,000 for SONJ, the gun went off and the race began.

    After a few seconds in the tunnel, my watch lost satellite reception and continued using the footpod while searching for satellites. Because it went back into the open sky search mode, I couldn't see any sort of timing or pacing information on the display. I was running blind, so to speak. Having set a PR of 19:08 in the 5K last month and a previous best of 20:16 for this course, I was hoping to just break 20 minutes. The Lincoln Tunnel is essentially a "V" shape with the second and fourth quarters of the race being uphill.

    During the second half I caught up to another runner I had seen in Weehawken prior to the start of the race. As I approached, he sped up. I said to him, "You're going to make me work for this, aren't you?"

    He replied, "I don't like people passing me. And I'm trying to catch that guy," gesturing to another runner about 50 feet ahead of us.

    I said, "Okay" and started picking up the pace a bit, overtaking the runner who had been in front of us. And I kept going. I started to feel the lactic acid in my left calf. I decided to ignore it. The feeling subsided. As I neared the end of the tunnel, I could hear the announcer calling out the finishing times. I gave it everything I had left, and cross the finish line.

    I stopped my watch and saw my time at 18:57. I knew then there was the possibility I had broken 19 minutes, but it would be close. I'd have to wait for official results. But I was too excited, I had tell someone, so I text'ed a few friends.

    I reconnected with my friends from town and the other giraffes, and told them all to kick ass and chew bubblegum. I watched as their heat started and they all entered the tunnel. I went and picked up my blanket from the registration table and tried to keep warm while I waited and watched my friends finish. It brought a huge smile to my face to see each of them, and especially Bobby, cross the line.

    The Giraffes celebrated another race and another year with our traditional post-race brunch. And the waiting continued...

    The official results were posted late in the afternoon, while I was helping a friend prepare for the flooding we're experiencing for the second time in two months. A friend text'ed just before 5:00PM with

    18.55
    congrats
    
    It was two seconds faster than I thought. It was 13 seconds faster than my previous PR set only last month. I finally broke 19 minutes, and I did it on the same course on which I ran my first race three years ago. I took 16:56 off my time in those three years. I finished 9th in my age group and 33rd overall, and for the seventh time in nine races this year, I set a new PR.

    Damn, it feels good.

    [/running] [permanent link]

    10 Apr 2011

    Scotland 10K 2011
    This morning I ran the NYRR Scotland 10K for the third year in a row. The first time it was cold and raining, and I had food poisoning from eating at the Macaroni Grill the night before. (The Giraffes had a team dinner the night before and 40% of us got sick.) I ran that race at a slower pace than the 15K race a few weeks prior.

    Last year, the morning of the race was unseasonably hot and I was dealing with an ITBS flare-up. I ran that one almost as slowly as the previous year.

    All of the other 10K's I've run were always sub-par compared to my 5K and 15K times. I had never felt like I had a good 10K race. I always felt like I let myself down; like I should be doing better.

    Until today...

    Today's Scotland 10K was the first time I had a good run at this distance. When I set out this morning, my goal was a 6:56 pace, one second per mile better than my PR. Central Park was a bit chilly at about 52 degrees with an overcast sky.

    My team made our plans for meeting afterward and we took our places in the corrals. The gun went off and I started running. As soon as I crossed the starting line I decided I wanted to see how fast I could do this, how fast I could run a 10K. I wanted to see if I could break 40.

    So I ran fast and hard, watching my pace a little too closely at times. After the first mile I was warm and debating whether or not to take off the arm warmers. I decided to wait until later in the race, as one side of the park is usually warmer than the other. At about 2.5 miles I had a weird cramping feeling in the ball of my right foot, but within a few hundred meters the high kicked in and the pain went away. At the halfway point I knew I'd be close to a 40 minute finish if I kept up the pace.

    I kept up the pace until the last mile, then I sped up. I was close to the goal. I was going to make it or die trying. Well, probably not die. More likely vomit or pull a muscle or re-injure the IT-band. But not one of those problems happened. What did happen was I crossed the finish line less than 40 minutes from the time I crossed the starting line.

    For the first time, I had felt good during and after a 10K. I ran the race I wanted and the race I needed. I accomplished what I set out to do and it felt awesome.

    The official results posted a few hours later put me at 39:46, a 6:24/mile pace. This is a faster pace than my current 5 mile and 4 mile PRs. I ran at a 67.5% AG performance rating and finished 318 of 8491.

    I'm pretty pleased with myself...

    [/running] [permanent link]

    23 Mar 2011

    Lincoln Park Triathlon
    This Summer Lincoln Park will hold its first triathlon. More information can be found at www.lincolnparktriathlon.com.

    If you're not quite interested in racing it, we're looking for volunteers to help out that day.

    [/running] [permanent link]

    22 Mar 2011

    WPLJ's NYC Half Marathon Themed Phone Scam
    Yesterday Scott and Todd aired a phone scam related to the NYC Half Marathon. It's available here for now if you haven't heard it.

    I was a little disappointed in the way the guy from the running store responded. He struck me as the kind of guy that looks down on the back-of-the-pack plodders. They're out there doing their best just like the elites and everyone in between; they deserve respect too.

    Other than that, it was a rather funny phone scam; one of the best I've heard in a while.

    [/running] [permanent link]

    27 Feb 2011

    Why does tomorrow have to be Monday?
    Today I decided to be awesome. My friends decided to be awesome too. It was awesome.

    We packed up and drove down to Westfield and ran the CJRRC Hangover 5K. It was supposed to be held January 1, but was rescheduled multiple times due to the weather.

    I ran a PR today finishing in 19:22. I was 4th in my age group and 15th over all.

    My friends ran the race too, all except one who has a broken toe. Everyone was happy with their time and met their goals for the day, ranging from sub-25 to "eh, taking it easy, seeing how it goes..."

    After the race we went cycling. This was my first bike ride outside. I've been working with an indoor trainer for the last few weeks and this was the first time I had been on a bicycle, outside, actually moving, in about 16 or 17 years. My friends have been cycling longer and more recently than I have, so today's 17 mile ride was rather easy for them.

    I was freaking out quite a bit, but they calmed me down, gave me pointers, and just helped me out in general.

    As we rode, I got more comfortable with the bike and I realized comparing this bicycle to my last bicycle is like comparing my DeLorean to my old Mercury Sable. It takes a while to get used to the differences, but once you do it handles far better and offers more control.

    [/running] [permanent link]

    07 Feb 2011

    Look How Far We've Come
    Just under 3 years ago, I started training. That first 5K took about 53 minutes and change. My first race was the 2008 Lincoln Tunnel Challenge, about 6 weeks after I first stepped on the treadmill. My time in that 5K was 35:51, about 11:32 per mile.

    Yesterday I ran the NYRR Gridiron 4 Mile. I finished in 25:47 (6:26 pace), a full ten minutes faster than that first 3.1 miles.

    Last month, I ran the Fred Lebow Classic 5 Mile race in Central Park. I finished that race in 33:09 (6:37 pace), over two minutes faster than that first 5K race.

    I hope this achievement will serve as a testament to the fact that with determination and hard work, anything is possible.

    [/running] [permanent link]

    14 Nov 2010

    2010 New York City Marathon
    One week ago, I ran the New York City Marathon. As noted many times throughout this blog, this race was something I've been working toward since December of 2008. This event was the culmination of nearly two years of hard work and dedication. And it was worth every single mile I've run over the last two years.

    At 9:40, the cannon was fired and the marathon started. Within minutes, I was crossing the starting line and running over the Verrazano Bridge. Not only was I running in the footsteps of the current world record holder and the first American to win New York in 27 years, I was running in the footsteps of legends.

    About three and half hours later, I entered Central Park for the last few miles of the race. I looked around and had the odd sensation that I was home.

    It's difficult to put into words the feelings of that day. Despite having completed three sanctioned marathons prior to this day, crossing the finish line was something I couldn't believe I was actually doing.

    It was absolutely amazing.

    [/running] [permanent link]

    13 Nov 2010

    Pre-Race Thoughts
    Last Saturday, I sent a letter to the Giraffes mailing list. I've decided to post here.

    In March of 2008, Brian told me I was running a 5K with The Giraffes. He didn't ask and he didn't give me a choice. Two days later I got off the couch, got on the treadmill, and started running. Six weeks later I ran my first race with this team. This team saved my life that day.

    Nine months later and a hundred and one pounds lighter, I got this crazy idea in my head. I decided I was going to run a marathon. I thought, if I'm going to run a marathon, I'm going to run the biggest marathon in the world. I'm going to run the New York City Marathon.

    I did some quick research about how to get in and found the 9+1 qualifying method. A couple of days later, I told Brian I was going to spend 2009 working toward guaranteed entry for the 2010 NYC Marathon. Almost immediately, he sent out an email to The Giraffes saying, "Mike and I are doing this and so are you." I'm paraphrasing, although it was quite close to that.

    So on January 10, 2009, five of us piled into the car and drove to Central Park on a frigid Saturday morning and began our journey with the Fred Lebow Classic.

    We continued to run, and picked up some new members along the way. Some with an impressive history of ultramarathons, and some just starting out.

    Those of us who first set out that day in January reached our goal and qualified for NYC 2010.

    At some point we decided we should run a marathon prior to NY, to get an idea of what we were really getting into. We chose Philadelphia, and for several Giraffes that day, it was our first. It was the day we joined the ranks of the one tenth of one percent of the population who can call themselves marathoners.

    While training for Philly, I fell in with a group of runners from my hometown and began running with them. At first it was short runs during a 5K training program they were running, but soon thereafter, they began including me in their longer training runs on the weekends. They introduced me to a number of other runners. Eventually I convinced (most of) them to sign up for the Giraffes mailing list.

    For the past two years, I've run with these people, the original Giraffes and the runners who have joined us along the way. And through it all, this team is what has kept me going. Through inspiration, through motivation, through friendships, through training runs and races, you've kept me going. You have been my support system.

    And now I sit here on the eve of the New York City Marathon, less than 24 hours from the start of the race, less than 24 hours from realizing our goal we set for ourselves so long ago.

    To all of you who have been with me for this journey in some way, shape or form... To those who got the team started and pulled me in, to those who saved my life... To those who persevered through qualifying races under grueling weather conditions with me... To those who got food poisoning with me from Macaroni Grill the night before the Scotland Run 10K... To those who got me through the last 5K of Philly... To those who made the 22+ mile training runs a little more bearable at the end... To those who have shown their support in any way they could...

    I offer you my eternal gratitude. I would not be where I am today without all of you. I love you all.

    One final note. To those of you joining me in tomorrow's running of the New York City Marathon... Kick ass and chew bubble gum.

    --
    M. Forde
    "Running never takes more than it gives back."

    [/running] [permanent link]

    30 Oct 2010

    It's been a while...
    I haven't updated this blog in quite some time. A lot has happened since the last post.

    First and foremost, I spent about two months volunteering as the Cross Country team's coach for the local Middle School. Due to budget cuts, all athletics programs were cut. The local Police Athletic League stepped up and volunteered to take over the programs. Many of the teachers who have coached in previous years did not want to do so now, so the PAL went looking for volunteers within the community.

    A friend of mine with whom I train put me in contact with the PAL and after an application and vetting process, I became a Rutgers Certified coach and began my duties.

    The team was relatively small, seventeen boys and six girls. Having never really worked with kids before, I was glad that this year's team was half the size of last year's; however I was still apprehensive about working twenty-three middle-schoolers. Thankfully, several parents helped me throughout the season. One in particular was there with me for almost every practice and every meet.

    I tried to emulate the aspects of my middle and high school coaches that I thought worked, and tried different approaches in an attempt to avoid the aspects I had never liked. I wanted to motivate and inspire these kids.

    I told them about my history as a runner: my experience in 8th, 9th, and 10th grade, my first 53-minute 5K on the treadmill in March of 2008, my marathons, my personal records, and my improvements over the last two years. I told them I would never make them do any thing I wouldn't do myself in training. And I ran with them. Whether the day's training was 100 and 200 meter repeats, running the course, "time on feet" running, or fartlek's, I ran along side them.

    During one session I was catching up to the lead group, the fastest of the 7th and 8th graders, and asked, "Are you really going to let an old man with bruised ribs keep up with you?" One of them turned and said, without breaking pace, "You're not that old and you run marathons."

    During the Cross Country season, in the last six weeks or so I've run a few races and set a few PRs. On September 19, I ran the Marathon Tune-Up 18 mile in Central Park. I set a new 18-mile PR at 2:27:34, taking 18:56 off my time from last year. Also of note, I didn't end up in medical being treated for hypothermia this year.

    The following week I ran the 5th Ave Mile. I shaved 9 seconds off from last year's race and 3 seconds off my previous best in training. My new mile PR is 5:25.

    About 2 weeks later I ran the Hartford Marathon. My friend and I got there very late the night before the race. Because we were stuck in traffic for about four and a half hours, my friend missed the on-site registration. He debated what to do while we went to dinner at a local tavern. I promptly felt sick after eating.

    The next morning we got and got ready to run. I still felt sick from the night before and threw up the previous night's meal shortly before we went to the registration packet pickup. I got my bib and timing chip and my friend failed to convince the race officials to let him enter. When he asked, "can I run unsanctioned?" the response of the somewhat sympathetic official was, "I can't tell you that you can." So my friend decided to run unsanctioned. After all, no one said he couldn't.

    We lined up in the corral. Despite the way I felt, I knew I had to go out there and run my best marathon. I had told the Cross Country team what Prefontaine had said, "To give anything less than your best is to sacrifice the gift." I had to go out there and try to PR. But as Yoda said, "Do or do not; there is no try."

    I started the race keeping the 3:45 pace group in my sights. My friend kept along side me for the first three miles then fell back a bit. I had some conversations with two runners in the pace group, Gavasker, the pacer, and Jen, a woman who was looking to BQ. I kept with them the whole way and finished in 3:43:32.

    Unbeknownst to me at the time, my friend dropped out at mile 8 and made his way back to the start/finish area. He was there at the finish line, waiting for me as I crossed the line just ahead of Jen who BQ'd with 2 minutes to spare.

    The next morning I went out with some other friends and ended up running another 24 miles putting me at 50 miles for the weekend. Monday evening I ran in a charity 5K with another friend, and then took a few days off.

    Since then, the Cross Country season has ended. They had their last meet, a few more days of practice, and then this past Wednesday they had team photos followed by an end-of-season pizza party.

    At the party the kids presented me with a plaque to say "thank you." I damn near cried when I unwrapped it and saw the photo taken at one of our practices. But if anyone asks, I'll deny that part.

    Plaque

    The 6th and 7th graders also asked me to come back and coach next year. During and since the season, I've run across some of the kids in town. Every time, they come up to me and say, "Hey coach!" And that means the world to me. It makes me think I've succeeded, that there's a possibility I've inspired them to keep running. Hopefully they'll love running as much as I do, if not more.

    I've encouraged the kids to enter our town's annual 5K next weekend and several of them have signed up. I'm looking forward to running with them again.

    [/running] [permanent link]

    31 Jul 2010

    If my calculations are correct...
    Over the course of the last two years and four months, I've changed considerably both mentally and physically. I lost 108lbs and then put on 6 while marathon training. This 6lbs was purely lean mass (muscle, bone density) and I'm now at about 6% body fat.

    Running is known to increase bone density, and the various forms of exercise I use in my training increased my muscle mass as well throughout this transformation. I've been curious to know just how much fat I lost.

    If my calculations are correct, throughout this process I lost 123.96 pounds of fat and gained 21.96 pounds of bone and muscle resulting in my current net loss of 102lbs.

    Why is this filed under the Running section? Because running was what enabled this transformation to happen.

    [/running] [permanent link]

    26 Jul 2010

    Damn, it feels good to be a gangsta..
    After I finished my run tonight, still in my soaked running gear, I walked directly to local grocery store for chocolate syrup and had the following conversation with the woman at the check out counter.

    her: Over ice cream or chocolate milk.
    me: Chocolate milk.
    her: Nothing hits the spot like a cold glass of chocolate milk.
    me: Especially after a long run.
    her: How far did you run tonight?
    me: Half marathon. My third in three days.
    her: God bless you. God bless you.

    Then, as I walked away she said, "Nice legs."
    "Thanks. I've worked hard for those."

    [/running] [permanent link]

    02 May 2010

    2010 New Jersey Marathon
    I was registered for today's NJ Marathon in Long Branch. I lost a few weeks in training due to some IT-band issues, and earlier this week was stricken with a bout of bronchitis.

    I got down there today, and 30 minutes before the race start I did a quick quarter mile and decided I wasn't over the bronchitis enough to run a marathon today. It was difficult for me to be there as the race started, watching my chance at reaching my goals disappear. As the morning went on and clouds disappeared and the temperature rose, my thoughts changed.

    Not running today was probably the best and hardest decision I've made in a while. Often the right choices in life are not the easiest to choose, no matter the circumstances.

    [/running] [permanent link]

    22 Mar 2010

    2010 NYC Half Marathon
    Yesterday was my best half marathon yet. As I stood in the corral waiting for the race to start, the chill in the air was a welcome change from the heat and humidity of last year's race. The decision to move the race from August to March was a good one. The course is definitely a fun one. It starts with an 8 mile loop around Central Park before exiting onto 7th Avenue. From there, the route goes to 42nd street, through Times Square, and out to the West Side Highway where the course finishes near Battery Park.

    I started out with the goal of beating my time from last year. As long as I did better than 1:51:49, I'd be happy. I was hoping I'd finish within a minute or two of the half marathon PR I set back in January, but I wasn't counting on it.

    As I ran I looked at the split times, and roughly gauged how I was doing, trying to stay on target for something close to 1:37 finish, but primarily making sure I was doing better than last year's 1:51. At mile 8, just before exiting Central Park to head to Times Square, the clock time was about 59 minutes. I realized that the winner of the race was about to finish, if he hadn't already, and I hadn't even made it out of the park.

    This year's splits were much better than last year's.

    split20092010
    5K0:23:420:23:22
    10K0:47:320:46:09
    15K1:14:451:07:59
    20K1:46:091:29:28
    final1:51:491:33:26


    This is the first time I've run negative splits. What really amazes me is that not only was the second half faster, but every 5K split was faster than the previous. There was an excitement exiting the park. There was an amazing rush turning the corner onto 42nd street. The crowds were great, cheering every runner as we passed by.I remember around the mile 11 marker realizing I had a chance to PR, estimating my time at about 1:36, and picking up the pace a bit. I started passing people left and right. One runner saw me and yelled, "Go, man! Go!"

    Out of about 15 to 16 thousand people that signed up, 11,493 finished. I finished in 895th place; far, far, behind the winner who took home $20,000.

    Universal Sports had a live telecast of the event. I set the DVR to record it before I left, but I haven't had a chance to watch it yet. It likely focused primarily on the professionals who ran, including the Marathon world record holder, Haile Gebrselassie.

    This was a great race on a great day.

    [/running] [permanent link]

    12 Mar 2010

    Coogan's 5K - Update
    Officially I ran my best 5K to date. I finished in 19:41 averaging 6:20 per mile.

    It was a rather hilly course, starting at 173rd and running up to the Cloisters. After circling the museum, the same route was taken back to 173rd.

    On Saturday I said I was going to PR. I was told that was a bit a of a lofty goal given how hilly the course was. Sunday morning I woke up with a bit of discomfort after gorging on sushi the night before and thought I might not do well.

    As I stood in the corral, those feelings changed. I knew I was going to PR. And I did.

    [/running] [permanent link]

    07 Mar 2010

    Coogan's 5K
    Unofficially I just PR'd at 19:44.

    [/running] [permanent link]

    21 Feb 2010

    Run for Haiti
    Yesterday I posted on the mobile section that I had finished the race coming in number 256 of 8704. The statistics have been updated and I need to post a correction. I finished number 266 of 9421 at a time of 27:17.

    This was of course about a minute slower than the Grid Iron classic where I PR'd, but I finished in the top 2.8% this time.

    Yesterday's race raised over $400,000 for the relief effort in Haiti, with over 10,000 people registering and making donations.

    Yesterday's race was also the first time I had run in a week. Last Saturday (February 13) I ran 31.73 miles. With the upcoming race schedule and training for the New Jersey and Pocono Marathons in May, I figured it would be best to actually rest.

    It felt good to run again. I missed it.

    [/running] [permanent link]

    02 Feb 2010

    On sunday I ran...
    27.22 miles because I felt like it.

    I woke up Sunday morning, ran some errands, and then met a friend for a run. While I was waiting for him, I ran a one mile warm-up. Then he and I set out and ran a half marathon.

    I felt pretty good afterward, so a little while later I set out to do another 10K. That 10K turned into an 8.4 mile hill work out.

    I realized I was only about four miles shy of a marathon at that point and I still felt really good. After a short break I went out one more time. Four and a half miles later, I was back home and had logged the most miles in a single day that I had ever done, breaking my previous record by a mile.

    It felt absolutely amazing.

    Can every body feel like I do? Can't you can't you trip like I do?

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    26 Mar 2010

    Powergrabs
    Yay Socialism!
    That was sarcasm. Socialism is bad news. It leads to the government controlling every aspect of your lives. Take for example this story or a bit closer to home, this story.

    [/politics] [permanent link]

    22 Mar 2010

    2010 NYC Half Marathon
    Yesterday was my best half marathon yet. As I stood in the corral waiting for the race to start, the chill in the air was a welcome change from the heat and humidity of last year's race. The decision to move the race from August to March was a good one. The course is definitely a fun one. It starts with an 8 mile loop around Central Park before exiting onto 7th Avenue. From there, the route goes to 42nd street, through Times Square, and out to the West Side Highway where the course finishes near Battery Park.

    I started out with the goal of beating my time from last year. As long as I did better than 1:51:49, I'd be happy. I was hoping I'd finish within a minute or two of the half marathon PR I set back in January, but I wasn't counting on it.

    As I ran I looked at the split times, and roughly gauged how I was doing, trying to stay on target for something close to 1:37 finish, but primarily making sure I was doing better than last year's 1:51. At mile 8, just before exiting Central Park to head to Times Square, the clock time was about 59 minutes. I realized that the winner of the race was about to finish, if he hadn't already, and I hadn't even made it out of the park.

    This year's splits were much better than last year's.

    split20092010
    5K0:23:420:23:22
    10K0:47:320:46:09
    15K1:14:451:07:59
    20K1:46:091:29:28
    final1:51:491:33:26


    This is the first time I've run negative splits. What really amazes me is that not only was the second half faster, but every 5K split was faster than the previous. There was an excitement exiting the park. There was an amazing rush turning the corner onto 42nd street. The crowds were great, cheering every runner as we passed by.I remember around the mile 11 marker realizing I had a chance to PR, estimating my time at about 1:36, and picking up the pace a bit. I started passing people left and right. One runner saw me and yelled, "Go, man! Go!"

    Out of about 15 to 16 thousand people that signed up, 11,493 finished. I finished in 895th place; far, far, behind the winner who took home $20,000.

    Universal Sports had a live telecast of the event. I set the DVR to record it before I left, but I haven't had a chance to watch it yet. It likely focused primarily on the professionals who ran, including the Marathon world record holder, Haile Gebrselassie.

    This was a great race on a great day.

    [/running] [permanent link]

    12 Mar 2010

    Not a Paper Cup
    I recently ordered the Not a Paper Cup from ThinkGeek. It looks like a paper coffee cup but is made of ceramic. The lid is silicone instead #6 plastic. It should be awesome. It's not.

    Advertised as 12 ounces, it actually only holds 8 ounces. Right there, it's at most 66% as awesome as it should be. As one friend put it, "That is significantly less awesome."

    Now that I've used it I'll say that it's about 0% awesome and 90% suck with 10% fail.

    The silicone lid tastes, well, like silicone. It adds this horrible flavor to every sip. I like my coffee to have a strong coffee flavor, not a strong coffee plus silicone flavor. Maybe that's just me...

    The double walled construction of the cup, in theory would add an insulating layer to keep the coffee warm longer than a regular paper cup. This was not the case and in a test yesterday, I found that the standard paper cup kept the coffee warm for about an hour and a half longer than the Not a Paper Cup.

    In summary:

    • Holds 8 ounces instead of 12 (as advertised).
    • Silicone lid adds odd and horrible taste to coffee.
    • Doesn't keep the coffee hot as long as regular paper cups.


    • Don't buy one. If some one gifts it to you, well then that person must hate you or not understand coffee.

      [/musings] [permanent link]

    Coogan's 5K - Update
    Officially I ran my best 5K to date. I finished in 19:41 averaging 6:20 per mile.

    It was a rather hilly course, starting at 173rd and running up to the Cloisters. After circling the museum, the same route was taken back to 173rd.

    On Saturday I said I was going to PR. I was told that was a bit a of a lofty goal given how hilly the course was. Sunday morning I woke up with a bit of discomfort after gorging on sushi the night before and thought I might not do well.

    As I stood in the corral, those feelings changed. I knew I was going to PR. And I did.

    [/running] [permanent link]

    07 Mar 2010

    Coogan's 5K
    Unofficially I just PR'd at 19:44.

    [/running] [permanent link]

    02 Mar 2010

    1267567528
    6790 test.

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

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  •        
    29 Jun 2008

    Happy Birthday

    Friday night was the Birthday Massacre/Mindless Self Indulgence show. Due to various circumstances and events, my friends and I made it to the venue just in time to see the last 3 minutes of TBM's set.

    I made an attempt to see The Birthday Massacre last August in new York but that attempt failed due to prior commitments. So for two years in a row I tried to see them, and for two years in a row I failed. Sorta.

    After seeing the last 3 minutes of the set and being very disappointed, I went over to the merchandise booth to buy a souvenir T-shirt. My friend James joined me and we, mostly James because of his gregarious nature, started a conversation with the guy at the counter, whose name was Zimmy. We told him what had happened and asked if there was any chance of catching the band as their equipment was being packed up.

    He told us their gear had already be packed, but if we hung out after the show they'd be coming out to meet the fans. So we hung out after the show.

    After the crowd dissipated, we went back into the venue's main room. Sure enough, several members of The Birthday Massacre were standing around, signing autographs, and talking to the fans. James and I went up to O-En first. He was very friendly and talked with us for ten or fifteen minutes. I told him about missing the show two years running and he gave me his sympathies and thanked me for trying to get to the shows. I asked him if he had any idea when they'd be in the area again and he gave me a general idea of when to expect them to be back. He was nice enough to sign my copy of Violet and let us take a photograph.

    Next we went over and talked with Chibi. She was also very friendly although we didn't speak to her for quite as long as we did O-En. She signed Violet and took a photo with me and thanked us for coming to see them, even though we missed the set.

    The last member of the band I got to see was Rainbow. Like O-En and Chibi, he too was very friendly. We talked to him for several minutes and I collected another autograph and photo.

    All three of them were very friendly with every one and they all seemed to genuinely care about their fans. I had heard from some one who had met them before that they were some of the nicest people you could ever meet. O-En, Chibi, and Rainbow confirmed that on Friday night. Now that I've met them, I can't wait for the next opportunity to finally catch their set.

    Not that anyone really cares, but these are the photos James took. If you view the full version, be warned that I'm in the photos too.

    O-En Chibi Rainbow

    [/tbm] [permanent link]

    Happy Birthday

    Friday night was the Birthday Massacre/Mindless Self Indulgence show. Due to various circumstances and events, my friends and I made it to the venue just in time to see the last 3 minutes of TBM's set.

    I made an attempt to see The Birthday Massacre last August in new York but that attempt failed due to prior commitments. So for two years in a row I tried to see them, and for two years in a row I failed. Sorta.

    After seeing the last 3 minutes of the set and being very disappointed, I went over to the merchandise booth to buy a souvenir T-shirt. My friend James joined me and we, mostly James because of his gregarious nature, started a conversation with the guy at the counter, whose name was Zimmy. We told him what had happened and asked if there was any chance of catching the band as their equipment was being packed up.

    He told us their gear had already be packed, but if we hung out after the show they'd be coming out to meet the fans. So we hung out after the show.

    After the crowd dissipated, we went back into the venue's main room. Sure enough, several members of The Birthday Massacre were standing around, signing autographs, and talking to the fans. James and I went up to O-En first. He was very friendly and talked with us for ten or fifteen minutes. I told him about missing the show two years running and he gave me his sympathies and thanked me for trying to get to the shows. I asked him if he had any idea when they'd be in the area again and he gave me a general idea of when to expect them to be back. He was nice enough to sign my copy of Violet and let us take a photograph.

    Next we went over and talked with Chibi. She was also very friendly although we didn't speak to her for quite as long as we did O-En. She signed Violet and took a photo with me and thanked us for coming to see them, even though we missed the set.

    The last member of the band I got to see was Rainbow. Like O-En and Chibi, he too was very friendly. We talked to him for several minutes and I collected another autograph and photo.

    All three of them were very friendly with every one and they all seemed to genuinely care about their fans. I had heard from some one who had met them before that they were some of the nicest people you could ever meet. O-En, Chibi, and Rainbow confirmed that on Friday night. Now that I've met them, I can't wait for the next opportunity to finally catch their set.

    Not that anyone really cares, but these are the photos James took. If you view the full version, be warned that I'm in the photos too.

    O-En Chibi Rainbow

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    23 Jun 2008

    Demo -- Update
    Rskutins recorded his drum part and sent it to me via the wonders of TCP/IP netowrking. On Friday night I finally had enough time (and motivation) to start recording.

    I spent a lot of time fighting with ProTools. It repeatedly crashed. Often, when it didn't crash, it simply stopped recording and reported that an error had occurred. I'm remembering this for the ProTools rant that will be coming in the future.

    After 45 minutes I had recorded about 6 seconds of vocals and the 24 second bass line. The next block of Copious Free Time(TM) I have, I'll begin the rough mix of the three parts. Hopefully ProTools won't crash as often during that phase.

    With any luck, it'll be mixed in the next week or two.

    [/album] [permanent link]

    03 Jun 2008

    Demo
    In the next few weeks we are going to attempt to record and roughly mix a demo of a short track which will serve as an introduction to the album.

    Currently known as 11, it is a very short piece in 4/4 time at 80bpm. It is in the key of B minor and the spoken words are taken from a quote attributed to Nietzsche.

    What upsets me is not that you lied to me, but that from now on I can no longer believe you.
    This short demo will hopefully get me motivated enough to put more time into the album.

    More information will be posted when it becomes available.

    [/album] [permanent link]

    29 May 2008

    A Brief History
    Last Summer, my friend, rskutins, and I decided we were going to write an album. He got out his drum machine, being smaller and easier to store and carry than a full kit, and I got out my bass and we started putting together some pieces that were... not good.

    We had little direction, I was afraid to play things outside of my comfort zone, and we had some problems communicating. This project quickly fell apart, but we never completely gave up the idea.

    In March I found the inspiration I needed. I talked to rskutins and we started working on an album again. This time, fueled by strong emotion, both fiery and depressed, I started by writing lyrics.

    Not all are complete, but there are about 15 sets of lyrics for us to use as a starting point. Rskutins has tweaked the lyrics in some places to make them fit a better rhythm while still maintaining the intent of the words. I am quite pleased by what he has done.

    Based on these lyrics we have begun writing short pieces here and there when we feel inspired. Rskutins has laid down some pretty good beats to start with. I've been attempting to learn some basic music theory and trying to apply those ideas to the layers on top of what rskutins has written already.

    And that's where we are now. Still learning, still writing. Our day jobs have slowed down our progress considerably so it could very well take until the Autumn before we're ready to record and mix the album.

    [/album] [permanent link]


       
    Eponymous
    Eponymous
       



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    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


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  •        
    23 Jul 2009

    Highway driving
    On the way to the mechanic yesterday, I had the DeLorean out on 287 South. Near one of the Boonton exits, a guy in old Stingray pulled up next to me on my right. I looked over, he looked at me, and we gave each other a nod. I sped up a bit to keep with the flow of traffic and he moved as if exiting soon thereafter.

    This was my longest trip with the DeLorean thus far, and also the fastest I've ever driven it. And no, I still haven't gotten it to 88mph.

    [/dmc] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • code
  • unix
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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    12 Mar 2010

    Not a Paper Cup
    I recently ordered the Not a Paper Cup from ThinkGeek. It looks like a paper coffee cup but is made of ceramic. The lid is silicone instead #6 plastic. It should be awesome. It's not.

    Advertised as 12 ounces, it actually only holds 8 ounces. Right there, it's at most 66% as awesome as it should be. As one friend put it, "That is significantly less awesome."

    Now that I've used it I'll say that it's about 0% awesome and 90% suck with 10% fail.

    The silicone lid tastes, well, like silicone. It adds this horrible flavor to every sip. I like my coffee to have a strong coffee flavor, not a strong coffee plus silicone flavor. Maybe that's just me...

    The double walled construction of the cup, in theory would add an insulating layer to keep the coffee warm longer than a regular paper cup. This was not the case and in a test yesterday, I found that the standard paper cup kept the coffee warm for about an hour and a half longer than the Not a Paper Cup.

    In summary:

    • Holds 8 ounces instead of 12 (as advertised).
    • Silicone lid adds odd and horrible taste to coffee.
    • Doesn't keep the coffee hot as long as regular paper cups.


    • Don't buy one. If some one gifts it to you, well then that person must hate you or not understand coffee.

      [/musings] [permanent link]

    Coogan's 5K - Update
    Officially I ran my best 5K to date. I finished in 19:41 averaging 6:20 per mile.

    It was a rather hilly course, starting at 173rd and running up to the Cloisters. After circling the museum, the same route was taken back to 173rd.

    On Saturday I said I was going to PR. I was told that was a bit a of a lofty goal given how hilly the course was. Sunday morning I woke up with a bit of discomfort after gorging on sushi the night before and thought I might not do well.

    As I stood in the corral, those feelings changed. I knew I was going to PR. And I did.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2024

    Blosxom 2.2.0
    Apparently Blosxom development has been picked up again. There was a new release on 2024-02-03. Nice!

    [/unix] [permanent link]

    15 Dec 2023

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    [/mobile] [permanent link]

    07 Oct 2022


    I'm looking California and feeling Minnesota

    [/musings] [permanent link]

    29 Dec 2021

    Fireside Chat


    Tonight I signed up for the Fireside beta. They asked for all my social media accounts to prove I'm a human. The problem is, I don't have a twitter account, a facebook account, instagram, etc. Years ago I took the advice of numerous psychology studies and my own therapist's advice and got off the social media platforms. It was one of the best things I've ever done for my mental health.

    So hopefully this blog, though infrequently updated (and slightly broken since the last major perl update), will serve as proof to the people at Fireside that I am human and not a bot.

    It was the Astonishing Legends Podcast that led me to Fireside. It would be nice to use it for one of their interactive live chats sometime.

    [/musings] [permanent link]

    07 May 2020

    Bill Gates is Satan's Minion
    Bill Gates was Satan's minion, is Satan's minion, and always will be Satan's minion.

    [/musings] [permanent link]

    13 Mar 2018

    Tenth Runniversary
    Today is my tenth runniversary. It's been a decade since I first stepped on that treadmill. Like my first day running, I ran on the treadmill while listening to br\oken. I've had some set backs in my recovery. Not properly rehabilitating the atrophy in the left leg has caused some problems with the muscles around my hip. Listening to my trainer only made it worse. But now I'm taking care of it properly. Like that first day ten years ago, I have a goal I am working toward. This time it is the Dublin Marathon in October. This will be marathon number 13. I don't expect to PR. I think 10 minute miles are a much more reasonable goal at this point, but frankly I'll be happy just to cross that finish line. It's been a long, hard road out of Hell, but God has been by my side and put some amazing people in my life to help me along the way. I have to thank the Giraffes for today. I have to thank the Giraffes for much of my life this last decade. I was heading for an early grave, and they changed that. Giraffes, I thank you from the bottom of my heart and I look forward to running the LTC and many other races with you in the next decade.

    [/running] [permanent link]

    12 Mar 2018

    Take back your privacy
    Recent surveys have found that 76% of [the most visited] websites in the world cotain trackers from google and 24% contain trackers from facebook. This has been reported by CNBC, PC World, The Verge, Fortune, and Breitbart.

    Almost anywhere you go on the internet, they are following you, building a profile on you, and selling that information, your information, to the highest bidder. Even if you don't have a user account for google or facebook "services," they've built a profile of you using this surreptitiously collected data.

    It turns out there are some steps one can take to prevent these companies from following you wherever you go. It's not perfect, but it helps a lot. First, don't use Chrome. Second, install ad-blocker plugins for your browser. Third, use your firewall.

    It turns out Google and Facebook are large enough that they have their own Autonomous Systems (AS) composed of numerous subnets. Google owns AS 15169, while Facebook owns AS 32934. Using a little bit of shell, it's relatively easy to look up all the subnets owned by these companies.

    whois -h whois.radb.net -- '-i origin AS32934' | grep "^route:" | awk '{print $2;}'
    whois -h whois.radb.net -- '-i origin AS15169' | grep "^route:" | awk '{print $2;}'


    That's a lot of subnets. Because I have different operating systems on different computers and still want to block traffic to and from all those IP addresses, I've written some simple scripts to add rules to various firewalls. I have scripts for IPFW on FreeBSD, IPTables on Linux, and the Windows Firewall that should work from XP SP3 through Windows 10. I've only tested it on Windows 7 and Windows 10, and it worked in those.

    All of these scripts can be found in this directory. The IPFW and IPTables scripts are self-contained. For the Windows command shell batch files, the *ips.txt files are also needed.

    I have to say, the internet looks very different with these firewall rules in place. There are noticeably fewer advertisements and pages load faster. Embedded YouTube videos and Instagram photos don't appear. Sometimes the frame disappears, sometimes you get a "failed to connect" page appearing in a frame in the middle of a page. (Yes, these rules block YouTube and Instagram; they are owned by google and facebook and reside in the subnets owned by those companies.) On a relatively rare occasion, I come across a site using some sort of javascript or css or something hosted by a machine in one of those ASs and that will be blocked. Sometimes the site handles that gracefully, sometimes it stops being functional. A small price to take back your life.

    Update: Twitter has trackers on a decent amount of sites out there too, so I've added scripts to block Twitter's AS 13414 as well. Those scripts are in the same directories as the others.

    [/musings] [permanent link]

    17 Oct 2017

    St Michael, defend us in battle
    Crisis Magazine has a great piece about St Michael and the ongoing spiritual warfare in the world.

    [/musings] [permanent link]

    12 Oct 2017

    New PGP Key!
    So apparently Evil32 happened. Approximately 24,000 PGP keys were generated that had collisions with the 32-bit short IDs of existing keys. Then someone decided to use those conflicting keys to generate revocation certificates and upload them to the keyservers. Joy.

    Though my old keys still work, they were affected by this mass revocation of collsions. I have created a new key which can be found at http://skinnymf.com/~mforde/mforde.asc.

    On a related note, if anyone is interested in Key Signing Party, shoot me an email. I haven't been to one of those since college.

    [/musings] [permanent link]

    30 Sep 2017

    Time Travel?
    A few months ago I happened to snap a photo of the DeLorean on Main Street in Boonton near the Darress Theatre. It's probably one of my favorite photographs of the car and certainly one of the best I've ever taken.
    The theatre was built in 1919 and has remained largely unchanged since then. A lot of Boonton still has a very old "look and feel" to it, and this section of Main Street served as a perfect backdrop for the DeLorean.

    DeLorean DMC-12 Darress
Theatre Boonton

    [/dmc] [permanent link]

    24 Aug 2017

    How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You Want
    Bloomberg has posted an article entitled How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You Want. It's really quite simple, actually. You take your keys, go out the the garage, and you drive the DeLorean any time you want.

    [/dmc] [permanent link]

    16 Aug 2017

    Sometimes...
    Sometimes it's dificult to find a reason to continue.

    [/musings/self] [permanent link]

    14 Mar 2017

    Ninth Runniversary
    Yesterday was my ninth runniversary. Like my first day running, I ran on the treadmill while listening to Broken. Unlike the first time, I only listened to it once, and covered 4.48 miles during the duration of the EP, thanking God every step of the way.

    I'm confident in knowing that the bone in my ankle has healed completely now; however, I'm still rebuilding the muscle in that ankle and the rest of that leg. There was significant atrophy during the early phases of recovery. Slowly as it may be, I am making progress, and I am thankful for that.

    [/running] [permanent link]

    24 Dec 2016

    Merry Christmas
    While the holidays are supposed to be a joyous time, I know and understand how hard they can be for some people. If you're having a rough time over the next week or so and need someone to talk to, feel free to message me. If you're reading this blog, you likely know my email address or phone number.

    [/musings] [permanent link]

    28 Oct 2016

    Aisling at 35
    She's still looking good at 35....
    DeLorean DMC-12 with
gullwing doors open

    [/dmc] [permanent link]

    02 Oct 2016

    Happy Birthday Aisling!!!!
    My DeLorean, #5333, was built in October of 1981. This month, the car will be 35 years old and she looks and handles like the day she came off the assembly line.

    [/dmc] [permanent link]

    26 Sep 2016

    Don't Call it a Comeback
    On June fourth, I was running in the Tourne on a trail I first ran twenty years ago, a trail I've run hundreds if not thousands of times before. On that morning, my foot came down on a wet rock at just the wrong angle, slipped just enough and I rolled my ankle. Not only did I roll the joint, I came down on it with enough force to break it; a fact I would learn when I final saw a doctor about it on June ninth.

    No surgery was required, but I was unable to run for three months. I was finally cleared to run. The plan was to start with short distances, about a quarter mile, on a rubberized track then build up from there, moving on to treadmills and eventually roads and trails. I was instructed to spend six months rebuilding my 60 mile per week base.

    On the morning of September 11 (a day I will never forget and a morning that will always make me feel a bit uneasy), I took to the track for the first time. I started by walking a mile. As I finished the fourth lap, I said a prayer, asking God to give me the run I needed and the wisdom to know when to stop. I queued up my playlist: AC\DC's "Back in Black" and LL Cool J's "Mama Said Knock You Out." I took my first stride.

    I've been progressing well in the last two weeks; pushing it on some days, resting when necessary. Though the short, slow distances have been frustrating, it feel good to be running again. Every stride I take I'm reminded of everything I love about the sport.

    It's good to be back.

    [/running] [permanent link]

    18 Sep 2016

    Fun Conversations
    The DeLorean often leads to conversations one wouldn't normally expect. Case in point: today I had to call my auto insurance provider for an issue with my daily driver. After taking some info to pull up my account the conversation went something like this:

    Agent: Which car is this?
    Me: The Pontiac.
    Agent: Am I reading this right?
    Me: Reading what?
    Agent: I'm sorry, do you have a DeLorean?
    Me: Yes.
    Agent: I never thought I'd see someone with a policy on a DeLorean.
    Me: Well, you've insured both of mine...
    Agent: You've had two DeLoreans?
    Me: Yes.

    At that point there were a few more questions and then we got back to the issue which my phone call had been about originally.

    [/dmc] [permanent link]

    24 Aug 2016

    An Observation
    There is something satisfying about driving in a DeLorean while listening to The Clash's Live: From Here to Eternity.

    [/dmc] [permanent link]

    13 Aug 2016

    What Year is This?!
    So this was my Saturday night....
    A bottle of Crystal Pepsi with Metallica's Ride the Lightning and
Joy Division's Unknown Pleasures vinyl records sitting on the hood of a
DeLorean Joy Division's Unknown Pleasures on a record player

    [/musings] [permanent link]

    09 Aug 2016

    He's Not Wrong...
    Over at Net Meister there's a nice peice entitled Things They Don't Teach You in School". A lot of what Jan has to say is spot-on observation and good advice.

    It's definitely worth a read.

    [/code] [permanent link]

    20 Jul 2016 08 Jul 2016

    X11 Mouse Cursor Themes
    Starting after installimg the binary nvidia drivers on both my laptop (Quadro K1100M) and my workstation (GeForce GT 630) Blackbox was defaulting to a mouse cursor that was suboptimal, a black, notched triangle.

    The settings in the Xresources for the mouse cursor theme are honored by XDM at the graphical log in, but when Blackbox or Fluxbox start, the cursor would change to the black notched triangle. TWM honors the settings in Xresources, but TWM is just a little too minimalist, even for me.

    But there's a simple fix!

    Create a file in your home directory (if it doesn't already exist) .icons/default/index.theme. In this file, add the following lines:

    [Icon Theme]
    Inherits = polarblue
    

    where polarblue is the name of the X11 mouse cursor theme you wish to use. FreeBSD installs many of the X11 cursor sets into /usr/local/lib/X11/icons/, your Unix flavor may be different. In theory, you can also install new themes of your choosing into ~/.icons/ and use those without the need for any elevated privileges.

    Additionally, there's the option of creating a .Xdefaults file in the home directory and adding the line
    Xcursor.theme: polarblue
    

    Again, where polarblue is the name of theme you want to use.

    [/unix] [permanent link]

    18 Jun 2016

    FreeBSD Unix on Dell Precision M4800
    I installed FreeBSD 10.3 on the laptop I recently acquired and almost eveything worked out of the box. The gigabit ethernet and wi-fi coards worked fine and by setting the BIOS to discrete graphics only, the nVidia Quadro was recognized.

    I installed the binary driver from nVidia, because they support FreeBSD because they're awesome like that. The nvidia-xconfig(1) program was useful to streamline the process of getting X.org to use the Quadro.

    There were a few things that did need some tewaking though. First there's the sound card. Because the quadro supports HDMI (in addition to VGA and DisplayPort), it includes an HDA-compliant sound card. This card is recognized before the primary HDA-compliant sound card in the machine, the one that's actually connected to the speakers.

    I did some research and there were some suggestions about using sysctl(8) to control soundcard GPIO pins to connect the nVidia sound device to the speackers but what ultimately worked was using sysctl(8) to change the default primary sound device to the dedicated card. There were a few ways to make this happen but the one I found that actually worked was to place sysctl(8) command lines in /etc/rc.local.

    First I found the device I wanted as the default:

    mforde@gaz:~> cat /dev/sndstat 
    Installed devices:
    pcm0:  (play) default
    pcm1:  (play)
    pcm2:  (play) 
    pcm3:  (play)
    


    Device pcm2 was the one I wanted so I added the following lines to /etc/rc.local
    sysctl hw.snd.default_unit=2
    sysctl hw.snd.default_auto=2
    


    Now when boot completes pcm2 is set to my default and sound "just works" and sndstat shows pcm2 as the default.

    I found ACPI support has some weirdness as ACPI support often does. What I found was that Suspend works from console, but resume doesn't... HOWEVER After I start X ACPI suspend and resume work just fine. Normally I prefer to boot into a console and only start X if I really need it, but because I want suspend and resume to work "by default" I've enabled X to start at boot by allowing the xdm console in /etc/ttys.

    But this had one last issue. See, when manually starting X, I added the -dpi 143 option to get graphics and text to be appropriately sized for my screen. XDM needed to know about this.

    This probably wasn't the best place to do it, but I edited /usr/local/lib/X11/xdm/XServers and modified the call to X(7) to add the -dpi 143 option. Now when Xdm loads at start up, the DPI is set correctly.

    The function keys for adjusting the screen brightness don't work; however, xbacklight(1) works just fine. Similarly the volume keys don't work but I can adjust the volume quite easily with aumix(1).

    I've submitted my dmesg output to NYCBUG's dmesgd repository.

    I suppose I've posted this for two reasons. The first is so I have a record of how I eventually got these little things working in case I have to do it again. The second is in case anyone has similar issues with their hardware; if they happen to stumble upon this, it might give them some hints.

    [/unix] [permanent link]


       
    Eponymous (circa 1993) Eponymous (circa 1993)*

    Blosxom 2.2.0
    Apparently Blosxom development has been picked up again. There was a new release on 2024-02-03. Nice!
    [
    /unix] permanent link

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    [
    /mobile] permanent link


    I'm looking California and feeling Minnesota
    [
    /musings] permanent link

    Fireside Chat


    Tonight I signed up for the Fireside beta. They asked for all my social media accounts to prove I'm a human. The problem is, I don't have a twitter account, a facebook account, instagram, etc. Years ago I took the advice of numerous psychology studies and my own therapist's advice and got off the social media platforms. It was one of the best things I've ever done for my mental health.

    So hopefully this blog, though infrequently updated (and slightly broken since the last major perl update), will serve as proof to the people at Fireside that I am human and not a bot.

    It was
    the Astonishing Legends Podcast that led me to Fireside. It would be nice to use it for one of their interactive live chats sometime.


    [/musings] permanent link

    Bill Gates is Satan's Minion
    Bill Gates was Satan's minion, is Satan's minion, and always will be Satan's minion.
    [
    /musings] permanent link

    Tenth Runniversary
    Today is my tenth runniversary. It's been a decade since I first stepped on that treadmill. Like my first day running, I ran on the treadmill while listening to br\oken. I've had some set backs in my recovery. Not properly rehabilitating the atrophy in the left leg has caused some problems with the muscles around my hip. Listening to my trainer only made it worse. But now I'm taking care of it properly. Like that first day ten years ago, I have a goal I am working toward. This time it is the Dublin Marathon in October. This will be marathon number 13. I don't expect to PR. I think 10 minute miles are a much more reasonable goal at this point, but frankly I'll be happy just to cross that finish line. It's been a long, hard road out of Hell, but God has been by my side and put some amazing people in my life to help me along the way. I have to thank the Giraffes for today. I have to thank the Giraffes for much of my life this last decade. I was heading for an early grave, and they changed that. Giraffes, I thank you from the bottom of my heart and I look forward to running the LTC and many other races with you in the next decade.
    [
    /running] permanent link

    Take back your privacy
    Recent surveys have found that 76% of [the most visited] websites in the world cotain trackers from google and 24% contain trackers from facebook. This has been reported by
    CNBC, PC World, The Verge, Fortune, and Breitbart.

    Almost anywhere you go on the internet, they are following you, building a profile on you, and selling that information, your information, to the highest bidder. Even if you don't have a user account for google or facebook "services," they've built a profile of you using this surreptitiously collected data.

    It turns out there are some steps one can take to prevent these companies from following you wherever you go. It's not perfect, but it helps a lot. First, don't use Chrome. Second, install ad-blocker plugins for your browser. Third, use your firewall.

    It turns out Google and Facebook are large enough that they have their own Autonomous Systems (AS) composed of numerous subnets. Google owns AS 15169, while Facebook owns AS 32934. Using a little bit of shell, it's relatively easy to look up all the subnets owned by these companies.

    whois -h whois.radb.net -- '-i origin AS32934' | grep "^route:" | awk '{print $2;}'
    whois -h whois.radb.net -- '-i origin AS15169' | grep "^route:" | awk '{print $2;}'


    That's a lot of subnets. Because I have different operating systems on different computers and still want to block traffic to and from all those IP addresses, I've written some simple scripts to add rules to various firewalls. I have scripts for IPFW on FreeBSD, IPTables on Linux, and the Windows Firewall that should work from XP SP3 through Windows 10. I've only tested it on Windows 7 and Windows 10, and it worked in those.

    All of these scripts can be found in this directory. The IPFW and IPTables scripts are self-contained. For the Windows command shell batch files, the *ips.txt files are also needed.

    I have to say, the internet looks very different with these firewall rules in place. There are noticeably fewer advertisements and pages load faster. Embedded YouTube videos and Instagram photos don't appear. Sometimes the frame disappears, sometimes you get a "failed to connect" page appearing in a frame in the middle of a page. (Yes, these rules block YouTube and Instagram; they are owned by google and facebook and reside in the subnets owned by those companies.) On a relatively rare occasion, I come across a site using some sort of javascript or css or something hosted by a machine in one of those ASs and that will be blocked. Sometimes the site handles that gracefully, sometimes it stops being functional. A small price to take back your life.

    Update: Twitter has trackers on a decent amount of sites out there too, so I've added scripts to block Twitter's AS 13414 as well. Those scripts are in the same directories as the others.


    [/musings] permanent link

    St Michael, defend us in battle
    Crisis Magazine has a great piece about St Michael and the ongoing spiritual warfare in the world.

    [/musings] permanent link

    New PGP Key!
    So apparently
    Evil32 happened. Approximately 24,000 PGP keys were generated that had collisions with the 32-bit short IDs of existing keys. Then someone decided to use those conflicting keys to generate revocation certificates and upload them to the keyservers. Joy.

    Though my old keys still work, they were affected by this mass revocation of collsions. I have created a new key which can be found at http://skinnymf.com/~mforde/mforde.asc.

    On a related note, if anyone is interested in Key Signing Party, shoot me an email. I haven't been to one of those since college.
    [/musings] permanent link

    Time Travel?
    A few months ago I happened to snap a photo of the DeLorean on Main Street in Boonton near the Darress Theatre. It's probably one of my favorite photographs of the car and certainly one of the best I've ever taken.
    The theatre was built in 1919 and has remained largely unchanged since then. A lot of Boonton still has a very old "look and feel" to it, and this section of Main Street served as a perfect backdrop for the DeLorean.

    DeLorean DMC-12 Darress
Theatre Boonton

    [/dmc] permanent link

    How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You Want
    Bloomberg has posted an article entitled
    How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You Want. It's really quite simple, actually. You take your keys, go out the the garage, and you drive the DeLorean any time you want.
    [/dmc] permanent link

    This ends tonight...

    [
    /musings/self] permanent link

    Sometimes...
    Sometimes it's dificult to find a reason to continue.
    [
    /musings/self] permanent link

    Ninth Runniversary
    Yesterday was my ninth runniversary. Like my first day running, I ran on the treadmill while listening to Broken. Unlike the first time, I only listened to it once, and covered 4.48 miles during the duration of the EP, thanking God every step of the way.

    I'm confident in knowing that the bone in my ankle has healed completely now; however, I'm still rebuilding the muscle in that ankle and the rest of that leg. There was significant atrophy during the early phases of recovery. Slowly as it may be, I am making progress, and I am thankful for that.
    [
    /running] permanent link

    Merry Christmas
    While the holidays are supposed to be a joyous time, I know and understand how hard they can be for some people. If you're having a rough time over the next week or so and need someone to talk to, feel free to message me. If you're reading this blog, you likely know my email address or phone number.
    [
    /musings] permanent link

    Aisling at 35
    She's still looking good at 35....
    DeLorean DMC-12 with
gullwing doors open

    [
    /dmc] permanent link

    Happy Birthday Aisling!!!!
    My DeLorean, #5333, was built in October of 1981. This month, the car will be 35 years old and she looks and handles like the day she came off the assembly line.
    [
    /dmc] permanent link

    Don't Call it a Comeback
    On June fourth, I was running in the Tourne on a trail I first ran twenty years ago, a trail I've run hundreds if not thousands of times before. On that morning, my foot came down on a wet rock at just the wrong angle, slipped just enough and I rolled my ankle. Not only did I roll the joint, I came down on it with enough force to break it; a fact I would learn when I final saw a doctor about it on June ninth.

    No surgery was required, but I was unable to run for three months. I was finally cleared to run. The plan was to start with short distances, about a quarter mile, on a rubberized track then build up from there, moving on to treadmills and eventually roads and trails. I was instructed to spend six months rebuilding my 60 mile per week base.

    On the morning of September 11 (a day I will never forget and a morning that will always make me feel a bit uneasy), I took to the track for the first time. I started by walking a mile. As I finished the fourth lap, I said a prayer, asking God to give me the run I needed and the wisdom to know when to stop. I queued up my playlist: AC\DC's "Back in Black" and LL Cool J's "Mama Said Knock You Out." I took my first stride.

    I've been progressing well in the last two weeks; pushing it on some days, resting when necessary. Though the short, slow distances have been frustrating, it feel good to be running again. Every stride I take I'm reminded of everything I love about the sport.

    It's good to be back.


    [
    /running] permanent link

    Fun Conversations
    The DeLorean often leads to conversations one wouldn't normally expect. Case in point: today I had to call my auto insurance provider for an issue with my daily driver. After taking some info to pull up my account the conversation went something like this:

    Agent: Which car is this?
    Me: The Pontiac.
    Agent: Am I reading this right?
    Me: Reading what?
    Agent: I'm sorry, do you have a DeLorean?
    Me: Yes.
    Agent: I never thought I'd see someone with a policy on a DeLorean.
    Me: Well, you've insured both of mine...
    Agent: You've had two DeLoreans?
    Me: Yes.

    At that point there were a few more questions and then we got back to the issue which my phone call had been about originally.


    [
    /dmc] permanent link

    An Observation
    There is something satisfying about driving in a DeLorean while listening to The Clash's Live: From Here to Eternity.
    [
    /dmc] permanent link

    What Year is This?!
    So this was my Saturday night....
    A bottle of Crystal Pepsi with Metallica's Ride the Lightning and
Joy Division's Unknown Pleasures vinyl records sitting on the hood of a
DeLorean Joy Division's Unknown Pleasures on a record player
    [
    /musings] permanent link

    He's Not Wrong...
    Over at
    Net Meister there's a nice peice entitled Things They Don't Teach You in School". A lot of what Jan has to say is spot-on observation and good advice.

    It's definitely worth a read.
    [/code] permanent link

    Trouble opening aterm in FreeBSD?
    Here's a soltuion!
    https://forums.freebsd.org/threads/44941/
    [/unix] permanent link

    X11 Mouse Cursor Themes
    Starting after installimg the binary nvidia drivers on both my laptop (Quadro K1100M) and my workstation (GeForce GT 630) Blackbox was defaulting to a mouse cursor that was suboptimal, a black, notched triangle.

    The settings in the Xresources for the mouse cursor theme are honored by XDM at the graphical log in, but when Blackbox or Fluxbox start, the cursor would change to the black notched triangle. TWM honors the settings in Xresources, but TWM is just a little too minimalist, even for me.

    But there's a simple fix!

    Create a file in your home directory (if it doesn't already exist) .icons/default/index.theme. In this file, add the following lines:

    [Icon Theme]
    Inherits = polarblue
    

    where polarblue is the name of the X11 mouse cursor theme you wish to use. FreeBSD installs many of the X11 cursor sets into /usr/local/lib/X11/icons/, your Unix flavor may be different. In theory, you can also install new themes of your choosing into ~/.icons/ and use those without the need for any elevated privileges.

    Additionally, there's the option of creating a .Xdefaults file in the home directory and adding the line
    Xcursor.theme: polarblue
    

    Again, where polarblue is the name of theme you want to use.
    [
    /unix] permanent link

    FreeBSD Unix on Dell Precision M4800
    I installed FreeBSD 10.3 on the laptop I recently acquired and almost eveything worked out of the box. The gigabit ethernet and wi-fi coards worked fine and by setting the BIOS to discrete graphics only, the nVidia Quadro was recognized.

    I installed the binary driver from nVidia, because they support FreeBSD because they're awesome like that. The nvidia-xconfig(1) program was useful to streamline the process of getting X.org to use the Quadro.

    There were a few things that did need some tewaking though. First there's the sound card. Because the quadro supports HDMI (in addition to VGA and DisplayPort), it includes an HDA-compliant sound card. This card is recognized before the primary HDA-compliant sound card in the machine, the one that's actually connected to the speakers.

    I did some research and there were some suggestions about using sysctl(8) to control soundcard GPIO pins to connect the nVidia sound device to the speackers but what ultimately worked was using sysctl(8) to change the default primary sound device to the dedicated card. There were a few ways to make this happen but the one I found that actually worked was to place sysctl(8) command lines in /etc/rc.local.

    First I found the device I wanted as the default:

    mforde@gaz:~> cat /dev/sndstat 
    Installed devices:
    pcm0:  (play) default
    pcm1:  (play)
    pcm2:  (play) 
    pcm3:  (play)
    


    Device pcm2 was the one I wanted so I added the following lines to /etc/rc.local
    sysctl hw.snd.default_unit=2
    sysctl hw.snd.default_auto=2
    


    Now when boot completes pcm2 is set to my default and sound "just works" and sndstat shows pcm2 as the default.

    I found ACPI support has some weirdness as ACPI support often does. What I found was that Suspend works from console, but resume doesn't... HOWEVER After I start X ACPI suspend and resume work just fine. Normally I prefer to boot into a console and only start X if I really need it, but because I want suspend and resume to work "by default" I've enabled X to start at boot by allowing the xdm console in /etc/ttys.

    But this had one last issue. See, when manually starting X, I added the -dpi 143 option to get graphics and text to be appropriately sized for my screen. XDM needed to know about this.

    This probably wasn't the best place to do it, but I edited /usr/local/lib/X11/xdm/XServers and modified the call to X(7) to add the -dpi 143 option. Now when Xdm loads at start up, the DPI is set correctly.

    The function keys for adjusting the screen brightness don't work; however, xbacklight(1) works just fine. Similarly the volume keys don't work but I can adjust the volume quite easily with aumix(1).

    I've submitted my dmesg output to
    NYCBUG's dmesgd repository.

    I suppose I've posted this for two reasons. The first is so I have a record of how I eventually got these little things working in case I have to do it again. The second is in case anyone has similar issues with their hardware; if they happen to stumble upon this, it might give them some hints.
    [/unix] permanent link


    *Simple design from the early days of the world-wide-interwebbings, and mobile friendly!
    Powered by Blosxom. Eponymous

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  •        
    02 Oct 2016

    Happy Birthday Aisling!!!!
    My DeLorean, #5333, was built in October of 1981. This month, the car will be 35 years old and she looks and handles like the day she came off the assembly line.

    [/dmc] [permanent link]


       
    Eponymous
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  •        
    07 Mar 2010

    Coogan's 5K
    Unofficially I just PR'd at 19:44.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    17 Jan 2012

    Races, Races, Races
    I've been busy the last few weeks or so; I've done a few races.

    • On October 30, I ran the Marine Corps Marathon in Arlington, VA and Washington D.C.
    • On November 5, I ran the Beavertown Fall Classic 5K in my hometown.
    • On November 6, I ran the New York City Marathon for the second time.
    • On November 19, I ran the Knickerbocker 60K Ultramarathon in Central Park.
    • On December 3, I ran NJ Winter Trail Series Race #1 Half Marathon in Wayne.
    • On December 10, I ran the NYRR Jingle Bell Jog in Prospect Park.
    • On January 7, I ran the Walt Disney World Half Marathon, part one of Goofy's Race and a Half Challenge.
    • On January 8, I ran the Walt Disney World Marathon, completing the Goofy Challenge.

    In 10 weeks I ran a 5K, a 6K, two Half Marathons, three Marathons, and an Ultramarathon, plus a few training runs in there...

    And last night Wii Fit called me a couch potato.

    In defense of the game, I hadn't used it in 547 days, and I'm now 11 pounds heavier than when I had last used it. It has no way of knowing that the vast majority of that weight gain was lean mass. It also has no way of taking into account all that I've done outside the game.
    Even with that in mind, it's still a little frustrating to be called a couch potato after running a marathon and a half last weekend.

    Each of these races were pretty special. I ran MCM alongside some fairly awesome people; people who I consider to be among my closest friends. In the Beavertown 5K, I somehow managed to take 12th overall and 5th in my age group without really trying.

    At NYC and then at the Knickerbocker, I ran with the friend who got me started running in the first place. I credit him with saving my life, and it was an honor and a pleasure to run with him.

    The trail half was my first trail race (not counting my time on the high school cross country team) and I ran that with a friend I hadn't seen since our days on the high school track & field team (she was a runner, I was thrower). We have both run full marathons in less time than it took us to complete this half.

    The Jingle Bell Jog was a fun race with bells and hot cocoa, and it was the first time I ran alongside my friend and former physics TA. And lastly, I ran the Goofy Challenge alongside another one of my close friends and training partners.

    These races were a lot of fun. Some of the courses were quite amazing to see, and these races were opportunities to spend time with some pretty awesome people.

    [/running] [permanent link]

    04 Jan 2012

    Disgusted
    With the Goofy Challenge just 3 days away, I should be carb-loading. And I am. And with each bite of my lunch I hate myself more. Every time I eat, I feel fat. And every time I ingest anything that isn't ultra-lean protein or high-fiber, I disgust myself. But I sit here, shoving food down my gullet.

    [/musings/self] [permanent link]


       
    Eponymous
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  •        
    28 Oct 2016

    Aisling at 35
    She's still looking good at 35....
    DeLorean DMC-12 with
gullwing doors open

    [/dmc] [permanent link]


       
    Eponymous http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner en Writing http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss/2008/08/31#writing
    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.
    NIN http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss/2008/08/29#nin On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:
    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight
    JTHM http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss/2008/08/26#jthm
    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
    The DNC Hates Unix Users Pt 2 http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss/2008/08/26#dnc2 Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    The DNC Hates Unix Users http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss/2008/08/25#dnc Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.
    <strike>FreeBSD 7</strike> SATA Weirdness http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss/2008/08/18#freebsd7 Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.
    A little less evil http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss/2008/08/15#google3 Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video. Don't be evil? http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss/2008/08/12#google2 There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.
    Cuban Pete's http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss/2008/08/12#CubanPetes Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.
    Revision Control http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss/2008/08/09#cvs One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.
    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.
    Another Demo Update http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss/2008/08/08#demo3 Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.
    CS115 http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2015/2018/index.rss/2008/08/06#bloom A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.
    Eponymous
    Eponymous
       



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    18 Jun 2013

    Senator Elbert Guillory
    Elbert Guillory, a state senator in Louisiana, has switched his party affiliation from Democrat to Republican. This website has a short commentary on the matter, as well as an embedded video of Senator Guillory explaining his decision.

    [/politics] [permanent link]

    26 Mar 2010

    Powergrabs
    Yay Socialism!
    That was sarcasm. Socialism is bad news. It leads to the government controlling every aspect of your lives. Take for example this story or a bit closer to home, this story.

    [/politics] [permanent link]

    17 Dec 2009

    MTA
    Why is the MTA's budget each year referred to as a "doomsday" budget? They vote on it every year, and every year it's approved, and every year they get subsidised by the tax payers and toll payers. So why is it a "doomsday" budget? They're not going out of business, although it sure seems their worker's union would like to see that happen given their demands.

    [/politics] [permanent link]

    16 Dec 2009

    Don't they have better things to do?
    It has come to my attention that Congress, in their infinite wisdom, has decided to write legislation against television commercial advertisements having a louder perceived volume than the actual programming.

    While I do sometimes find this annoying, do we really need an act of congress to outlaw this? Shouldn't our representatives be doing something better with their time, like repealing hundreds of laws that hinder the free market economy and trample the Constitutionally guaranteed rights of the citizens?

    Of course not, that would threaten their power.

    [/politics] [permanent link]

    31 Oct 2009

    NJ Governor Endorsement
    I officially endorse anyone who is not Jon Corzine.

    [/politics] [permanent link]

    17 Sep 2009

    Can't Argue with That...
    Well, I have to admit it; there's one issue I agree with Obama on: Kayne West is a jackass.

    [/politics] [permanent link]

    26 Aug 2008

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
  • circa 1993
  • Sections

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  • 2020
  • 2019
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  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
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  • 2010
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  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    02 Dec 2015

    1449069975
    https://www.instagram.com/p/-ywsdLrXFZ/

    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    24 Sep 2015

    1443142404
    This is only a test. Had this been an actual post, there would be actual content. Or not.

    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    03 Jun 2015

    National Running Day ... part 5
    This evening on my second run, I met up with one of the middle school kids I had coached on the cross country team. He was driving (because he's not in middle school anymore) and stopped at an intersection waiting for me to cross. He called out to me, I stopped, and we chatted briefly.

    Although the conversation was brief, I realized that I had left an impression on him, I had made a difference, however small, in his life. And no matter what else happens, nothing can change that.

    Happy National Running Day!

    [/running] [permanent link]

    16 May 2015

    It was a good day...
    So today I woke up and watched an episode of Star Trek while I did some weight training and core work. Then I met my friend and her 5-month old baby for breakfast. That baby is so cute, and so happy too.

    After that I met another friend for a run in the Tourne where we met a fox on the Red Trail. When I got home from the run, I turned my lawn into an avant garde art installation and then took a shower.

    I took Ailsing out for a drive and on the way home she rolled over to 15,000 miles. I've had the DeLorean for about five years now, so I'm still averaging 1,000 miles per year. Not bad.

    A large part of a tree fell and missed my house by about 18 inches. So then I went and ran another Six miles during a National Weather Service tornado watch.

    Now I'm finishing up the day with a good movie and a glass of Monk's Blood.

    Today, I didn't even have to use my AK. It was a good day.

    [/musings] [permanent link]

    08 Apr 2015

    Cast Yourself

    "Cast yourself upon Him and be not afraid; He will not draw away and let you fall. Cast yourself without fear, He will receive you and heal you."

    -- Saint Augustine, Confessions: Book 8, Chapter 11

    [/musings] [permanent link]

    10 Mar 2015

    It's not stupid, it's advanced
    I opened the Windows 10 settings app, not to be confused with the control panel, and I selected "Windows Update." Next, I chose the "Advanced Options" and was greeted with this mess. I hope the next build fixes this problem, as well as the myriad of other issues plaguing the current Windows 10 preview release.

    Windows 10 Settings App, Windows Update, Advanced Options,
unusable

    [/musings] [permanent link]

    04 Feb 2015

    1423064732
    http://elitedaily.com/money/entrepreneurship/psychology-behind-messy-rooms-messy-room-may-necessarily-bad-thing/708046/

    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    06 Jan 2015

    1420590331
    Castle of Dr. Brain : Sierra On-Line, Inc. : Free Streaming : Internet Archive https://archive.org/details/msdos_Castle_of_Dr._Brain_1991

    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


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    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • Giraffes
  • Eat. Run. Sleep.

  •        
    30 Apr 2013

    I LOL'ed

    PATIENT: "The problem is that obesity runs in my family."
    DOCTOR: "No, the problem is that no one runs in your family."

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
  • circa 1993
  • Sections

  • main
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  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

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  • 2019
  • 2018
  • 2017
  • 2016
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  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
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  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
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  •        
    13 Mar 2018

    Tenth Runniversary
    Today is my tenth runniversary. It's been a decade since I first stepped on that treadmill. Like my first day running, I ran on the treadmill while listening to br\oken. I've had some set backs in my recovery. Not properly rehabilitating the atrophy in the left leg has caused some problems with the muscles around my hip. Listening to my trainer only made it worse. But now I'm taking care of it properly. Like that first day ten years ago, I have a goal I am working toward. This time it is the Dublin Marathon in October. This will be marathon number 13. I don't expect to PR. I think 10 minute miles are a much more reasonable goal at this point, but frankly I'll be happy just to cross that finish line. It's been a long, hard road out of Hell, but God has been by my side and put some amazing people in my life to help me along the way. I have to thank the Giraffes for today. I have to thank the Giraffes for much of my life this last decade. I was heading for an early grave, and they changed that. Giraffes, I thank you from the bottom of my heart and I look forward to running the LTC and many other races with you in the next decade.

    [/running] [permanent link]


       
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  •        
    21 Feb 2010

    Run for Haiti
    Yesterday I posted on the mobile section that I had finished the race coming in number 256 of 8704. The statistics have been updated and I need to post a correction. I finished number 266 of 9421 at a time of 27:17.

    This was of course about a minute slower than the Grid Iron classic where I PR'd, but I finished in the top 2.8% this time.

    Yesterday's race raised over $400,000 for the relief effort in Haiti, with over 10,000 people registering and making donations.

    Yesterday's race was also the first time I had run in a week. Last Saturday (February 13) I ran 31.73 miles. With the upcoming race schedule and training for the New Jersey and Pocono Marathons in May, I figured it would be best to actually rest.

    It felt good to run again. I missed it.

    [/running] [permanent link]

    20 Feb 2010

    1266681322
    256/8704. Not a PR time, but not a bad showing.

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    07 Feb 2010

    1265591788
    Game's over! The Who just won!

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    04 Feb 2010

    A couple of things....
    First, am I the only one who gets freaked out when seeing a Toyota in my rear-view mirror?

    Second, google calculator has failed me. I keep trying to do conversions using Joules and it keeps giving me search results for physics forums with no calculator results. WTF google? WTF?

    [/musings] [permanent link]

    02 Feb 2010

    On sunday I ran...
    27.22 miles because I felt like it.

    I woke up Sunday morning, ran some errands, and then met a friend for a run. While I was waiting for him, I ran a one mile warm-up. Then he and I set out and ran a half marathon.

    I felt pretty good afterward, so a little while later I set out to do another 10K. That 10K turned into an 8.4 mile hill work out.

    I realized I was only about four miles shy of a marathon at that point and I still felt really good. After a short break I went out one more time. Four and a half miles later, I was back home and had logged the most miles in a single day that I had ever done, breaking my previous record by a mile.

    It felt absolutely amazing.

    Can every body feel like I do? Can't you can't you trip like I do?

    [/running] [permanent link]


       
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  •        
    13 Nov 2010

    Pre-Race Thoughts
    Last Saturday, I sent a letter to the Giraffes mailing list. I've decided to post here.

    In March of 2008, Brian told me I was running a 5K with The Giraffes. He didn't ask and he didn't give me a choice. Two days later I got off the couch, got on the treadmill, and started running. Six weeks later I ran my first race with this team. This team saved my life that day.

    Nine months later and a hundred and one pounds lighter, I got this crazy idea in my head. I decided I was going to run a marathon. I thought, if I'm going to run a marathon, I'm going to run the biggest marathon in the world. I'm going to run the New York City Marathon.

    I did some quick research about how to get in and found the 9+1 qualifying method. A couple of days later, I told Brian I was going to spend 2009 working toward guaranteed entry for the 2010 NYC Marathon. Almost immediately, he sent out an email to The Giraffes saying, "Mike and I are doing this and so are you." I'm paraphrasing, although it was quite close to that.

    So on January 10, 2009, five of us piled into the car and drove to Central Park on a frigid Saturday morning and began our journey with the Fred Lebow Classic.

    We continued to run, and picked up some new members along the way. Some with an impressive history of ultramarathons, and some just starting out.

    Those of us who first set out that day in January reached our goal and qualified for NYC 2010.

    At some point we decided we should run a marathon prior to NY, to get an idea of what we were really getting into. We chose Philadelphia, and for several Giraffes that day, it was our first. It was the day we joined the ranks of the one tenth of one percent of the population who can call themselves marathoners.

    While training for Philly, I fell in with a group of runners from my hometown and began running with them. At first it was short runs during a 5K training program they were running, but soon thereafter, they began including me in their longer training runs on the weekends. They introduced me to a number of other runners. Eventually I convinced (most of) them to sign up for the Giraffes mailing list.

    For the past two years, I've run with these people, the original Giraffes and the runners who have joined us along the way. And through it all, this team is what has kept me going. Through inspiration, through motivation, through friendships, through training runs and races, you've kept me going. You have been my support system.

    And now I sit here on the eve of the New York City Marathon, less than 24 hours from the start of the race, less than 24 hours from realizing our goal we set for ourselves so long ago.

    To all of you who have been with me for this journey in some way, shape or form... To those who got the team started and pulled me in, to those who saved my life... To those who persevered through qualifying races under grueling weather conditions with me... To those who got food poisoning with me from Macaroni Grill the night before the Scotland Run 10K... To those who got me through the last 5K of Philly... To those who made the 22+ mile training runs a little more bearable at the end... To those who have shown their support in any way they could...

    I offer you my eternal gratitude. I would not be where I am today without all of you. I love you all.

    One final note. To those of you joining me in tomorrow's running of the New York City Marathon... Kick ass and chew bubble gum.

    --
    M. Forde
    "Running never takes more than it gives back."

    [/running] [permanent link]


       
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    05 Nov 2013

    Normalcy
    I realized that if and when I have children, they will grow up thinking it's normal to have a DeLorean.

    [/dmc] [permanent link]


       
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  •        
    17 Dec 2009

    MTA
    Why is the MTA's budget each year referred to as a "doomsday" budget? They vote on it every year, and every year it's approved, and every year they get subsidised by the tax payers and toll payers. So why is it a "doomsday" budget? They're not going out of business, although it sure seems their worker's union would like to see that happen given their demands.

    [/politics] [permanent link]


       
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  •        
    07 May 2020

    Bill Gates is Satan's Minion
    Bill Gates was Satan's minion, is Satan's minion, and always will be Satan's minion.

    [/musings] [permanent link]


       
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  •        
    02 Feb 2010

    On sunday I ran...
    27.22 miles because I felt like it.

    I woke up Sunday morning, ran some errands, and then met a friend for a run. While I was waiting for him, I ran a one mile warm-up. Then he and I set out and ran a half marathon.

    I felt pretty good afterward, so a little while later I set out to do another 10K. That 10K turned into an 8.4 mile hill work out.

    I realized I was only about four miles shy of a marathon at that point and I still felt really good. After a short break I went out one more time. Four and a half miles later, I was back home and had logged the most miles in a single day that I had ever done, breaking my previous record by a mile.

    It felt absolutely amazing.

    Can every body feel like I do? Can't you can't you trip like I do?

    [/running] [permanent link]


       
    Eponymous
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  •        
    26 Sep 2016

    Don't Call it a Comeback
    On June fourth, I was running in the Tourne on a trail I first ran twenty years ago, a trail I've run hundreds if not thousands of times before. On that morning, my foot came down on a wet rock at just the wrong angle, slipped just enough and I rolled my ankle. Not only did I roll the joint, I came down on it with enough force to break it; a fact I would learn when I final saw a doctor about it on June ninth.

    No surgery was required, but I was unable to run for three months. I was finally cleared to run. The plan was to start with short distances, about a quarter mile, on a rubberized track then build up from there, moving on to treadmills and eventually roads and trails. I was instructed to spend six months rebuilding my 60 mile per week base.

    On the morning of September 11 (a day I will never forget and a morning that will always make me feel a bit uneasy), I took to the track for the first time. I started by walking a mile. As I finished the fourth lap, I said a prayer, asking God to give me the run I needed and the wisdom to know when to stop. I queued up my playlist: AC\DC's "Back in Black" and LL Cool J's "Mama Said Knock You Out." I took my first stride.

    I've been progressing well in the last two weeks; pushing it on some days, resting when necessary. Though the short, slow distances have been frustrating, it feel good to be running again. Every stride I take I'm reminded of everything I love about the sport.

    It's good to be back.

    [/running] [permanent link]


       
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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
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    29 Dec 2021

    Fireside Chat


    Tonight I signed up for the Fireside beta. They asked for all my social media accounts to prove I'm a human. The problem is, I don't have a twitter account, a facebook account, instagram, etc. Years ago I took the advice of numerous psychology studies and my own therapist's advice and got off the social media platforms. It was one of the best things I've ever done for my mental health.

    So hopefully this blog, though infrequently updated (and slightly broken since the last major perl update), will serve as proof to the people at Fireside that I am human and not a bot.

    It was the Astonishing Legends Podcast that led me to Fireside. It would be nice to use it for one of their interactive live chats sometime.

    [/musings] [permanent link]


       
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    23 Mar 2011

    Lincoln Park Triathlon
    This Summer Lincoln Park will hold its first triathlon. More information can be found at www.lincolnparktriathlon.com.

    If you're not quite interested in racing it, we're looking for volunteers to help out that day.

    [/running] [permanent link]


       
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    04 Oct 2009

    It exists
    As part of the DeLorean's restoration, I've been considering a backlit dash. I had considered sticking with the stock dash with the white light bulb in front of the gauges, but I thought a red backlit display would be better for night vision.

    Then came the issue of whether or not something like that exists. Turns out it does. Speed Hut carries a line of customizable gauges for the DMC-12 as part of the EL-Glo line.

    [/dmc] [permanent link]


       
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  •        
    21 Feb 2010

    Run for Haiti
    Yesterday I posted on the mobile section that I had finished the race coming in number 256 of 8704. The statistics have been updated and I need to post a correction. I finished number 266 of 9421 at a time of 27:17.

    This was of course about a minute slower than the Grid Iron classic where I PR'd, but I finished in the top 2.8% this time.

    Yesterday's race raised over $400,000 for the relief effort in Haiti, with over 10,000 people registering and making donations.

    Yesterday's race was also the first time I had run in a week. Last Saturday (February 13) I ran 31.73 miles. With the upcoming race schedule and training for the New Jersey and Pocono Marathons in May, I figured it would be best to actually rest.

    It felt good to run again. I missed it.

    [/running] [permanent link]


       
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    14 Oct 2009

    Staten Island Half Marathon
    Sunday was the Staten Island Half Marathon. I've been dealing with overuse injuries as of late, my IT-band has been acting up and I strained my right hamstring.

    I wasn't sure if I'd be running or not, and the temperature was predicted to be in the low- to mid-50's, so I wore my coldgear; I didn't want to end up with hypothermia again if I was standing around for 2 hours in shorts.

    It turned out that one of my teammates, Liz, wasn't sure if she'd be able to finish. We decided to run together. And we did. We finished with the exact same time of 2:34:00. I kept her from stopping and she kept me from going to fast and re-injuring myself.

    It took me an hour longer to finish the race than it normally would, but I think it went quite well. My hamstring actually felt better after the run. My IT-band was a little sore the next day, but it was better by Tuesday.

    Running at the slower pace, I was able to actually look around and enjoy the scenery. The shores Staten Island were not as bad as I was expecting. Over all, it was a good recovery run. A 13.1 mile recovery run.

    [/running] [permanent link]

    Bing!
    It has come to my attention that searching bing for pictures of closed doors yields pictures of my DeLorean.

    [/dmc] [permanent link]

    Self Documenting Code
    Despite what you think about your code, it is not self documenting. When writing code add comments, describe what a function does, explain why you're using that convoluted pointer arithmetic and bit shifting. I'm sure it makes sense now, but someday you'll have to go back and look at it and figure out what the hell you were doing. Or worse, I'll have to go back and look at it and figure out what the hell you were doing.

    Sometimes it is important to have some sort of separate documentation for the code; maybe some UML or ER diagrams, maybe some English text. Use what ever it takes to explain what you were doing. Do not paste snippets of your code into the text and call it documentation.That is not documentation, that is code.

    [/code] [permanent link]


       
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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    30 Sep 2017

    Time Travel?
    A few months ago I happened to snap a photo of the DeLorean on Main Street in Boonton near the Darress Theatre. It's probably one of my favorite photographs of the car and certainly one of the best I've ever taken.
    The theatre was built in 1919 and has remained largely unchanged since then. A lot of Boonton still has a very old "look and feel" to it, and this section of Main Street served as a perfect backdrop for the DeLorean.

    DeLorean DMC-12 Darress
Theatre Boonton

    [/dmc] [permanent link]

    24 Aug 2017

    How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You Want
    Bloomberg has posted an article entitled How to Drive a Classic Rolls-Royce, or a DeLorean, Any Time You Want. It's really quite simple, actually. You take your keys, go out the the garage, and you drive the DeLorean any time you want.

    [/dmc] [permanent link]

    28 Oct 2016

    Aisling at 35
    She's still looking good at 35....
    DeLorean DMC-12 with
gullwing doors open

    [/dmc] [permanent link]

    02 Oct 2016

    Happy Birthday Aisling!!!!
    My DeLorean, #5333, was built in October of 1981. This month, the car will be 35 years old and she looks and handles like the day she came off the assembly line.

    [/dmc] [permanent link]

    18 Sep 2016

    Fun Conversations
    The DeLorean often leads to conversations one wouldn't normally expect. Case in point: today I had to call my auto insurance provider for an issue with my daily driver. After taking some info to pull up my account the conversation went something like this:

    Agent: Which car is this?
    Me: The Pontiac.
    Agent: Am I reading this right?
    Me: Reading what?
    Agent: I'm sorry, do you have a DeLorean?
    Me: Yes.
    Agent: I never thought I'd see someone with a policy on a DeLorean.
    Me: Well, you've insured both of mine...
    Agent: You've had two DeLoreans?
    Me: Yes.

    At that point there were a few more questions and then we got back to the issue which my phone call had been about originally.

    [/dmc] [permanent link]

    24 Aug 2016

    An Observation
    There is something satisfying about driving in a DeLorean while listening to The Clash's Live: From Here to Eternity.

    [/dmc] [permanent link]

    19 May 2016

    New Vernon Coach and Motor Works is Awesome
    For as long as I've been a DeLorean owner, I've been taking the car to New Vernon Coach and Motor Works. They have always been professional and courteous, and they have always done top-notch work. I highly recommend them.

    [/dmc] [permanent link]

    26 Sep 2014

    Give My Love to the Princesses
    I was out and about and happened to run into these two lovely ladies who seemed to like the car.

    Elsa and Anna of Frozen with DeLorean Elsa and Anna of Frozen in DeLorean

    [/dmc] [permanent link]

    05 Nov 2013

    Normalcy
    I realized that if and when I have children, they will grow up thinking it's normal to have a DeLorean.

    [/dmc] [permanent link]

    24 Dec 2012

    Christmas Eve
    On Christmas Eve, I headed out around 7:00PM to take a look at the Christmas lights and decorations around town. There was a snow storm predicted for around 9:00PM, so I decided to take the DeLorean out for one last drive before the Wonderful Winter Weather(TM).

    The snow started much earlier than expected. The snow was light and slow, and despite the car not handling well in slick conditions, I kept going for a while.

    As I was driving I had the realization that I was having an experience no one else in the world has ever had. I was driving a DeLorean through my town on Christmas Eve, admiring Christmas lights and listening to Christmas music as snow fell.

    I looked over at the empty passenger seat and wished there had been someone, anyone there to share this with. So for now, until circumstances like this arise again, I will continue to be the only person to have experienced this.

    When I got home, I took this photograph.
    Snow Covered DeLorean

    [/dmc] [permanent link]

    19 Sep 2011

    Updates!
    I realized I haven't updated this section of my blog (that no one reads anyway) in over a year. A lot has happened since then.

    I sent my DeLorean (#6291) to DMC Houston to have the frame replaced. (A quick note to anyone buying a DeLorean from a private owner: Have a mechanic you trust get the car on a lift before you buy it). The guys at DMC found a lot more wrong with the car that had been covered up. After many conversations with Steve Wynne about the car, I decided to cut my losses and sell it for parts. I tried to live the dream, and it turned into a small nightmare.

    It was then that Steve told me about a DeLorean they had just taken in from an owner in Indiana. This DeLorean was a month older than mine (built in October of 81) and had the grey interior and 5-speed manual transmission just like mine. Everything was in great condition and it only had about 9,900 miles on it. He offered me a trade-in value for my car, far more than I thought it would be given its condition.

    After some deliberation I decided if I didn't take it, I'd never have the car and my childhood dream would be dead. I agreed to the trade-in and then I began working with James Espy about all of the details of the purchase. I continued working with Steve in regard to the work being done on the car.

    They replaced the leather on the seats. While the original leather was not cracked, it was almost 30 years old and a bit dry. They replaced the headliners and the radio, and performed a full maintenance on it. They even took it to some local car shows.

    When I took delivery of the car in early September, it had just over 10,000 miles on it.

    After a year of owning the vehicle, I've put about 1000 miles on it. And I've enjoyed every one of them.

    DMC-12 at DMC Houston DMC-12 door open at 80's Night Party DMC-12 door open night time wooded area
    DMC-12 doors closed night time wooded area DMC-12 doors open front view DMC-12 doors open rear view

    [/dmc] [permanent link]

    04 May 2010

    If all goes according to plan...
    This time tomorrow, my car should be on its way to Texas.

    [/dmc] [permanent link]

    14 Oct 2009

    Bing!
    It has come to my attention that searching bing for pictures of closed doors yields pictures of my DeLorean.

    [/dmc] [permanent link]

    04 Oct 2009

    It exists
    As part of the DeLorean's restoration, I've been considering a backlit dash. I had considered sticking with the stock dash with the white light bulb in front of the gauges, but I thought a red backlit display would be better for night vision.

    Then came the issue of whether or not something like that exists. Turns out it does. Speed Hut carries a line of customizable gauges for the DMC-12 as part of the EL-Glo line.

    [/dmc] [permanent link]

    24 Jul 2009

    DMC Houston
    It looks like the DeLorean needs some non-trivial work done on it. The mechanic I had taken it to found an issue he's not equipped to deal with. My first call was to DMC Houston where I talked to Stephen.

    He was friendly and incredibly knowledgeable. He said he'd work with me and Dave at their facility in Chicago to figure out what the extent of the work would be and the best way to approach it. Odds are the car is going to have to be shipped to Chicago for a few weeks.

    [/dmc] [permanent link]

    23 Jul 2009

    Highway driving
    On the way to the mechanic yesterday, I had the DeLorean out on 287 South. Near one of the Boonton exits, a guy in old Stingray pulled up next to me on my right. I looked over, he looked at me, and we gave each other a nod. I sped up a bit to keep with the flow of traffic and he moved as if exiting soon thereafter.

    This was my longest trip with the DeLorean thus far, and also the fastest I've ever driven it. And no, I still haven't gotten it to 88mph.

    [/dmc] [permanent link]

    17 Jul 2009

    It's like I'm 16 again
    You'd think I would have learned to drive by now. I've had the DeLorean for a month now and I'm still a little shaky coming off stop lights and signs but over all I'm better. I've only driven it a handful of times and I should really be driving it more often if I want to get better.

    I'm thinking of adding a separate section to the site dedicated to the DeLorean and every step in the process of acquiring it. I found a lot of useful information on the websites of other owners that helped a lot.

    [/dmc] [permanent link]

    I think I'll take the DeLorean today...
    After taking the Pontiac to inspection this morning, I got the urge to drive the DeLorean. I need to drive it more anyway so I think it may be joining me on some errands this morning.

    [/dmc] [permanent link]

    09 Jul 2009

    "Why the hell don't the plugins have proper documentation"
    I had to pick up something in Fair Lawn for a friend this evening. It was later in the evening, well after rush hour but there was still a good amount of time before the sun went down so I decided to take the DeLorean out.

    I got her out on Rt 80 and she handled beautifully. The turns on the entrance and exit ramps felt better than in my Pontiac. I was a little nervous about over-steering because of the rear mounted engine, but it wasn't an issue.

    When I arrived at my destination, I got some looks from a woman walking her dog and some guys across the street working on something in their garage/driveway. I had a bit of an issue getting back on to 80 due to a construction vehicle and an a-hole in a BMW, but everything else was fine. I'm getting much better at driving it.

    On the way home at the 80/23/46 interchange a minivan pulled up beside me and beeped their horn. I looked over and they gave me a thumbs up.

    It was most triumphant.

    [/dmc] [permanent link]

    27 Jun 2009

    "Because you will be approached by people with questions and stupid jokes."
    I took the DeLorean when I went to the bank this morning. I pulled into the parking lot and found a space. As I got out of the car a guy around my age came running over before I could shut the door.

    He said, "I can't believe it, this amazing. I've always wanted to see one of these. Man, I was just watching the movie last night. Can I take a picture?"

    I said, "sure" and let him know that it still needed some work so it doesn't look as good as it could. He said, "It doesn't matter; it's a DeLorean."

    Later in the afternoon I went to get some more gas. I pulled into the station, shut off the car, got out and opened the hood to get to the gas cap. Neither of the attendants on duty had seen one before and both came over to see the car. They had some questions about the body construction and the engine.

    [/dmc] [permanent link]

    14 Jun 2009

    The new phone book is here!
    I am now officially 5% rockstar. At least I am according to the New York Times. I am now the proud owner of DeLorean #6291 manufactured in November of 1981.



    closed
doors open
doors

    [/dmc] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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  •        
    27 Feb 2011

    Why does tomorrow have to be Monday?
    Today I decided to be awesome. My friends decided to be awesome too. It was awesome.

    We packed up and drove down to Westfield and ran the CJRRC Hangover 5K. It was supposed to be held January 1, but was rescheduled multiple times due to the weather.

    I ran a PR today finishing in 19:22. I was 4th in my age group and 15th over all.

    My friends ran the race too, all except one who has a broken toe. Everyone was happy with their time and met their goals for the day, ranging from sub-25 to "eh, taking it easy, seeing how it goes..."

    After the race we went cycling. This was my first bike ride outside. I've been working with an indoor trainer for the last few weeks and this was the first time I had been on a bicycle, outside, actually moving, in about 16 or 17 years. My friends have been cycling longer and more recently than I have, so today's 17 mile ride was rather easy for them.

    I was freaking out quite a bit, but they calmed me down, gave me pointers, and just helped me out in general.

    As we rode, I got more comfortable with the bike and I realized comparing this bicycle to my last bicycle is like comparing my DeLorean to my old Mercury Sable. It takes a while to get used to the differences, but once you do it handles far better and offers more control.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
    There's more than one way to view this weblog; try these flavors on for size.

  • index
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  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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  • index
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  •        
    24 Dec 2012

    Christmas Eve
    On Christmas Eve, I headed out around 7:00PM to take a look at the Christmas lights and decorations around town. There was a snow storm predicted for around 9:00PM, so I decided to take the DeLorean out for one last drive before the Wonderful Winter Weather(TM).

    The snow started much earlier than expected. The snow was light and slow, and despite the car not handling well in slick conditions, I kept going for a while.

    As I was driving I had the realization that I was having an experience no one else in the world has ever had. I was driving a DeLorean through my town on Christmas Eve, admiring Christmas lights and listening to Christmas music as snow fell.

    I looked over at the empty passenger seat and wished there had been someone, anyone there to share this with. So for now, until circumstances like this arise again, I will continue to be the only person to have experienced this.

    When I got home, I took this photograph.
    Snow Covered DeLorean

    [/dmc] [permanent link]

    02 Dec 2012

    Happy Birthday

    I'm starting to get used to celebrating my birthday at TBM concerts. This year it was about a week prior to my birthday at a show on December 1 held at New York's Gramercy Theatre.

    Along with the tickets, I had also purchased the "VIP package." This package included an autographed poster signed by all members of the band, a "VIP" laminate on a lanyard, and... the opportunity to meet the band prior to the show!

    You may be thinking, "But they stick around after shows and mingle with their fans anyway," and "You've already met them a few times!" Both are true. And even with this "VIP" package meet-and-greet, they still make time for all their fans after the show. What this provided was a somewhat quieter meeting in a more intimate setting.

    In fact the meeting was in a small lounge beneath the concert hall. Dim mood lighting, mirrors, and couches set the atmosphere. I spoke with Rainbow, Michael, and Nate first. Rainbow informed me his name was Michael also and made a joke about the "power of the three Mikes lighting the room." After a bit, they started moving me to Chibi who was sitting on a couch after injuring her knee during a show two nights prior. She tried to walk to me, but I told her not to. She said, "I'll meet you half way then."

    I gave her a get well card, knowing she had had surgery on her vocal chords about 8 weeks prior and recently injured her knee. Someone decided we needed a photo of that and she gave me the card back so I could give it back to her. I believe it was Owen who said, "Act natural and hold it for 30 seconds!"

    I asked Rainbow about writing "Unfamiliar" because both he and OE were given credit in the liner notes. He said it was mostly OE; OE started it and Rainbow had finished it. I said I wanted to thank them because it was a song that had taken on some greater meaning to me and I relayed a brief version of the story of the moment I recognized that. It turns out "Unfamiliar" is one of Chibi's favorite songs too.

    Every one of the bands that night were amazing. All, remarkably, were performing as duos. Creature Feature was a real fun band to see. Their music is heavily influenced by old horror movies which gives them a dark yet fun sound.

    Aesthetic Perfection put on a good performance. Their drummer is amazing and fun to watch. They heavily synth-based and while there was a dark tone to most of their songs, they still had fun and lightened things up with a Fine Young Cannibals cover.

    William Control was the only other act I had heard before the show (Thanks Last.fm!). He was great live and I'd love to see him again. He reminded me a little of Dommin in that Dean Martin meets Glen Danzig sort of way.

    The Birthday Massacre was great. They played a good mix including songs from every album. For most of the set Chibi was sitting on a speaker placed near center at the front of the stage, wearing a knee brace. She stood up and moved around occasionally, but not much. At one point Rainbow sat down on another speaker and stuck out one leg in a similar fashion to how Chibi was seated and laughed a little. It was easy to tell by their interaction here that Chibi and Rainbow are close.

    If you care (or even if you don't), their set list follows:
    • Night Shift
    • Down
    • Control
    • Always
    • Red Stars
    • Video kid
    • Lover's End
    • Forever
    • Pins and Needles
    • Happy Birthday
    • Alibis
    • Calling
    • In the Dark
    • Sleep Walking
    • Midnight
    • -- Encore --
    • Leaving Tonight
    • The Long Way Home
    • Blue


    The band did not leave the stage prior to the encore as they normally would. Chibi said, "This is the part of the show where we say thank you and leave and you clap and we come back out and play some more. But I'm not going to walk down those stairs anymore than I have to, so do you want to hear three more songs?"

    [/musings] [permanent link]

    Happy Birthday

    I'm starting to get used to celebrating my birthday at TBM concerts. This year it was about a week prior to my birthday at a show on December 1 held at New York's Gramercy Theatre.

    Along with the tickets, I had also purchased the "VIP package." This package included an autographed poster signed by all members of the band, a "VIP" laminate on a lanyard, and... the opportunity to meet the band prior to the show!

    You may be thinking, "But they stick around after shows and mingle with their fans anyway," and "You've already met them a few times!" Both are true. And even with this "VIP" package meet-and-greet, they still make time for all their fans after the show. What this provided was a somewhat quieter meeting in a more intimate setting.

    In fact the meeting was in a small lounge beneath the concert hall. Dim mood lighting, mirrors, and couches set the atmosphere. I spoke with Rainbow, Michael, and Nate first. Rainbow informed me his name was Michael also and made a joke about the "power of the three Mikes lighting the room." After a bit, they started moving me to Chibi who was sitting on a couch after injuring her knee during a show two nights prior. She tried to walk to me, but I told her not to. She said, "I'll meet you half way then."

    I gave her a get well card, knowing she had had surgery on her vocal chords about 8 weeks prior and recently injured her knee. Someone decided we needed a photo of that and she gave me the card back so I could give it back to her. I believe it was Owen who said, "Act natural and hold it for 30 seconds!"

    I asked Rainbow about writing "Unfamiliar" because both he and OE were given credit in the liner notes. He said it was mostly OE; OE started it and Rainbow had finished it. I said I wanted to thank them because it was a song that had taken on some greater meaning to me and I relayed a brief version of the story of the moment I recognized that. It turns out "Unfamiliar" is one of Chibi's favorite songs too.

    Every one of the bands that night were amazing. All, remarkably, were performing as duos. Creature Feature was a real fun band to see. Their music is heavily influenced by old horror movies which gives them a dark yet fun sound.

    Aesthetic Perfection put on a good performance. Their drummer is amazing and fun to watch. They heavily synth-based and while there was a dark tone to most of their songs, they still had fun and lightened things up with a Fine Young Cannibals cover.

    William Control was the only other act I had heard before the show (Thanks Last.fm!). He was great live and I'd love to see him again. He reminded me a little of Dommin in that Dean Martin meets Glen Danzig sort of way.

    The Birthday Massacre was great. They played a good mix including songs from every album. For most of the set Chibi was sitting on a speaker placed near center at the front of the stage, wearing a knee brace. She stood up and moved around occasionally, but not much. At one point Rainbow sat down on another speaker and stuck out one leg in a similar fashion to how Chibi was seated and laughed a little. It was easy to tell by their interaction here that Chibi and Rainbow are close.

    If you care (or even if you don't), their set list follows:
    • Night Shift
    • Down
    • Control
    • Always
    • Red Stars
    • Video kid
    • Lover's End
    • Forever
    • Pins and Needles
    • Happy Birthday
    • Alibis
    • Calling
    • In the Dark
    • Sleep Walking
    • Midnight
    • -- Encore --
    • Leaving Tonight
    • The Long Way Home
    • Blue


    The band did not leave the stage prior to the encore as they normally would. Chibi said, "This is the part of the show where we say thank you and leave and you clap and we come back out and play some more. But I'm not going to walk down those stairs anymore than I have to, so do you want to hear three more songs?"

    [/tbm] [permanent link]

    07 Oct 2012

    Signs of the Apocalypse
    A friend told me this was from Glee. I found it amusing; thought I'd share.

    It's a fact that the book of Revelations predicted Twitter. It's one of the seven signs of the apocalypse; Along with porn, unexplainable weather anomalies, martian rovers, Barney Frank, the middle east and MSNBC. It's like Kirk Cameron said, "It's never too late, until it's too late."

    [/musings] [permanent link]

    29 Aug 2012

    Migraine
    I hate waking up with migraines.

    [/musings] [permanent link]

    28 Aug 2012

    freebsd-update
    I'm attempting to update my laptop from FreeBSD 9.1-Beta1 to 9.1-RC1. The freebsd-update(8) utilitly was reporting an error finding the public key. A quick search found this thread. As per tangram's suggestion, I used

    env UNAME_r=9.0-RELEASE freebsd-update upgrade -r 9.1-RC1

    and then the update began working.

    [/unix] [permanent link]

    20 Aug 2012

    unHide
    After a friend's computer became infected with some malware that hides files in your home directory and tries to extort money from you in order to "recover" your data, I was inspired to write this little program.

    All it does is search for hidden, non-system files and unhides them. It defaults to the user's home directory (My Documents), but other directories can be chosen.

    If anyone wants to try it out, please do. If you do try it, let me know what parts I can do better. I primarily work on embedded systems and Unix daemons professionally; the user only knows my software exists when it isn't working. As such, I have very little experience with GUIs or human-computer interactions. Any feedback would be much appreciated.

    The Windows executable can be found at: http://www.skinnymf.com/~mforde/unHide/. Source code is available upon request.

    [/code] [permanent link]

    01 Jun 2012

    Fun little alias
    I use a console based RSS reader written in Ruby. It crashes often and will delete my list of feeds in the process. It also has a tendency to not fully exit, leaving a ruby process sitting in the background soaking up close to 100% CPU time. For such occasions, I've added the following alias to my .cshrc file.

    alias killraggle kill -9 '`ps ax|grep raggle|grep -v grep|awk '\''{print $1;}'\''`'

    [/unix] [permanent link]

    01 May 2012

    Volunteers Needed
    The Lincoln Park Triathlon needs volunteers. If you'd like to help out, please visit www.lincolnparktriathlon.com/volunteers for more information.

    This event isn't possible without the help of volunteers. If you or anyone you know would be interested in helping, please contact us.

    [/musings] [permanent link]

    29 Mar 2012

    Lincoln Park Triathlon


    Registration for the 2012 Lincoln Park Triathlon is now open. If anyone is interested in volunteering, please email volunteers@lincolnparktriathlon.com.

    [/musings] [permanent link]

    01 Mar 2012

    Just a Question
    Given the following code fragment, I was asked to implement foo such that the program would output "America." How would you do it?

            int main()
            {
              char *p = "Hello";
    
              foo(         );
              printf("%s",p);
    
              return 0;
            }
    

    My solution involved allocating new memory from the heap to store the new string, and changing p to point to that buffer. They didn't like that answer. They preferred the method of putting the new string in the data segment as well.

    I personally would always avoid that, whenever possible. "Hello" is stored in a read-only area of memory as is "America" in their preferred solution. Any attempt to alter those strings will trigger a segfault. This is an accident waiting to happen.

    [/code] [permanent link]

    17 Jan 2012

    Races, Races, Races
    I've been busy the last few weeks or so; I've done a few races.

    • On October 30, I ran the Marine Corps Marathon in Arlington, VA and Washington D.C.
    • On November 5, I ran the Beavertown Fall Classic 5K in my hometown.
    • On November 6, I ran the New York City Marathon for the second time.
    • On November 19, I ran the Knickerbocker 60K Ultramarathon in Central Park.
    • On December 3, I ran NJ Winter Trail Series Race #1 Half Marathon in Wayne.
    • On December 10, I ran the NYRR Jingle Bell Jog in Prospect Park.
    • On January 7, I ran the Walt Disney World Half Marathon, part one of Goofy's Race and a Half Challenge.
    • On January 8, I ran the Walt Disney World Marathon, completing the Goofy Challenge.

    In 10 weeks I ran a 5K, a 6K, two Half Marathons, three Marathons, and an Ultramarathon, plus a few training runs in there...

    And last night Wii Fit called me a couch potato.

    In defense of the game, I hadn't used it in 547 days, and I'm now 11 pounds heavier than when I had last used it. It has no way of knowing that the vast majority of that weight gain was lean mass. It also has no way of taking into account all that I've done outside the game.
    Even with that in mind, it's still a little frustrating to be called a couch potato after running a marathon and a half last weekend.

    Each of these races were pretty special. I ran MCM alongside some fairly awesome people; people who I consider to be among my closest friends. In the Beavertown 5K, I somehow managed to take 12th overall and 5th in my age group without really trying.

    At NYC and then at the Knickerbocker, I ran with the friend who got me started running in the first place. I credit him with saving my life, and it was an honor and a pleasure to run with him.

    The trail half was my first trail race (not counting my time on the high school cross country team) and I ran that with a friend I hadn't seen since our days on the high school track & field team (she was a runner, I was thrower). We have both run full marathons in less time than it took us to complete this half.

    The Jingle Bell Jog was a fun race with bells and hot cocoa, and it was the first time I ran alongside my friend and former physics TA. And lastly, I ran the Goofy Challenge alongside another one of my close friends and training partners.

    These races were a lot of fun. Some of the courses were quite amazing to see, and these races were opportunities to spend time with some pretty awesome people.

    [/running] [permanent link]

    04 Jan 2012

    Disgusted
    With the Goofy Challenge just 3 days away, I should be carb-loading. And I am. And with each bite of my lunch I hate myself more. Every time I eat, I feel fat. And every time I ingest anything that isn't ultra-lean protein or high-fiber, I disgust myself. But I sit here, shoving food down my gullet.

    [/musings/self] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
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  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
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  • 2018
  • 2017
  • 2016
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  • 2008
  • 2007
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  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    25 May 2016

    Found this sitting in a tarball of my old home directory...

    
                                                                                                                                  
                                                                                                                                  
                  ..,,..  ..ttLLLLtt..  ..;;ii;;,,..;;ttGGLL;;....iiiiiiiiiiii..    ..iijjttttii..                                
          iiLLLLGGKKKKDDLLGG########GGLLDDWWWWWWKKKKKK######WWDDEEWW##WWWW##WWDDjjffDD##########LL..          ..;;..              
      ..ffWW########WWKK####KKjjttEE####WWGGGGEEGGDDDDGGjjttGGKKWWWWLLGGLLGG##########DDjjttttGG##GGffttiiiiffDDKKDDGGGGGGii      
      ff####GGffffttii;;ttLLiijjtt;;LLtt;;,,,,;;;;;;iittLLtt;;,,iiiiiitt;;;;ffGGGGLLtt;;iiii;;;;DDWW####WWWW####KKDDKKKKWWWWtt    
    ..EE##LL;;ttttLLttLLLLttff##WWGGjjffGGDDGGKKKKKKWW####WWDDGGDDDDWW##EEEEffttffLLffGGWWWWGG;;;;ttffjjffDDDDff;;;;;;iittKKWWii  
    ;;KKKKiittKK######WWWW######################################KKKKWW##WW##################WWKKDDffttjjjjiiiiiiLLEEGGDDiittWWLL  
    ..KK##ttGG######WWDDDDEEKKDDKKWWDDKKEEKKWWEEKKEEWW##WWKKWWEELLLLDDDDDDEEEEEEEEEEEEEEKK##########WW####KKWWKK########KKiiDDEEii
      DD##ffGG######EELLLLLLLLLLGGDDLLDDGGDDDDLLLLEE####WWGGGGLLLLLLLLLLLLLLLLLLLLLLLLDDKK######WW####KKKKKKWWWWKKKKWW####ttLLWWLL
      GG##LLLL##KKKKDDLLLLLLLLLLLLLLLLLLLLLLLLLLGGWW####WWLLDDLLLLLLLLLLLLLLLLLLLLLLGGKKWW######EEEEDDLLLLLLDDEEEELLEE####ffLLWWGG
      LL##GGjj##KKLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLDDKK####WWLLEEDDLLLLLLLLLLLLLLLLLLLLGGEEKK##WW##EELLLLLLLLLLLLDDDDLLKK##WWiiGGKKjj
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          ,,KK##iiDDEELLLLWWGG  iiffffWWDDLLEE##GGff########ttGG##EELLLLEE##ttLL####WWWW########KKtt##KKLLLLLLGGWWLLLLKK;;        
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    [/musings] [permanent link]

    Remapping Keys in Vim
    While I love the keyboard on my relatively new Dell M4800, I'm not particularly fond of the placement of the Page Up and Page Down keys to the left and right of the Up arrow, and above the Left and Right arrow keys. I find myself accidently hitting those keys too frequently while editing code and jumping all over the file.

    So I remapped them. It was quite simple, because Vim is awesome. I added the following lines to my .vimrc file:

    map <PageUp> <Up>
    map <PageDown> <Down>


    This turns Page Up into a second Up arrow, and Page Down into a second Down arrow. For now, I'll leave it like that. I may remap them to the Left and Right arrows in the future. Or not.

    [/unix] [permanent link]

    19 May 2016

    New Vernon Coach and Motor Works is Awesome
    For as long as I've been a DeLorean owner, I've been taking the car to New Vernon Coach and Motor Works. They have always been professional and courteous, and they have always done top-notch work. I highly recommend them.

    [/dmc] [permanent link]

    How to Make VMWare suck less Tip #273
    Find the .vmx file for your VM and add a line

    bios.bootDelay = "15000"


    That gives you 15 seconds before the virtual machine launches the boot loader, giving you plenty of time to do things like change the boot order so you start from a recovery CD.

    [/unix] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    19 May 2016

    New Vernon Coach and Motor Works is Awesome
    For as long as I've been a DeLorean owner, I've been taking the car to New Vernon Coach and Motor Works. They have always been professional and courteous, and they have always done top-notch work. I highly recommend them.

    [/dmc] [permanent link]

    How to Make VMWare suck less Tip #273
    Find the .vmx file for your VM and add a line

    bios.bootDelay = "15000"


    That gives you 15 seconds before the virtual machine launches the boot loader, giving you plenty of time to do things like change the boot order so you start from a recovery CD.

    [/unix] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    14 Jun 2009

    The new phone book is here!
    I am now officially 5% rockstar. At least I am according to the New York Times. I am now the proud owner of DeLorean #6291 manufactured in November of 1981.



    closed
doors open
doors

    [/dmc] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
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  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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    contact

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  • index
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  • code
  • unix
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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    13 Jan 2011

    Duality
    Given the infinitesimally small reader base of this weblog, and the fact that most, if not all, of those readers know me personally, there's a good chance that you know I've fairly recently gotten a pair of tattoos.

    The first tattoo, on my right arm, is a "26.2" in a giraffe print. That number, of course, is the distance of a Marathon in miles. Approximately one tenth of one percent of the population has ever completed a Marathon. I am one of those individuals and it is because of the Giraffes, the running team my friends started and pulled me into, that I was able to accomplish this feat.

    The second tattoo, on my left arm, is a 6x8 grid of binary digits which spell out my first initial and last name in ASCII. Beneath the binary grid is a "v3.1" in a more stylized font. I was named after my father who had been named after his father, making me the third, version 3.0 if you will. In the last few years I've "upgraded." I'm smaller, faster, stronger, kinder, more extroverted and more optimistic than I was, but I am not an entirely new person. Hence v3.1.

    There's more to the meaning of these tattoos than the explanations above. They represent the duality of myself. One represents the decidedly geeky nature that has been a part of me for almost my entire life. The other represents a newer aspect of myself, the endurance athlete.

    It has been difficult for me to resolve these aspects. You were a nerd or a jock. There was a perceived inherent conflict between the two. You could be one or the other, not both. I was a nerd. I was never a jock. Now I'm both.

    And I can be both. There is no reason can't, because this is what I've become; this is what I am.

    [/musings/self] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • ToS
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  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    30 Apr 2013

    I LOL'ed

    PATIENT: "The problem is that obesity runs in my family."
    DOCTOR: "No, the problem is that no one runs in your family."

    [/running] [permanent link]

    02 Apr 2013
       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


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  •        
    14 Nov 2010

    2010 New York City Marathon
    One week ago, I ran the New York City Marathon. As noted many times throughout this blog, this race was something I've been working toward since December of 2008. This event was the culmination of nearly two years of hard work and dedication. And it was worth every single mile I've run over the last two years.

    At 9:40, the cannon was fired and the marathon started. Within minutes, I was crossing the starting line and running over the Verrazano Bridge. Not only was I running in the footsteps of the current world record holder and the first American to win New York in 27 years, I was running in the footsteps of legends.

    About three and half hours later, I entered Central Park for the last few miles of the race. I looked around and had the odd sensation that I was home.

    It's difficult to put into words the feelings of that day. Despite having completed three sanctioned marathons prior to this day, crossing the finish line was something I couldn't believe I was actually doing.

    It was absolutely amazing.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  •        
    21 Jun 2013

    Excluding directories while using pax(1)
    My primary disk is failing. There are large segments that are generating low level IO errors during read or write operations. Most of the files written to the bad area were under /usr/ports/ where the FreeBSD Ports collection is installed. A few files were under the web server's root.

    Figuring I'd take care of things prior to the disk actually failing to the point of it being irrecoverable, I purchased a new disk early. I installed it, partitioned it, and formatted it.

    To copy the data over, ignoring the areas that were causing the IO errors, I used mv to "move" the files from the web root under /usr/ports and used the following command as root:

    pax -rwvpe -s':/usr/ports/.*::gp' -X / /mnt/newdisk/

    The -X prevents pax from traversing into mount points that have a different device ID than the one on which it was started. This prevents an infinitely recursive loop from happening when the new disk's mount point would have been hit. It also prevents data on the non-failing disks from being copied as well.
    the -s option allows for sed search and replace scripts to be run. In this example, the : is used as the delimiter and any path matching /usr/ports/* is replaced by a null string. With this replacement all directories under /usr/ports are excluded from the copy.

    [/unix] [permanent link]

    18 Jun 2013

    Senator Elbert Guillory
    Elbert Guillory, a state senator in Louisiana, has switched his party affiliation from Democrat to Republican. This website has a short commentary on the matter, as well as an embedded video of Senator Guillory explaining his decision.

    [/politics] [permanent link]


       
    Eponymous
    Eponymous
       



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    [/mobile] [permanent link]

    19 Apr 2016

    1461117251
    "Each of us is willed. Each of us is loved. Each of us is necessary." - Pope Benedict XVI

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    06 Feb 2016

    1454815466
    Beautiful https://www.instagram.com/p/BBeDsOSrXEk/

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    28 Jan 2016

    1453995544
    https://m.youtube.com/watch?v=P3hY1eagq88

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    https://www.instagram.com/p/-ywsdLrXFZ/

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    24 Sep 2015

    1443142404
    This is only a test. Had this been an actual post, there would be actual content. Or not.

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    04 Feb 2015

    1423064732
    http://elitedaily.com/money/entrepreneurship/psychology-behind-messy-rooms-messy-room-may-necessarily-bad-thing/708046/

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    06 Jan 2015

    1420590331
    Castle of Dr. Brain : Sierra On-Line, Inc. : Free Streaming : Internet Archive https://archive.org/details/msdos_Castle_of_Dr._Brain_1991

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    http://en.m.wikipedia.org/wiki/Amargasaurus

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    07 Apr 2014

    1396881317
    Gear Tip: Dry Out Soggy Sneakers | Runner's World http://www.runnersworld.com/running-shoes/gear-tip-dry-out-soggy-sneakers?cm_mmc=F

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    05 Oct 2013

    1381017534
    Good night, demonslayers.

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    Test blog

    Sent from my Windows Phone=

    --_CEEC49CB-DE1D-4A1E-9DFE-114E3B54D3CB_
    Content-Transfer-Encoding: quoted-printable
    Content-Type: text/html; charset="Windows-1252"


    pe>


    Test blog R>
    Sent from my Windows Phone
    =

    --_CEEC49CB-DE1D-4A1E-9DFE-114E3B54D3CB_--

    [/mobile] [permanent link]

    1381005175
    Corning is a quaint little town. Looking forward to exploring.

    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    08 Apr 2011

    1302293987
    Why do I run?

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    02 Mar 2010

    1267567528
    6790 test.

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    20 Feb 2010

    1266681322
    256/8704. Not a PR time, but not a bad showing.

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    07 Feb 2010

    1265591788
    Game's over! The Who just won!

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    24 Jan 2010

    1264352606
    1:37:50. New half marathon PR.

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    09 Jan 2010

    1263048598
    Qualifier #1 done.

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    05 Dec 2009

    1260056285
    Hibachi in Ballston. People in VA are still afraid of snow.

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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  •        
    13 Mar 2018

    Tenth Runniversary
    Today is my tenth runniversary. It's been a decade since I first stepped on that treadmill. Like my first day running, I ran on the treadmill while listening to br\oken. I've had some set backs in my recovery. Not properly rehabilitating the atrophy in the left leg has caused some problems with the muscles around my hip. Listening to my trainer only made it worse. But now I'm taking care of it properly. Like that first day ten years ago, I have a goal I am working toward. This time it is the Dublin Marathon in October. This will be marathon number 13. I don't expect to PR. I think 10 minute miles are a much more reasonable goal at this point, but frankly I'll be happy just to cross that finish line. It's been a long, hard road out of Hell, but God has been by my side and put some amazing people in my life to help me along the way. I have to thank the Giraffes for today. I have to thank the Giraffes for much of my life this last decade. I was heading for an early grave, and they changed that. Giraffes, I thank you from the bottom of my heart and I look forward to running the LTC and many other races with you in the next decade.

    [/running] [permanent link]

    12 Mar 2018

    Take back your privacy
    Recent surveys have found that 76% of [the most visited] websites in the world cotain trackers from google and 24% contain trackers from facebook. This has been reported by CNBC, PC World, The Verge, Fortune, and Breitbart.

    Almost anywhere you go on the internet, they are following you, building a profile on you, and selling that information, your information, to the highest bidder. Even if you don't have a user account for google or facebook "services," they've built a profile of you using this surreptitiously collected data.

    It turns out there are some steps one can take to prevent these companies from following you wherever you go. It's not perfect, but it helps a lot. First, don't use Chrome. Second, install ad-blocker plugins for your browser. Third, use your firewall.

    It turns out Google and Facebook are large enough that they have their own Autonomous Systems (AS) composed of numerous subnets. Google owns AS 15169, while Facebook owns AS 32934. Using a little bit of shell, it's relatively easy to look up all the subnets owned by these companies.

    whois -h whois.radb.net -- '-i origin AS32934' | grep "^route:" | awk '{print $2;}'
    whois -h whois.radb.net -- '-i origin AS15169' | grep "^route:" | awk '{print $2;}'


    That's a lot of subnets. Because I have different operating systems on different computers and still want to block traffic to and from all those IP addresses, I've written some simple scripts to add rules to various firewalls. I have scripts for IPFW on FreeBSD, IPTables on Linux, and the Windows Firewall that should work from XP SP3 through Windows 10. I've only tested it on Windows 7 and Windows 10, and it worked in those.

    All of these scripts can be found in this directory. The IPFW and IPTables scripts are self-contained. For the Windows command shell batch files, the *ips.txt files are also needed.

    I have to say, the internet looks very different with these firewall rules in place. There are noticeably fewer advertisements and pages load faster. Embedded YouTube videos and Instagram photos don't appear. Sometimes the frame disappears, sometimes you get a "failed to connect" page appearing in a frame in the middle of a page. (Yes, these rules block YouTube and Instagram; they are owned by google and facebook and reside in the subnets owned by those companies.) On a relatively rare occasion, I come across a site using some sort of javascript or css or something hosted by a machine in one of those ASs and that will be blocked. Sometimes the site handles that gracefully, sometimes it stops being functional. A small price to take back your life.

    Update: Twitter has trackers on a decent amount of sites out there too, so I've added scripts to block Twitter's AS 13414 as well. Those scripts are in the same directories as the others.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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  •        
    26 Sep 2014

    Give My Love to the Princesses
    I was out and about and happened to run into these two lovely ladies who seemed to like the car.

    Elsa and Anna of Frozen with DeLorean Elsa and Anna of Frozen in DeLorean

    [/dmc] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


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    Subscribe
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  • index
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  • Eat. Run. Sleep.

  •        
    17 Jan 2012

    Races, Races, Races
    I've been busy the last few weeks or so; I've done a few races.

    • On October 30, I ran the Marine Corps Marathon in Arlington, VA and Washington D.C.
    • On November 5, I ran the Beavertown Fall Classic 5K in my hometown.
    • On November 6, I ran the New York City Marathon for the second time.
    • On November 19, I ran the Knickerbocker 60K Ultramarathon in Central Park.
    • On December 3, I ran NJ Winter Trail Series Race #1 Half Marathon in Wayne.
    • On December 10, I ran the NYRR Jingle Bell Jog in Prospect Park.
    • On January 7, I ran the Walt Disney World Half Marathon, part one of Goofy's Race and a Half Challenge.
    • On January 8, I ran the Walt Disney World Marathon, completing the Goofy Challenge.

    In 10 weeks I ran a 5K, a 6K, two Half Marathons, three Marathons, and an Ultramarathon, plus a few training runs in there...

    And last night Wii Fit called me a couch potato.

    In defense of the game, I hadn't used it in 547 days, and I'm now 11 pounds heavier than when I had last used it. It has no way of knowing that the vast majority of that weight gain was lean mass. It also has no way of taking into account all that I've done outside the game.
    Even with that in mind, it's still a little frustrating to be called a couch potato after running a marathon and a half last weekend.

    Each of these races were pretty special. I ran MCM alongside some fairly awesome people; people who I consider to be among my closest friends. In the Beavertown 5K, I somehow managed to take 12th overall and 5th in my age group without really trying.

    At NYC and then at the Knickerbocker, I ran with the friend who got me started running in the first place. I credit him with saving my life, and it was an honor and a pleasure to run with him.

    The trail half was my first trail race (not counting my time on the high school cross country team) and I ran that with a friend I hadn't seen since our days on the high school track & field team (she was a runner, I was thrower). We have both run full marathons in less time than it took us to complete this half.

    The Jingle Bell Jog was a fun race with bells and hot cocoa, and it was the first time I ran alongside my friend and former physics TA. And lastly, I ran the Goofy Challenge alongside another one of my close friends and training partners.

    These races were a lot of fun. Some of the courses were quite amazing to see, and these races were opportunities to spend time with some pretty awesome people.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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    contact

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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
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  • 2013
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  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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    contact

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  •        
    05 Oct 2013

    1381017534
    Good night, demonslayers.

    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]

    1381006292
    --_CEEC49CB-DE1D-4A1E-9DFE-114E3B54D3CB_
    Content-Transfer-Encoding: quoted-printable
    Content-Type: text/plain; charset="Windows-1252"

    Test blog

    Sent from my Windows Phone=

    --_CEEC49CB-DE1D-4A1E-9DFE-114E3B54D3CB_
    Content-Transfer-Encoding: quoted-printable
    Content-Type: text/html; charset="Windows-1252"


    pe>


    Test blog R>
    Sent from my Windows Phone
    =

    --_CEEC49CB-DE1D-4A1E-9DFE-114E3B54D3CB_--

    [/mobile] [permanent link]

    1381005175
    Corning is a quaint little town. Looking forward to exploring.

    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
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  • Archives

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  • Copyrights
  • Links

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  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    19 Sep 2011

    Updates!
    I realized I haven't updated this section of my blog (that no one reads anyway) in over a year. A lot has happened since then.

    I sent my DeLorean (#6291) to DMC Houston to have the frame replaced. (A quick note to anyone buying a DeLorean from a private owner: Have a mechanic you trust get the car on a lift before you buy it). The guys at DMC found a lot more wrong with the car that had been covered up. After many conversations with Steve Wynne about the car, I decided to cut my losses and sell it for parts. I tried to live the dream, and it turned into a small nightmare.

    It was then that Steve told me about a DeLorean they had just taken in from an owner in Indiana. This DeLorean was a month older than mine (built in October of 81) and had the grey interior and 5-speed manual transmission just like mine. Everything was in great condition and it only had about 9,900 miles on it. He offered me a trade-in value for my car, far more than I thought it would be given its condition.

    After some deliberation I decided if I didn't take it, I'd never have the car and my childhood dream would be dead. I agreed to the trade-in and then I began working with James Espy about all of the details of the purchase. I continued working with Steve in regard to the work being done on the car.

    They replaced the leather on the seats. While the original leather was not cracked, it was almost 30 years old and a bit dry. They replaced the headliners and the radio, and performed a full maintenance on it. They even took it to some local car shows.

    When I took delivery of the car in early September, it had just over 10,000 miles on it.

    After a year of owning the vehicle, I've put about 1000 miles on it. And I've enjoyed every one of them.

    DMC-12 at DMC Houston DMC-12 door open at 80's Night Party DMC-12 door open night time wooded area
    DMC-12 doors closed night time wooded area DMC-12 doors open front view DMC-12 doors open rear view

    [/dmc] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    04 May 2010

    If all goes according to plan...
    This time tomorrow, my car should be on its way to Texas.

    [/dmc] [permanent link]

    02 May 2010

    2010 New Jersey Marathon
    I was registered for today's NJ Marathon in Long Branch. I lost a few weeks in training due to some IT-band issues, and earlier this week was stricken with a bout of bronchitis.

    I got down there today, and 30 minutes before the race start I did a quick quarter mile and decided I wasn't over the bronchitis enough to run a marathon today. It was difficult for me to be there as the race started, watching my chance at reaching my goals disappear. As the morning went on and clouds disappeared and the temperature rose, my thoughts changed.

    Not running today was probably the best and hardest decision I've made in a while. Often the right choices in life are not the easiest to choose, no matter the circumstances.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
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  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
    There's more than one way to view this weblog; try these flavors on for size.

  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
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  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    30 Apr 2013

    I LOL'ed

    PATIENT: "The problem is that obesity runs in my family."
    DOCTOR: "No, the problem is that no one runs in your family."

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
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  •        
    27 Jun 2009

    "Because you will be approached by people with questions and stupid jokes."
    I took the DeLorean when I went to the bank this morning. I pulled into the parking lot and found a space. As I got out of the car a guy around my age came running over before I could shut the door.

    He said, "I can't believe it, this amazing. I've always wanted to see one of these. Man, I was just watching the movie last night. Can I take a picture?"

    I said, "sure" and let him know that it still needed some work so it doesn't look as good as it could. He said, "It doesn't matter; it's a DeLorean."

    Later in the afternoon I went to get some more gas. I pulled into the station, shut off the car, got out and opened the hood to get to the gas cap. Neither of the attendants on duty had seen one before and both came over to see the car. They had some questions about the body construction and the engine.

    [/dmc] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
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  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
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  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    19 Sep 2011

    Updates!
    I realized I haven't updated this section of my blog (that no one reads anyway) in over a year. A lot has happened since then.

    I sent my DeLorean (#6291) to DMC Houston to have the frame replaced. (A quick note to anyone buying a DeLorean from a private owner: Have a mechanic you trust get the car on a lift before you buy it). The guys at DMC found a lot more wrong with the car that had been covered up. After many conversations with Steve Wynne about the car, I decided to cut my losses and sell it for parts. I tried to live the dream, and it turned into a small nightmare.

    It was then that Steve told me about a DeLorean they had just taken in from an owner in Indiana. This DeLorean was a month older than mine (built in October of 81) and had the grey interior and 5-speed manual transmission just like mine. Everything was in great condition and it only had about 9,900 miles on it. He offered me a trade-in value for my car, far more than I thought it would be given its condition.

    After some deliberation I decided if I didn't take it, I'd never have the car and my childhood dream would be dead. I agreed to the trade-in and then I began working with James Espy about all of the details of the purchase. I continued working with Steve in regard to the work being done on the car.

    They replaced the leather on the seats. While the original leather was not cracked, it was almost 30 years old and a bit dry. They replaced the headliners and the radio, and performed a full maintenance on it. They even took it to some local car shows.

    When I took delivery of the car in early September, it had just over 10,000 miles on it.

    After a year of owning the vehicle, I've put about 1000 miles on it. And I've enjoyed every one of them.

    DMC-12 at DMC Houston DMC-12 door open at 80's Night Party DMC-12 door open night time wooded area
    DMC-12 doors closed night time wooded area DMC-12 doors open front view DMC-12 doors open rear view

    [/dmc] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • 2008
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  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
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  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        

       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • code
  • unix
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  • 2007
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  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    11 Aug 2009

    I want to believe
    Running never takes more than it gives back.
    Believe in the run.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        

       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


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  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
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  • 2007
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  • Copyrights
  • Links

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  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    13 Dec 2007

    chdir(2)
    So today at work another developer many years my senior, with many more years experience than I, came to me with a Unixy problem.
    "When I have a program, how can I have it so the current working directory for all processes it starts isn't the one that it started in?"
    "chdir."
    "No, I want so that if this process starts something like ls, when ls stats 'dot' I want 'dot' to be the directory that process wants it to be, not the directory that process was started from."
    After about 15 minutes of me suggesting chdir while he said that's not what he wanted but then describing chdir, I finally wrote something along the lines of the following

    #include <stdio.h>
    #include <stdlib.h>
    #include <unistd.h>
    
    int
    main (int argc, char *argv[])
    {
      system("/bin/pwd");
      system("/bin/ls");
      chdir("/tmp");
      system("/bin/pwd");
      system("/bin/ls");
      chdir("/etc");
      system("/bin/pwd");
      system("/bin/ls");
      chdir("/");
      system("/bin/pwd");
      system("/bin/ls");
      return 0;
    }
    

    I compiled that, ran it, showed him the output. He said, "Yeah, that's what I want to do."
    I showed him the code.
    "chdir does that?"

    [/unix] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    13 Jan 2011

    Duality
    Given the infinitesimally small reader base of this weblog, and the fact that most, if not all, of those readers know me personally, there's a good chance that you know I've fairly recently gotten a pair of tattoos.

    The first tattoo, on my right arm, is a "26.2" in a giraffe print. That number, of course, is the distance of a Marathon in miles. Approximately one tenth of one percent of the population has ever completed a Marathon. I am one of those individuals and it is because of the Giraffes, the running team my friends started and pulled me into, that I was able to accomplish this feat.

    The second tattoo, on my left arm, is a 6x8 grid of binary digits which spell out my first initial and last name in ASCII. Beneath the binary grid is a "v3.1" in a more stylized font. I was named after my father who had been named after his father, making me the third, version 3.0 if you will. In the last few years I've "upgraded." I'm smaller, faster, stronger, kinder, more extroverted and more optimistic than I was, but I am not an entirely new person. Hence v3.1.

    There's more to the meaning of these tattoos than the explanations above. They represent the duality of myself. One represents the decidedly geeky nature that has been a part of me for almost my entire life. The other represents a newer aspect of myself, the endurance athlete.

    It has been difficult for me to resolve these aspects. You were a nerd or a jock. There was a perceived inherent conflict between the two. You could be one or the other, not both. I was a nerd. I was never a jock. Now I'm both.

    And I can be both. There is no reason can't, because this is what I've become; this is what I am.

    [/musings/self] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    16 May 2015

    It was a good day...
    So today I woke up and watched an episode of Star Trek while I did some weight training and core work. Then I met my friend and her 5-month old baby for breakfast. That baby is so cute, and so happy too.

    After that I met another friend for a run in the Tourne where we met a fox on the Red Trail. When I got home from the run, I turned my lawn into an avant garde art installation and then took a shower.

    I took Ailsing out for a drive and on the way home she rolled over to 15,000 miles. I've had the DeLorean for about five years now, so I'm still averaging 1,000 miles per year. Not bad.

    A large part of a tree fell and missed my house by about 18 inches. So then I went and ran another Six miles during a National Weather Service tornado watch.

    Now I'm finishing up the day with a good movie and a glass of Monk's Blood.

    Today, I didn't even have to use my AK. It was a good day.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    02 Nov 2009

    19 days 23 hours...
    Just under 20 days remain until the start of the Philadelphia Marathon. Last week I ran 60 miles and felt pretty good; my hamstring and iliotibial band are healing nicely.

    I've gotten some advice from some people who have run Philly before and I'm thankful for that. Among other things, they stressed the importance of tapering. It's going to be difficult to run less when I feel so good.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        

       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

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    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • 2017
  • 2016
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  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

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  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
  • album
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  • Archives

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous

    Writing
    NIN
    JTHM
    The DNC Hates Unix Users Pt 2
    The DNC Hates Unix Users
    FreeBSD 7 SATA Weirdness
    A little less evil
    Don't be evil?
    Cuban Pete's
    Revision Control
    Another Demo Update
    CS115

    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner en Writing http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss/2008/08/31#writing
    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.
    NIN http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss/2008/08/29#nin On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:
    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight
    JTHM http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss/2008/08/26#jthm
    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
    The DNC Hates Unix Users Pt 2 http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss/2008/08/26#dnc2 Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    The DNC Hates Unix Users http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss/2008/08/25#dnc Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.
    <strike>FreeBSD 7</strike> SATA Weirdness http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss/2008/08/18#freebsd7 Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.
    A little less evil http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss/2008/08/15#google3 Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video. Don't be evil? http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss/2008/08/12#google2 There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.
    Cuban Pete's http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss/2008/08/12#CubanPetes Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.
    Revision Control http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss/2008/08/09#cvs One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.
    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.
    Another Demo Update http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss/2008/08/08#demo3 Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.
    CS115 http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/index.rss/2008/08/06#bloom A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
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  • index
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  • Links

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  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    16 May 2015

    It was a good day...
    So today I woke up and watched an episode of Star Trek while I did some weight training and core work. Then I met my friend and her 5-month old baby for breakfast. That baby is so cute, and so happy too.

    After that I met another friend for a run in the Tourne where we met a fox on the Red Trail. When I got home from the run, I turned my lawn into an avant garde art installation and then took a shower.

    I took Ailsing out for a drive and on the way home she rolled over to 15,000 miles. I've had the DeLorean for about five years now, so I'm still averaging 1,000 miles per year. Not bad.

    A large part of a tree fell and missed my house by about 18 inches. So then I went and ran another Six miles during a National Weather Service tornado watch.

    Now I'm finishing up the day with a good movie and a glass of Monk's Blood.

    Today, I didn't even have to use my AK. It was a good day.

    [/musings] [permanent link]


       
    Eponymous
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  •        
    22 Jul 2013

    Why do I run?
    So, why do I run? Here's one reason:


    [/running] [permanent link]

    15 Jul 2013

    Windows 8.1 in Virtual Box
    I was attempting to run the Windows 8.1 Preview in a VM using Sun's Oracle's Virtual Box on a Windows 7 host. I ran into a minor problem.

    The OS wouldn't boot. I received an error stating:

    Your computer needs to restart. Please hold down the power button. Error Code: 0x000000C4 Parameters: [redacted]

    Looking for the error code online led me to this article describing the issue and a fix. The key to fixing this was running the command:
    "c:\Program Files\Oracle\VirtualBox\VBoxManage.exe" setextradata "" VBoxInternal/CPUM/CMPXCHG16B 1

    The CMPXCHG16B is an instruction in 64-bit X86 processors that allows for atomic operations on octal words.

    [/musings] [permanent link]


       
    Eponymous
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  •        

       
    Eponymous
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  •        
    08 Apr 2015

    Cast Yourself

    "Cast yourself upon Him and be not afraid; He will not draw away and let you fall. Cast yourself without fear, He will receive you and heal you."

    -- Saint Augustine, Confessions: Book 8, Chapter 11

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    21 Sep 2009

    Hope Chest
    A conversation I had while helping some friends move:

    me: So what do they keep in this hope chest?
    Jaxon: Hope.
    me: So that's why it's so light.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        

       
    Eponymous
    Eponymous
       



    About
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  •        
    10 Apr 2011

    Acceptance, or lack thereof...
    A few days ago I picked up some dumbbells that had been left out, they were 40lbs each and I lifted them with one hand each. Three years ago the most I could lift, with both arms combined and "lifting with the legs," was 43lbs (the weight of my computer).

    Last month, I ran a 5K in 19:08. Yesterday during a speed workout I ran my two fastest 100m ever, 17.9 seconds and 17.87 seconds. Today I ran a 10K at a 6:24 pace, finishing in under 40 minutes. I've set a new PR in every distance I've raced this year except the half marathon, and that race I set a new record for myself on that particular course.

    I've put lost 126 pounds of fat and gained 36 pounds of bone and muscle. My body keeps getting stronger and faster.

    And I still can't accept my body for what it is....

    [/musings/self] [permanent link]

    Scotland 10K 2011
    This morning I ran the NYRR Scotland 10K for the third year in a row. The first time it was cold and raining, and I had food poisoning from eating at the Macaroni Grill the night before. (The Giraffes had a team dinner the night before and 40% of us got sick.) I ran that race at a slower pace than the 15K race a few weeks prior.

    Last year, the morning of the race was unseasonably hot and I was dealing with an ITBS flare-up. I ran that one almost as slowly as the previous year.

    All of the other 10K's I've run were always sub-par compared to my 5K and 15K times. I had never felt like I had a good 10K race. I always felt like I let myself down; like I should be doing better.

    Until today...

    Today's Scotland 10K was the first time I had a good run at this distance. When I set out this morning, my goal was a 6:56 pace, one second per mile better than my PR. Central Park was a bit chilly at about 52 degrees with an overcast sky.

    My team made our plans for meeting afterward and we took our places in the corrals. The gun went off and I started running. As soon as I crossed the starting line I decided I wanted to see how fast I could do this, how fast I could run a 10K. I wanted to see if I could break 40.

    So I ran fast and hard, watching my pace a little too closely at times. After the first mile I was warm and debating whether or not to take off the arm warmers. I decided to wait until later in the race, as one side of the park is usually warmer than the other. At about 2.5 miles I had a weird cramping feeling in the ball of my right foot, but within a few hundred meters the high kicked in and the pain went away. At the halfway point I knew I'd be close to a 40 minute finish if I kept up the pace.

    I kept up the pace until the last mile, then I sped up. I was close to the goal. I was going to make it or die trying. Well, probably not die. More likely vomit or pull a muscle or re-injure the IT-band. But not one of those problems happened. What did happen was I crossed the finish line less than 40 minutes from the time I crossed the starting line.

    For the first time, I had felt good during and after a 10K. I ran the race I wanted and the race I needed. I accomplished what I set out to do and it felt awesome.

    The official results posted a few hours later put me at 39:46, a 6:24/mile pace. This is a faster pace than my current 5 mile and 4 mile PRs. I ran at a 67.5% AG performance rating and finished 318 of 8491.

    I'm pretty pleased with myself...

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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  •        
    14 May 2009

    Awesome News
    As of today I am qualified for the 2010 New York City Marathon.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner en Writing http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss/2008/08/31#writing
    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.
    NIN http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss/2008/08/29#nin On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:
    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight
    JTHM http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss/2008/08/26#jthm
    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
    The DNC Hates Unix Users Pt 2 http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss/2008/08/26#dnc2 Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    The DNC Hates Unix Users http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss/2008/08/25#dnc Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.
    <strike>FreeBSD 7</strike> SATA Weirdness http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss/2008/08/18#freebsd7 Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.
    A little less evil http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss/2008/08/15#google3 Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video. Don't be evil? http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss/2008/08/12#google2 There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.
    Cuban Pete's http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss/2008/08/12#CubanPetes Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.
    Revision Control http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss/2008/08/09#cvs One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.
    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.
    Another Demo Update http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss/2008/08/08#demo3 Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.
    CS115 http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/2008/08/06/2008/08/25/2008/08/25/2019/2008/08/29/2022/2008/08/26/2008/08/09/index.rss/2008/08/06#bloom A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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    contact

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  • index
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  • Links

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  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • DeLorean
  • code
  • unix
  • album
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  • Archives

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  • 2018
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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous (circa 1993) Eponymous (circa 1993)*

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.
    [
    /album] permanent link

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the
    stage, the foremost screen, and Trent during Hurt.

    Setlist:


    [/musings] permanent link

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
    [
    /musings] permanent link

    The DNC Hates Unix Users Pt 2
    Looking through this
    script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.


    [/politics] permanent link

    The DNC Hates Unix Users
    Just confirming the Slashdot story (
    http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.
    [/politics] permanent link

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.
    [
    /unix] permanent link

    A little less evil
    Another posting on
    Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.
    [/musings] permanent link

    Don't be evil?
    There's a story over on
    slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.
    [/musings] permanent link

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On
    yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.
    [/musings] permanent link

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.
    [
    /album] permanent link

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found
    here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.
    [/album] permanent link

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you
    The Bloom MP3s.
    [/musings] permanent link


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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
  • album
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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        

       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • Copyrights
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  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        

       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • Giraffes
  • Eat. Run. Sleep.

  •        
    01 Jul 2009

    Countdown to Philly
    Only 144 days remain before the Philadelphia Marathon. There's still plenty of time to sign up though.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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    Subscribe
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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    23 Jun 2008

    Demo -- Update
    Rskutins recorded his drum part and sent it to me via the wonders of TCP/IP netowrking. On Friday night I finally had enough time (and motivation) to start recording.

    I spent a lot of time fighting with ProTools. It repeatedly crashed. Often, when it didn't crash, it simply stopped recording and reported that an error had occurred. I'm remembering this for the ProTools rant that will be coming in the future.

    After 45 minutes I had recorded about 6 seconds of vocals and the 24 second bass line. The next block of Copious Free Time(TM) I have, I'll begin the rough mix of the three parts. Hopefully ProTools won't crash as often during that phase.

    With any luck, it'll be mixed in the next week or two.

    [/album] [permanent link]

    03 Jun 2008

    Demo
    In the next few weeks we are going to attempt to record and roughly mix a demo of a short track which will serve as an introduction to the album.

    Currently known as 11, it is a very short piece in 4/4 time at 80bpm. It is in the key of B minor and the spoken words are taken from a quote attributed to Nietzsche.

    What upsets me is not that you lied to me, but that from now on I can no longer believe you.
    This short demo will hopefully get me motivated enough to put more time into the album.

    More information will be posted when it becomes available.

    [/album] [permanent link]

    29 May 2008

    A Brief History
    Last Summer, my friend, rskutins, and I decided we were going to write an album. He got out his drum machine, being smaller and easier to store and carry than a full kit, and I got out my bass and we started putting together some pieces that were... not good.

    We had little direction, I was afraid to play things outside of my comfort zone, and we had some problems communicating. This project quickly fell apart, but we never completely gave up the idea.

    In March I found the inspiration I needed. I talked to rskutins and we started working on an album again. This time, fueled by strong emotion, both fiery and depressed, I started by writing lyrics.

    Not all are complete, but there are about 15 sets of lyrics for us to use as a starting point. Rskutins has tweaked the lyrics in some places to make them fit a better rhythm while still maintaining the intent of the words. I am quite pleased by what he has done.

    Based on these lyrics we have begun writing short pieces here and there when we feel inspired. Rskutins has laid down some pretty good beats to start with. I've been attempting to learn some basic music theory and trying to apply those ideas to the layers on top of what rskutins has written already.

    And that's where we are now. Still learning, still writing. Our day jobs have slowed down our progress considerably so it could very well take until the Autumn before we're ready to record and mix the album.

    [/album] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        

       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
  • album
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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
  • album
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  • Archives

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner en Writing http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss/2008/08/31#writing
    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.
    NIN http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss/2008/08/29#nin On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:
    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight
    JTHM http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss/2008/08/26#jthm
    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
    The DNC Hates Unix Users Pt 2 http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss/2008/08/26#dnc2 Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    The DNC Hates Unix Users http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss/2008/08/25#dnc Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.
    <strike>FreeBSD 7</strike> SATA Weirdness http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss/2008/08/18#freebsd7 Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.
    A little less evil http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss/2008/08/15#google3 Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video. Don't be evil? http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss/2008/08/12#google2 There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.
    Cuban Pete's http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss/2008/08/12#CubanPetes Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.
    Revision Control http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss/2008/08/09#cvs One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.
    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.
    Another Demo Update http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss/2008/08/08#demo3 Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.
    CS115 http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2020/2015/index.index/2008/08/18/politics/2008/08/06/2008/08/26/2008/08/18/2008/08/2011/2008/08/15/album/2008/08/12/index.rss/2008/08/06#bloom A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
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  • 2013
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  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
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  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous (circa 1993) Eponymous (circa 1993)*

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.
    [
    /album] permanent link

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the
    stage, the foremost screen, and Trent during Hurt.

    Setlist:


    [/musings] permanent link

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
    [
    /musings] permanent link

    The DNC Hates Unix Users Pt 2
    Looking through this
    script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.


    [/politics] permanent link

    The DNC Hates Unix Users
    Just confirming the Slashdot story (
    http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.
    [/politics] permanent link

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.
    [
    /unix] permanent link

    A little less evil
    Another posting on
    Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.
    [/musings] permanent link

    Don't be evil?
    There's a story over on
    slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.
    [/musings] permanent link

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On
    yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.
    [/musings] permanent link

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.
    [
    /album] permanent link

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found
    here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.
    [/album] permanent link

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you
    The Bloom MP3s.
    [/musings] permanent link


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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous

    Writing
    NIN
    JTHM
    The DNC Hates Unix Users Pt 2
    The DNC Hates Unix Users
    FreeBSD 7 SATA Weirdness
    A little less evil
    Don't be evil?
    Cuban Pete's
    Revision Control
    Another Demo Update
    CS115

    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
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  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
  • album
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  • Archives

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner en Writing http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss/2008/08/31#writing
    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.
    NIN http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss/2008/08/29#nin On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:
    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight
    JTHM http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss/2008/08/26#jthm
    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
    The DNC Hates Unix Users Pt 2 http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss/2008/08/26#dnc2 Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    The DNC Hates Unix Users http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss/2008/08/25#dnc Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.
    <strike>FreeBSD 7</strike> SATA Weirdness http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss/2008/08/18#freebsd7 Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.
    A little less evil http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss/2008/08/15#google3 Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video. Don't be evil? http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss/2008/08/12#google2 There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.
    Cuban Pete's http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss/2008/08/12#CubanPetes Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.
    Revision Control http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss/2008/08/09#cvs One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.
    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.
    Another Demo Update http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss/2008/08/08#demo3 Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.
    CS115 http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/index.rss/2008/08/06#bloom A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.
    Eponymous
    Eponymous
       



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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    28 Aug 2012

    freebsd-update
    I'm attempting to update my laptop from FreeBSD 9.1-Beta1 to 9.1-RC1. The freebsd-update(8) utilitly was reporting an error finding the public key. A quick search found this thread. As per tangram's suggestion, I used

    env UNAME_r=9.0-RELEASE freebsd-update upgrade -r 9.1-RC1

    and then the update began working.

    [/unix] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
    There's more than one way to view this weblog; try these flavors on for size.

  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
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  • 2013
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  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
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  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous (circa 1993) Eponymous (circa 1993)*

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.
    [
    /album] permanent link

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the
    stage, the foremost screen, and Trent during Hurt.

    Setlist:


    [/musings] permanent link

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
    [
    /musings] permanent link

    The DNC Hates Unix Users Pt 2
    Looking through this
    script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.


    [/politics] permanent link

    The DNC Hates Unix Users
    Just confirming the Slashdot story (
    http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.
    [/politics] permanent link

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.
    [
    /unix] permanent link

    A little less evil
    Another posting on
    Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.
    [/musings] permanent link

    Don't be evil?
    There's a story over on
    slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.
    [/musings] permanent link

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On
    yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.
    [/musings] permanent link

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.
    [
    /album] permanent link

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found
    here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.
    [/album] permanent link

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you
    The Bloom MP3s.
    [/musings] permanent link


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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • code
  • unix
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  • Archives

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous (circa 1993) Eponymous (circa 1993)*

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.
    [
    /album] permanent link

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the
    stage, the foremost screen, and Trent during Hurt.

    Setlist:


    [/musings] permanent link

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
    [
    /musings] permanent link

    The DNC Hates Unix Users Pt 2
    Looking through this
    script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.


    [/politics] permanent link

    The DNC Hates Unix Users
    Just confirming the Slashdot story (
    http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.
    [/politics] permanent link

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.
    [
    /unix] permanent link

    A little less evil
    Another posting on
    Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.
    [/musings] permanent link

    Don't be evil?
    There's a story over on
    slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.
    [/musings] permanent link

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On
    yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.
    [/musings] permanent link

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.
    [
    /album] permanent link

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found
    here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.
    [/album] permanent link

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you
    The Bloom MP3s.
    [/musings] permanent link


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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • code
  • unix
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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • code
  • unix
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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        

       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

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  • index
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  • Archives

  • 2023
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  • 2020
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  • 2018
  • 2017
  • 2016
  • 2015
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  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

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  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
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  • 2020
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  • 2018
  • 2017
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  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

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  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
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  • 2020
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  • 2018
  • 2017
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  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

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  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
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  • 2020
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  • 2018
  • 2017
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  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous

    Writing
    NIN
    JTHM
    The DNC Hates Unix Users Pt 2
    The DNC Hates Unix Users
    FreeBSD 7 SATA Weirdness
    A little less evil
    Don't be evil?
    Cuban Pete's
    Revision Control
    Another Demo Update
    CS115

    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous (circa 1993) Eponymous (circa 1993)*

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.
    [
    /album] permanent link

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the
    stage, the foremost screen, and Trent during Hurt.

    Setlist:


    [/musings] permanent link

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
    [
    /musings] permanent link

    The DNC Hates Unix Users Pt 2
    Looking through this
    script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.


    [/politics] permanent link

    The DNC Hates Unix Users
    Just confirming the Slashdot story (
    http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.
    [/politics] permanent link

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.
    [
    /unix] permanent link

    A little less evil
    Another posting on
    Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.
    [/musings] permanent link

    Don't be evil?
    There's a story over on
    slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.
    [/musings] permanent link

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On
    yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.
    [/musings] permanent link

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.
    [
    /album] permanent link

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found
    here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.
    [/album] permanent link

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you
    The Bloom MP3s.
    [/musings] permanent link


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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    contact

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  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • code
  • unix
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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • code
  • unix
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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

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  • index
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  • code
  • unix
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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner en Writing http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss/2008/08/31#writing
    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.
    NIN http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss/2008/08/29#nin On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:
    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight
    JTHM http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss/2008/08/26#jthm
    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"
    The DNC Hates Unix Users Pt 2 http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss/2008/08/26#dnc2 Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    The DNC Hates Unix Users http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss/2008/08/25#dnc Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.
    <strike>FreeBSD 7</strike> SATA Weirdness http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss/2008/08/18#freebsd7 Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.
    A little less evil http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss/2008/08/15#google3 Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video. Don't be evil? http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss/2008/08/12#google2 There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.
    Cuban Pete's http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss/2008/08/12#CubanPetes Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.
    Revision Control http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss/2008/08/09#cvs One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.
    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.
    Another Demo Update http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss/2008/08/08#demo3 Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.
    CS115 http://skinnymf.com/~mforde/blog/index.pl/2008/08http://skinnymf.com/~mforde/blog/index.pl/2008/08/2008/08/09/unix/2008/08/06/2008/08/15/album/2008/08/06/index.index/2008/08/31/musings/musings/2008/08/29/2008/08/18/code/index.index/2008/08/06/2007/2010/2022/2020/2008/08/26/2008/08/25/index.rss/2008/08/06#bloom A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.
    Eponymous
    Eponymous
       



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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • DeLorean
  • code
  • unix
  • album
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  • Archives

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
  • album
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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
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  • code
  • unix
  • album
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  • Archives

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
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  • index
  • circa 1993
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  • code
  • unix
  • album
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  • Archives

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  • Disclaimers, Copyrights, Privacy, Etc.

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  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


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  •        

       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
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  •        

       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    30 Oct 2010

    It's been a while...
    I haven't updated this blog in quite some time. A lot has happened since the last post.

    First and foremost, I spent about two months volunteering as the Cross Country team's coach for the local Middle School. Due to budget cuts, all athletics programs were cut. The local Police Athletic League stepped up and volunteered to take over the programs. Many of the teachers who have coached in previous years did not want to do so now, so the PAL went looking for volunteers within the community.

    A friend of mine with whom I train put me in contact with the PAL and after an application and vetting process, I became a Rutgers Certified coach and began my duties.

    The team was relatively small, seventeen boys and six girls. Having never really worked with kids before, I was glad that this year's team was half the size of last year's; however I was still apprehensive about working twenty-three middle-schoolers. Thankfully, several parents helped me throughout the season. One in particular was there with me for almost every practice and every meet.

    I tried to emulate the aspects of my middle and high school coaches that I thought worked, and tried different approaches in an attempt to avoid the aspects I had never liked. I wanted to motivate and inspire these kids.

    I told them about my history as a runner: my experience in 8th, 9th, and 10th grade, my first 53-minute 5K on the treadmill in March of 2008, my marathons, my personal records, and my improvements over the last two years. I told them I would never make them do any thing I wouldn't do myself in training. And I ran with them. Whether the day's training was 100 and 200 meter repeats, running the course, "time on feet" running, or fartlek's, I ran along side them.

    During one session I was catching up to the lead group, the fastest of the 7th and 8th graders, and asked, "Are you really going to let an old man with bruised ribs keep up with you?" One of them turned and said, without breaking pace, "You're not that old and you run marathons."

    During the Cross Country season, in the last six weeks or so I've run a few races and set a few PRs. On September 19, I ran the Marathon Tune-Up 18 mile in Central Park. I set a new 18-mile PR at 2:27:34, taking 18:56 off my time from last year. Also of note, I didn't end up in medical being treated for hypothermia this year.

    The following week I ran the 5th Ave Mile. I shaved 9 seconds off from last year's race and 3 seconds off my previous best in training. My new mile PR is 5:25.

    About 2 weeks later I ran the Hartford Marathon. My friend and I got there very late the night before the race. Because we were stuck in traffic for about four and a half hours, my friend missed the on-site registration. He debated what to do while we went to dinner at a local tavern. I promptly felt sick after eating.

    The next morning we got and got ready to run. I still felt sick from the night before and threw up the previous night's meal shortly before we went to the registration packet pickup. I got my bib and timing chip and my friend failed to convince the race officials to let him enter. When he asked, "can I run unsanctioned?" the response of the somewhat sympathetic official was, "I can't tell you that you can." So my friend decided to run unsanctioned. After all, no one said he couldn't.

    We lined up in the corral. Despite the way I felt, I knew I had to go out there and run my best marathon. I had told the Cross Country team what Prefontaine had said, "To give anything less than your best is to sacrifice the gift." I had to go out there and try to PR. But as Yoda said, "Do or do not; there is no try."

    I started the race keeping the 3:45 pace group in my sights. My friend kept along side me for the first three miles then fell back a bit. I had some conversations with two runners in the pace group, Gavasker, the pacer, and Jen, a woman who was looking to BQ. I kept with them the whole way and finished in 3:43:32.

    Unbeknownst to me at the time, my friend dropped out at mile 8 and made his way back to the start/finish area. He was there at the finish line, waiting for me as I crossed the line just ahead of Jen who BQ'd with 2 minutes to spare.

    The next morning I went out with some other friends and ended up running another 24 miles putting me at 50 miles for the weekend. Monday evening I ran in a charity 5K with another friend, and then took a few days off.

    Since then, the Cross Country season has ended. They had their last meet, a few more days of practice, and then this past Wednesday they had team photos followed by an end-of-season pizza party.

    At the party the kids presented me with a plaque to say "thank you." I damn near cried when I unwrapped it and saw the photo taken at one of our practices. But if anyone asks, I'll deny that part.

    Plaque

    The 6th and 7th graders also asked me to come back and coach next year. During and since the season, I've run across some of the kids in town. Every time, they come up to me and say, "Hey coach!" And that means the world to me. It makes me think I've succeeded, that there's a possibility I've inspired them to keep running. Hopefully they'll love running as much as I do, if not more.

    I've encouraged the kids to enter our town's annual 5K next weekend and several of them have signed up. I'm looking forward to running with them again.

    [/running] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    26 Sep 2014

    Give My Love to the Princesses
    I was out and about and happened to run into these two lovely ladies who seemed to like the car.

    Elsa and Anna of Frozen with DeLorean Elsa and Anna of Frozen in DeLorean

    [/dmc] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
    There's more than one way to view this weblog; try these flavors on for size.

  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • Disclaimers, Copyrights, Privacy, Etc.

  • ToS
  • Copyrights
  • Links

  • olix0r.net
  • netmeister.org
  • Giraffes
  • Eat. Run. Sleep.

  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



    About
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  •        
    22 Sep 2011

    When will I realize...
    I've been running for 3 years 6 months and 9 days. I've been 100 pounds lighter* for 2 years 9 months and 3 days. And I still don't feel like this is my body.

    [/musings/self] [permanent link]


       
    Eponymous
    Eponymous
       



    About
    My Infrequently Updated Blog. The web-based journal of M. Forde, computer nerd, endurance athlete, and DeLorean owner


    contact

    Subscribe
    Subscribe to a syndicated feed of my weblog, brought to you by the wonders of RSS.

    Flavors
    There's more than one way to view this weblog; try these flavors on for size.

  • index
  • circa 1993
  • Sections

  • main
  • musings
  • running
  • DeLorean
  • code
  • unix
  • album
  • TBM
  • Archives

  • 2023
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    22 Apr 2011

    This makes me sick...
    This is why I was fat. I can't believe I used to eat this way... Although the Guinness Chocolate Pudding does sound good.

    [/musings/self] [permanent link]

    19 Apr 2011

    It's not magic, it's C.
    I love reading comments like

    /* These defined magically in the linker script. */
    I found that in the GNU Standard C Library implementation when GCC told me the the variables to which the comment referred were undefined. I guess that linker script isn't magic after all...

    [/code] [permanent link]

    18 Apr 2011

    25th Anniversary Lincoln Tunnel Challenge 5K
    Yesterday the Giraffes ran the Lincoln Tunnel Challenge to benefit Special Olympics New Jersey. It was the events 25th anniversary and the Giraffes' third anniversary.

    The weather was much nicer than the previous two years with far less rain than last year and a much milder temperature than the 90+ degrees of two years ago. In fact, the weather outside was ideal for running. The weather inside the tunnel was a few degrees warmer, but still in that ideal range.

    Before the race, I met up with my friend Bobby. He's an athlete who competes in the Special Olympics. We went to school together and were on the Cross Country and Track & Field teams in high school. Back then, he and I were almost always the last two runners to finish at the Cross Country meets. The difference between us was that I was a quitter and he never gave up.

    That first time I ran this race in 2008, I failed to meet my goal 31:26. When I saw Bobby after that race, it made me think back to Cross Country. His determination to never quit was one of the influences that kept me running after that day.

    Back to this year's race...
    After talking to Bobby, I met some other friends from my town who were running (but decided not to register as Giraffes... grrr...). They, as well as the other Giraffes, were running in the second wave at 8:45. It was getting close to the start of the 8:00AM wave, so I parted ways with them and took my place in the starting area. After the standard pre-race speeches, including the announcement that this year's race raised almost $180,000 for SONJ, the gun went off and the race began.

    After a few seconds in the tunnel, my watch lost satellite reception and continued using the footpod while searching for satellites. Because it went back into the open sky search mode, I couldn't see any sort of timing or pacing information on the display. I was running blind, so to speak. Having set a PR of 19:08 in the 5K last month and a previous best of 20:16 for this course, I was hoping to just break 20 minutes. The Lincoln Tunnel is essentially a "V" shape with the second and fourth quarters of the race being uphill.

    During the second half I caught up to another runner I had seen in Weehawken prior to the start of the race. As I approached, he sped up. I said to him, "You're going to make me work for this, aren't you?"

    He replied, "I don't like people passing me. And I'm trying to catch that guy," gesturing to another runner about 50 feet ahead of us.

    I said, "Okay" and started picking up the pace a bit, overtaking the runner who had been in front of us. And I kept going. I started to feel the lactic acid in my left calf. I decided to ignore it. The feeling subsided. As I neared the end of the tunnel, I could hear the announcer calling out the finishing times. I gave it everything I had left, and cross the finish line.

    I stopped my watch and saw my time at 18:57. I knew then there was the possibility I had broken 19 minutes, but it would be close. I'd have to wait for official results. But I was too excited, I had tell someone, so I text'ed a few friends.

    I reconnected with my friends from town and the other giraffes, and told them all to kick ass and chew bubblegum. I watched as their heat started and they all entered the tunnel. I went and picked up my blanket from the registration table and tried to keep warm while I waited and watched my friends finish. It brought a huge smile to my face to see each of them, and especially Bobby, cross the line.

    The Giraffes celebrated another race and another year with our traditional post-race brunch. And the waiting continued...

    The official results were posted late in the afternoon, while I was helping a friend prepare for the flooding we're experiencing for the second time in two months. A friend text'ed just before 5:00PM with

    18.55
    congrats
    
    It was two seconds faster than I thought. It was 13 seconds faster than my previous PR set only last month. I finally broke 19 minutes, and I did it on the same course on which I ran my first race three years ago. I took 16:56 off my time in those three years. I finished 9th in my age group and 33rd overall, and for the seventh time in nine races this year, I set a new PR.

    Damn, it feels good.

    [/running] [permanent link]

    10 Apr 2011

    Acceptance, or lack thereof...
    A few days ago I picked up some dumbbells that had been left out, they were 40lbs each and I lifted them with one hand each. Three years ago the most I could lift, with both arms combined and "lifting with the legs," was 43lbs (the weight of my computer).

    Last month, I ran a 5K in 19:08. Yesterday during a speed workout I ran my two fastest 100m ever, 17.9 seconds and 17.87 seconds. Today I ran a 10K at a 6:24 pace, finishing in under 40 minutes. I've set a new PR in every distance I've raced this year except the half marathon, and that race I set a new record for myself on that particular course.

    I've put lost 126 pounds of fat and gained 36 pounds of bone and muscle. My body keeps getting stronger and faster.

    And I still can't accept my body for what it is....

    [/musings/self] [permanent link]

    Scotland 10K 2011
    This morning I ran the NYRR Scotland 10K for the third year in a row. The first time it was cold and raining, and I had food poisoning from eating at the Macaroni Grill the night before. (The Giraffes had a team dinner the night before and 40% of us got sick.) I ran that race at a slower pace than the 15K race a few weeks prior.

    Last year, the morning of the race was unseasonably hot and I was dealing with an ITBS flare-up. I ran that one almost as slowly as the previous year.

    All of the other 10K's I've run were always sub-par compared to my 5K and 15K times. I had never felt like I had a good 10K race. I always felt like I let myself down; like I should be doing better.

    Until today...

    Today's Scotland 10K was the first time I had a good run at this distance. When I set out this morning, my goal was a 6:56 pace, one second per mile better than my PR. Central Park was a bit chilly at about 52 degrees with an overcast sky.

    My team made our plans for meeting afterward and we took our places in the corrals. The gun went off and I started running. As soon as I crossed the starting line I decided I wanted to see how fast I could do this, how fast I could run a 10K. I wanted to see if I could break 40.

    So I ran fast and hard, watching my pace a little too closely at times. After the first mile I was warm and debating whether or not to take off the arm warmers. I decided to wait until later in the race, as one side of the park is usually warmer than the other. At about 2.5 miles I had a weird cramping feeling in the ball of my right foot, but within a few hundred meters the high kicked in and the pain went away. At the halfway point I knew I'd be close to a 40 minute finish if I kept up the pace.

    I kept up the pace until the last mile, then I sped up. I was close to the goal. I was going to make it or die trying. Well, probably not die. More likely vomit or pull a muscle or re-injure the IT-band. But not one of those problems happened. What did happen was I crossed the finish line less than 40 minutes from the time I crossed the starting line.

    For the first time, I had felt good during and after a 10K. I ran the race I wanted and the race I needed. I accomplished what I set out to do and it felt awesome.

    The official results posted a few hours later put me at 39:46, a 6:24/mile pace. This is a faster pace than my current 5 mile and 4 mile PRs. I ran at a 67.5% AG performance rating and finished 318 of 8491.

    I'm pretty pleased with myself...

    [/running] [permanent link]

    08 Apr 2011

    1302293987
    Why do I run?

    --
    ==================================================================
    This mobile text message is brought to you by AT&T

    [/mobile] [permanent link]


       
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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
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  •        
    31 Aug 2008

    Writing

    "You need strong emotion, whether it's fiery or depressed, an extreme state of mind. I think in any art form it's the case." -- Daniel Ash


    Maybe it's my lack of experience. Maybe it's my lack of talent. I tried to sit down and write music for the song known as Ravage in the new naming scheme, but I failed miserably. When I try to force it, like I did tonight, nothing comes out right. I have ideas, I can hear them in my head, but without that inspiration, without that emotion, nothing I produce sounds right.

    I've been too happy recently and it's destroyed my creativity. I get the urge, I have the inspiration, to write when I feel negative emotions. I need anger; I need depression. It is in dealing with these emotions that I am able to write.

    I have tried several times to force myself to feel this way. This usually buys me a few minutes in which I can write, but it often fails. Because the emotions are artificial, the results are mediocre at best.

    I find this situation to be quite frustrating. I want to move forward with this album, but without that inspiration I am unable to do anything.

    In the meantime, I'm slowly teaching myself to play guitar and, to a much lesser extent, a keyboard-style synthesizer. I've also been going through materials my music teacher friend gave me to learn some basic music theory. Hopefully once I find that needed inspiration, or find a way to work without being angry or depressed, this new knowledge will make things easier.

    [/album] [permanent link]

    29 Aug 2008

    NIN
    On August 27th, I attended the Nine Inch Nails concert in East Rutherford, NJ held at the arena. I think I enjoyed it.

    I ordered a pair of tickets through nin.com during the presale. Tickets went on sale at 5:00PM, I managed to get through by 5:05 and ended up with two tickets for Section 121, Row 8, opting not to purchase floor seats. I went with a friend with whom I've attended a number of concerts, including the Bauhaus/NIN show at PNC Arts Center in 2006.

    As per the terms of the nin.com presale, we had to pick up the tickets at the venue. Because of this fact, and the massive amount of pointless and unnecessary construction at the Meadowlands, we decided it would be best to get there early.

    My friend took the night off from work and I picked him up at his apartment after I got out of work. We grabbed a quick meal at a nearby Wendy's (which I'm still paying for...) and then headed over to the arena.

    We arrived around 5:30PM, about two hours before the show. We asked one of the security staff if the box office was open because we had tickets waiting at Will Call. He informed us that the box office opened several hours prior and we could pick up our tickets.

    We headed toward the box office and found a long line. We waited for a few minutes and noticed that the line had not moved at all. Figuring that a line for Will Call would be moving slightly faster than not-at-all, I went to investigate while my friend saved our place in line.

    After a short walk I found another line marked by a sign reading "NIN.COM PRESALE TICKET HOLDERS." I asked the event staff member near the line if that was the line to pick up the tickets. He explained the procedure to me.

    I went and got my friend from the other line and explained to him what the staff had just told me. He then waited outside while I walked into the box office, passing event staff who asked if I was picking up the presale tickets. Inside, another staff member indicated I could pick up the tickets on line 13 or 14. I picked up the tickets, went back outside and we got on line. The staff member who had explained the procedure to me came over to us, checked our tickets, and gave us wrist bands.

    A little while later, just before the gates were set to open, another staff member came down the line checking people's tickets. He looked at ours, cut off our wrist bands, and told us to skip the line and enter the arena through the box office lobby. It seems people with lower section tickets were let in while people with General Admission floor tickets remained on the line.

    Once inside the door, we waited on another line for about 30 seconds to have our tickets scanned for entry into the arena. On the other side of the turnstile, an escalator brought us up to the main floor. We walked around realizing we came in almost directly opposite our section. We stopped at one of the entry ways to have a look at the stage. The staff member at the entry asked to see our tickets. We told him we were on the other side but just wanted to take a quick look at the stage. He had no problem with this. I asked him if he new what time the opening act would be start and he replied, "7:30." I then asked if he knew what time Nine Inch Nails would go on. He took a piece of paper from his pocket, unfolded it, then said, "They'll be on from 8:40 to 10:55." I thanked him and we moved on. We found our section and went down to our seats.

    It turns out that row 8 is actually row 3. We were at the level of the stage and about a hundred feet away. We were angled enough to have a view of almost the entire stage (the lights on the stage right we facing away from us).

    After that we then decided to walk around for a while since we had quite a while until the openers started.

    I stopped and purchased an overpriced souvenir t-shirt at one of the merchandise stands. I should have gotten it a size smaller than I did. I'm still not used to not being overweight. We stopped at a concession stand and payed way too much for water, then did a few more laps around the arena. Finally we went back to our seats.

    At 7:30 the opening act, Does it Offend You, Yeah?, took the stage. They were pretty good. I enjoyed their music despite having heard only one song prior to that evening. It was hard to hear their vocals because the gain on the microphones seemed to be a lot lower than it should have been, especially while they were playing. They thanked the crowd for not booing. When the announced that their next song would be their last for the evening, people cheered. The guitarist quickly replied, "Thank you to all the people who cheered because they like us."

    I was fairly impressed by their set and wish it had been a little bit longer, maybe another song or two.

    At 8:45 Nine Inch Nails took the stage as 999,999 played. As soon as it ended, 1,000,000 started. The continued with a few more songs from The Slip. After Discipline, the band tore into March of the Pigs. The crowd exploded.

    The band made extensive use of three screens, which could be raised and lowered, throughout the night. During The Warning and Vessel, the screen to the front of the stage obscured most of the stage as the instruments used for the almost-acoustic Ghosts set were set up. Justin Meldal-Johnsen played a bass violin during the Ghosts set, which included a new rendition of Piggy.

    After that part of the evening's set, the front screen was used again to hide the stage as the instruments were removed during the next song, which featured an animation set to the music and live video of Trent Reznor being processed on-the-fly to distort his image. I think the only way to describe the processed video is to say it looked like white noise in the shape of a person's face.

    At the end of that song the screen turned completely blue. As Pinion played, the screen's lights were turned off in a rather unique way until the screen did little to obscure the band. The screen was raised quickly as the band tore into Wish, followed quickly by the classic Terrible Lie.

    The entire 31 song set, including the five song obligatory encore was about 2 hours and 15 minutes. It was an amazing show. The set highlighted the musical ability and range of the performers and featured songs from all of NIN's major releases. The visual element of the show was well thought out and very well executed, adding to the music rather than distracting from it.

    I took a few pictures using the low-res camera built into my phone. There is one of the stage, the foremost screen, and Trent during Hurt.

    Setlist:

    • 999,999
    • 1,000,000
    • Letting You
    • Discipline
    • March of the Pigs
    • Head Down
    • The Frail
    • Reptile
    • Closer
    • Gave Up
    • The Warning
    • Vessel
    • 5 Ghosts I
    • 17 Ghosts II
    • 19 Ghosts III
    • Ghosts Piggy
    • The Greater Good
    • Pinion
    • Wish
    • Terrible Lie
    • Survivalism
    • The Big Come Down
    • 31 Ghosts IV
    • Only
    • The Hand That Feeds
    • Head Like a Hole
    • - Encore -
    • Echoplex
    • God Given
    • The Good Soldier
    • Hurt
    • In This Twilight

    [/musings] [permanent link]

    26 Aug 2008

    JTHM

    There's nothing terribly wrong with feeling lost, so long as that feeling precedes some plan on your part to actually do something about it. Too often a person grows complacent with their disillusionment, perpetually wearing their "discomfort" like a favorite shirt. I can't say that I'm very pleased with where my life is just now... But I can't help but look forward to where it's going.

    -- Jhonen Vasquez, "Johnny the Homicidal Maniac: Director's Cut"

    [/musings] [permanent link]

    The DNC Hates Unix Users Pt 2
    Looking through this script, it appears that DNC is relying on Microsoft's Silverlight plugin. Currently, this browser plugin is supported for a limited selection of browsers on a limited selection of operating systems. A relatively complete list of supported platforms can be found here.

    Knowing full well how limited the support for this technology, the DNC still decided this was the best solution.

    I hope the RNC will use technologies that are more cross-platform than this. Currently the video available at their site is based on Flash. While Flash support is a bit shaky outside of Windows and Mac OS, it is supported in Unix.

    [/politics] [permanent link]

    25 Aug 2008

    The DNC Hates Unix Users
    Just confirming the Slashdot story (http://news.slashdot.org/news/08/08/25/229210.shtml):

    We're sorry, but the Democratic Convention video web site isn't compatible with your operating system and/or browser. Please try again on a computer with the following: Compatible operating systems: Windows XP SP2, Windows Vista, or a Mac with Tiger (OS 10.4) or Leopard (OS 10.5). Compatible browsers: Internet Explorer (version 6 or later), Firefox (version 2), or, if you are on a Mac, Safari (version 3.1) also works.


    My User Agent string is currently "Mozilla/5.0 (X11; U; FreeBSD i386; en-US; rv:1.8.1.3) Gecko/20070527 Firefox/2.0.0.3"

    So not only does the Vice Presidential nominee want to expand the powers of the DMCA, the entire party wants to prevent Unix users from obtaining information.

    [/politics] [permanent link]

    18 Aug 2008

    FreeBSD 7 SATA Weirdness
    Over the weekend I installed the x86-64 build of FreeBSD 7 on my workstation, dib. I haven't had time yet to configure everything to my liking yet, but almost everything works.

    The one really annoying issue centers around a SATA DVD burner. When this device is attached to the primary SATA controller (ICH7), the system refuses to boot from the hard drive. It reports that no system disk has been found. I've tried all of the SATA settings options in the BIOS and none work.

    If I connect the SATA burner to the secondary Marvell "RAID" controller the system boots from the hard drive without issue. In Windows, this requires another driver (which for some reason installed a copy of apache along with it). Under FreeBSD 7; however, this second controller seems to be currently unsupported, leaving me with only the IDE burner available.

    I may spend the $20 and get another IDE burner and just forget about the SATA issue, but I really would like to know what the problem is. If any one has any idea why the system would fail to boot from a SATA hard drive when a SATA optical drive is attached, please email me and give me some insight into this issue. Maybe the Unix category wasn't the best for this. I spent more time discussing the hardware/BIOS weirdness than the installation or configuration of FreeBSD7. In fact, FreeBSD 7 isn't a very good title for this either. I'm going to change that.

    [/unix] [permanent link]

    15 Aug 2008

    A little less evil
    Another posting on Slashdot reports that YouTube (owned by Google) contacted the IOC concerning the take down notice recently filed. After being contacted, the IOC backed down. YouTube (owned by Google) restored the video.

    [/musings] [permanent link]

    12 Aug 2008

    Don't be evil?
    There's a story over on slashdot about the International Olympic Committee demanding YouTube (owned by Google) remove a video of a Free Tibet protest. Of course YouTube (owned by Google) removed the video immediately.

    The video of the protest was filmed in New York, because the protest was in New York near the Chinese Consulate. Last time I checked, which granted was a while ago, New York was in the United States. Also the last time I checked, we had the right to free speech in this country.

    Maybe I'm ignorant. Maybe I'm just dumb. To me, this sounds like the IOC and Google denying the protesters their freedom of speech.

    [/musings] [permanent link]

    Cuban Pete's
    Last night I went to dinner with some friends. After debating for a while, we finally decided on Cuban Pete's on Bloomfield Ave. in Montclair.

    We arrived and the restaurant was a little crowded, but the three of us were seated in the outdoor dining area rather quickly. The weather at the time was nice, with clear skies and a comfortable temperature in the mid- to upper-seventies; beautiful Autumn weather.

    We looked over the menus and made our decisions and then waited. And waited. And waited a little more. Eventually our waiter, Miguel, came over to the table and took our order. My one friend attempted to order the breaded steak. Miguel quickly said, "You don't want that. It's not very good." My friend took his advise and ordered something else instead. After Miguel took our order he quickly came back with our drinks.

    We then waited. And waited. And waited some more. After about 25 minutes, the tapas we had ordered as appetizers finally came out. We split orders of chicken empanadas, beef empanadas, fish fritatas, and goat cheese fritters. All of these were quite tasty in my opinion and only to make us hungrier. At this point we had arrived at the restaurant a little over an hour prior.

    As we waited for our entrees, the sun set and the air became rather cold for August. Eventually our food arrived. We were all very hungry at this point and starting to run short on time as well.

    The food was all quite good. One friend had a Cuban burger made from beef and pork served with potato sticks. He said he liked the burger a lot, but the roll left a lot to be desired. My other friend and I both ordered the marinated skirt steak. The steaks were served with rice, black beans, and fried plantains. All of the side dishes were good. I was less than thrilled with the plantains, but then again, I've never really liked plantains. My friend liked her plantains even less than I did. The steak was quite good and the best I've had in a very long time; however, it was the first steak I've had in several months.

    As we were finishing our meals, it began to rain. Apparently some clouds rolled in as the sun was setting. We quickly finished the last few bites and we ran inside. We got our bill from Miguel, paid, and headed back to the car while the rain was still just a drizzle.

    Overall, I enjoyed the evening. The food was good. Miguel was friendly. The service was a little slow. We were there for a good two hours, an hour and a half of that waiting for our meals. On yelp.com there's more details of other people's experiences at Cuban Pete's; a lot of them more opinionated than mine. Some people loved it, others hated it. I thought it was okay. I'd like to go there again, when I have three or four hours to sit and wait for food. I've heard good things about the paella there and I'd like to try it.

    [/musings] [permanent link]

    09 Aug 2008

    Revision Control
    One could argue that this should be filed under the Unix category, but this post is more about the album than it is about the Concurrent Versions System.

    Friday night I created a CVS repository on this server to manage album related files. After discussing it with rskutins, we agreed on several key points.

    First, with changes being made a little more frequently than before, it would be best to have some way to track what was going on, and to be able to roll back to a previous version if the changes don't quite work out. Second, we wanted to have a way to organize several files for each song, for instance, lyrics, notes, bass tabs, drum tabs, etc. Last, and maybe the most important reason for the reorganization, we wanted to move away from the numbering scheme that was in place. Each song was numbered from 0 to 17. This was fine until we realized 11 was likely to be the first track on the album.

    Now the album is stored in a CVS repository. This will keep a version history of each file, allow us to simultaneously work on parts of the album, and merge our changes.

    Within this repository we now have a tree structure where each song has its own directory. The directory will hold any and all files related to that song. In an effort to move away from the numbering scheme, an arbitrary naming convention was mutually agreed upon. The songs are now known by names such as Soundwave, Ravage, Frenzy, and Rumble.

    The album is starting to come together. I feel motivated to work on it and recently I've found myself inspired to write. Now if only I had time.

    Omlette listened to the Accidental Mix I posted (of the song now known as Soundwave) and gave me some feedback.

    It sounded ominous. I don't know how else to describe it since I'm not familiar w/ either artist. Oh wait. Were you mixing your own stuff?
    Ominous seems like it could be a good thing given the current direction of the album.

    If anyone else takes the time to listen to it, I'd appreciate any comments or suggestions. If you don't have it, my contact information is on this page.

    [/album] [permanent link]

    08 Aug 2008

    Another Demo Update
    Two weeks! Ha! It's been closer to two months.

    A few days ago I had some time so I sat down with the ProTools set up again. After considering some advice from jlight, I decided to record a second track of the bass line. I decided to use my Yamaha for the second track, as I had used my Fender for the original recording back in June. The two instruments have different characteristics in their sounds and the two playing together seems to add a "fullness" to the sound.

    So all I had to do was record 24 seconds of bass and put together a mix. This should take, what, 15 minutes? It took 45 just to record. Once again ProTools repeatedly crashed. When it wasn't crashing, it would report an error and stop recording. Does anyone know if there are updates for ProTools LE 7.1 that will fix this issue? As it stands now, I can't run ProTools for more than a few seconds without disabling multi-core support on my CPU. I have multiple processors. It is a multi-threaded application. It should run better... But I'll save this for that upcoming ProTools rant I keep promising.

    Anyway, after about an hour and fifteen minutes, I got two mixes complete. One of them was accidental and sounds, "interesting." The other is closer to what I had in mind. While I wait for feedback on the actual mix from certain people, everyone is free to enjoy the accidental mix found here.

    If anyone actually listens to it, I'd be happy to accept any comments and criticism.

    [/album] [permanent link]

    06 Aug 2008

    CS115
    A number of years ago, Stephen Bloom taught CS115 at Stevens Institute of Technology. Any one familiar with his teaching style is well aware of how "animated" he can be in class. In this particular course, one student made some recordings of the lectures.

    Copies circulated around campus, but over time these recordings became harder to find. In an effort to preserve a piece of history, I present to you The Bloom MP3s.

    [/musings] [permanent link]


       
    Eponymous
    Eponymous
       



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  •        
    09 Dec 2009

    Who... What are you?
    I was running earlier tonight and around mile 7 I was going up a steep, winding, dark hill. Near the top a couple was walking their dog. They saw the flashing lights on my shoes and wrists and, when I got close to them, the woman said, "We were trying to figure out what you were."

    "I'm a runner."

    [/running] [permanent link]


       
    Eponymous
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  •        
    22 Jan 2008

    Best Buy Charges Customers for Exchanges
    This weekend I witnessed a friend try to exchange an item at Best Buy. He had mistakenly purchased the full-screen version and wanted to exchange it for the wide-screen version. While he did not have his receipt, it still had the Best Buy sticker on the shrink wrap as well as the $19.99 price tag.

    The signs on the shelf indicated that the wide-screen version was also $19.99 and as of January 22, both versions are $19.99 on the Best Buy website.

    My friend waited online patiently for about 15 minutes to make his exchange. He handed the Blue Shirt both the full-screen version he had purchased and the wide-screen copy he picked up before going to the customer service line. The Blue Shirt asked if he had paid cash or credit and when my friend said credit, the Blue Shirt asked for his card.

    The Blue Shirt swiped the card and pushed a bunch of buttons then told my friend he'd have to pay $5.35 ($5 plus 7% sales tax) due to a "difference in price."

    When we questioned this "difference in price" we were told, "Wide-screen always costs more than full-screen."

    I am boycotting Best Buy and I urge others to do the same. This company has a long history of using underhanded tactics to increase profitability at the expense of its employees and its customers.

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